Das ist eine Dokumentation zum Zaun in Wesseling.

Roy Wesseling licht zijn keuze voor IJsselmeervogels voor de camera van IJsselmeervogels Media toe na de nieuwjaarsreceptie begin januari 2008. Ook bestuurslid Technische zaken Peter Frans Heinen licht de keuze vanuit het bestuur toe.

Artist: Maria Riccarda Wesseling Promoter: Festival de Beaune Source: Radio France Musique (live broadcast) Concert: 26 July 2008 Production: Orphée et Eurydice (Paris version) Role: Eurydice Aria: "Cet asile aimable et tranquille" (Eurydice's 1st aria) Orchestra: Le Cercle de l'Harmonie Conductor: Jérémy Rhorer

Artist: Maria Riccarda Wesseling Production: Orpheus und Euridice (Gluck) Role: Title role Orpheus Aria: "Ach ich habe sie verloren" Promoter: Opéra National de Paris (Palais Garnier) Producer: Pina Bausch Conductor: Thomas Hengelbrock Orchestra: Balthasar-Neumann-Ensemble Arte TV: live broadcast on 16 February 2008

Promotiefilm Hotel Wesseling Hotel de Brink Hotel Bieze

Dejanira from "Hercules" (HWV 60) Where shall I fly? Where hide this guilty head? O fatal error of misguided love! O cruel Nessus, how art thou reveng'd! Wretched I am! By me Alcides dies! These impious hands have sent my injur'd lord Untimely to the shades! Let me be mad! Chain me, ye furies, to your iron beds, And lash my guilty ghost with whips of scorpions! See, see, they come! Alecto with her snakes! Megaera fell, and black Tisiphone! See the dreadful sisters rise! Their baneful presence taints the skies! See the snaky whips they bear! What yellings rend my tortur'd ear! Hide me from their hated sight, Friendly shades of blackest night! Alas, no rest the guilty find From the pursuing furies of the mind! ------------- The despair and guilt over the death of her beloved Hercules drive Dejanira mad. Horrified that she has become the agent for Nessus' revenge, she has a vision of the furies (Alecto, Megaera, Tisiphone) rising to torment her guilty soul. "Although as Rinaldo, Giulio Cesare or Amadig I had wonderful music to sing, it was the female figures in the mezzo-soprano range that had a great deal more flesh and bones as characters; they were marked by many more layers and colors, they were more daring and bolder, darker, more malicious, more passionate, more insane, etc. Most often they turned out to be the actual masterminds and principle figures in the respective operas." [Swiss mezzo-soprano M.R. Wesseling] ------------- If you like this, go buy the CD (it's definitely worth it!): handel portraits of mezzo-soprano heroines maria riccarda wesseling lautten compagney berlin wolfgang katschner Deutschlandradio Kultur

CD version: G.F. Handel, Amadigi di Gaula For me a milestone in Handel Opera recording, terrific from the Ouverture to the final Tarantella! Bravo to the fabulous artists: Eduardo López Banzo, Al Ayre Español Amadigi: Maria Riccarda Wesseling Oriana: Elena de la Merced Melissa & Orgando: Sharon Rostorf-Zamir Dardano: Jordi Domènech AMADIGI ******************** Sento la gioia, ch'in sen mi brilla, e già scintilla nel ciel la stella del Dio d'amor; sarò beato con te, mia bella, e amico il fato già mi promette contento al cor. ******************** I feel joy glowing in my breast, and already in Heaven the star of the God of Love shines forth. I will be happy with you, my fair one, and kindly Fate promises me a contented heart. ******************** If you like this, go and buy the HIGHLY RECOMMENDABLE CD George Frideric Handel: Amadigi di Gaula Al Ayre Español, Eduardo López Banzo 2007 Naive

CD version: G.F. Handel, Amadigi di Gaula For me a milestone in Handel Opera recording, terrific from the Ouverture to the final Tarantella! Bravo to the fabulous artists: Eduardo López Banzo, Al Ayre Español Amadigi: Maria Riccarda Wesseling Oriana: Elena de la Merced Melissa & Orgando: Sharon Rostorf-Zamir Dardano: Jordi Domènech The melody is taken from an Italian Marian Cantata, which Handel wrote during his stay in Italy a couple of years before, so if you want to hear an interpretation of Anne Sofie von Otter of almost the same aria, check http://uk.youtube.com/watch?v=is463Dvb66Q AMADIGI ************************** Vado, corro al mio tesoro, non apprezzo il tuo furor; per un vago e bel crin d'oro (HEY, CRINDORO!!!) foco e fiamme è poco al cor. ************************** I go, I hasten to my treasure, I heed not your fury; to gain such lovely golden locks, fire and flame are a small price to pay ************************** Parto, corro junto a mi tesoro, tu furor no tomo en cuenta; por un gracioso y bello cabello de oro fuego y llamas no son nada al corazón. ************************** If you like this, go and buy the HIGHLY RECOMMENDABLE CD George Frideric Handel: Amadigi di Gaula Al Ayre Español, Eduardo López Banzo 2007 Naive

Interview with Michel Wesseling of ISS on FOCUSS, an optimized search engine for development

Zenobia from "Radamisto" (HWV 12a/12b) Son contenta di morire, empia sorte, astri tiranni, per placar vostro furor. Fate pur che le vostr'ire in me volgano gli affanni, si la morte darà fine al mio dolor. ------------ I am content to die, pitiless fate and cruel stars, to appease your wrath. Just make your anger turn its toorments upon me, and so death will bring an end to my sorrow. ------------ Zenobia, wife of the conquered prince Radamisto, fears the victorious Tiridate who has fallen madly in love with her. She pleads with Radamisto to kill her so that she will not fall into the hands of their enemy. Radamisto refuses, Zenobia then throws herself into the river but to her horror is saved. "Although as Rinaldo, Giulio Cesare or Amadig I had wonderful music to sing, it was the female figures in the mezzo-soprano range that had a great deal more flesh and bones as characters; they were marked by many more layers and colors, they were more daring and bolder, darker, more malicious, more passionate, more insane, etc. Most often they turned out to be the actual masterminds and principle figures in the respective operas." [Swiss mezzo-soprano M.R. Wesseling] ------------- If you like this, go buy the CD (it's definitely worth it!): handel portraits of mezzo-soprano heroines maria riccarda wesseling lautten compagney berlin wolfgang katschner Deutschlandradio Kultur

Medea from "Teseo" (HWV 9) Sibillando, ululando atterrate la rival che mi scherni! Nè a punirla vi stancate, ch'il tormneto fà contento questo cor ch'ella tradi. ------------ With hisses and screams strike down the rival who cheated me! Do everything in your power to punish the one who torments me, soothe this heart that she has battered. ------------ Medea, having killed her own children, flies to Athens where she hopes to find peace. Head over heals she falls in love with the war hero Teseo who is in love with Agilea. Medea becomes jealous. She tortures her rival Agilea and calls for help from the powers of the underworld. "Although as Rinaldo, Giulio Cesare or Amadig I had wonderful music to sing, it was the female figures in the mezzo-soprano range that had a great deal more flesh and bones as characters; they were marked by many more layers and colors, they were more daring and bolder, darker, more malicious, more passionate, more insane, etc. Most often they turned out to be the actual masterminds and principle figures in the respective operas." [Swiss mezzo-soprano M.R. Wesseling] ------------- If you like this, go buy the CD (it's definitely worth it!): handel portraits of mezzo-soprano heroines maria riccarda wesseling lautten compagney berlin wolfgang katschner Deutschlandradio Kultur

treffen fur qwads, karts un buggy's

Ten minute remix of DJ Miesta @ S-Sence Club Wesseling Delft. The best house beatz for you now! Kom op 10 mei 2008 naar S-Sence: The Dirty and funky sound in Club Wesseling Delft. www.s-sence.nl

Interviews mit Michael Denkewitz, Conny Wieting, Jonas Wendt, Jupp Farkas und Konrad Czarnetzki für Fanceter TV nach Spielende. Mehr Infos über Viktoria Köln von Fans für Fans unter http://viktoria-koeln-fancenter.de

Höllenmob im Heimsektor II. Fortuna Köln vs. Wesseling-Urfeld Der Mob freut sich nach Spielende. Zurecht. Wieder bei SC Fortunaaaaa gewesen... 6:0 gewonnen!!! Gegen die Erzrivalen von, huestel, naja, "Wesseling-Urfeld".... Verbandsliga. Freitagabends. Gut. Diesmal ist das Bier auch nicht ausgegangen, man hat nur in der 84min. auf Flaschenbier umgestellt... 1500 Zuschauer. Aber viele "Studente'koepp", die fuer umme reinkommen. Das müssen wir ändern, sobald sie Vollakademiker sind, müssen sie umgehend Vollzahler werden. Dennoch: Meine Quote ist besser als bei BMG, 2 Spiele, 10:1 Tore ;-) "Fahr' nach Mailand, um BMG - oder auch Fortuna Koeln - zu sehen.... Eines Tages, eines Tages, eines Tages, Du wirst sehen...." Höllenmob I: http://www.youtube.com/watch?v=0V-eQdUsBjo P.S.: Morgen dann Ultra bei "Neoliberalia Wetzlar".

De A-selectie van IJsselmeervogels had afgelopen zaterdagochtend de eerste training na de zomerstop. VogelsTV vroeg Roy Wesseling terug en vooruit te kijken.

Na 7 edities van S-Sence gaat het succesvolle concept gewoon door! Op 4 oktober 2008 gaat het dak er weer af in Club Wesseling Delft met de beste house en eclectic beats, tijdens een nieuwe editie van: S-SENCE. Zoals voorgaande edities kun je weer een spektakel verwachten. Komende editie heeft als thema Rich & Famous. Keiharde house beats pompen door de funktion one speakers, gepaard met een oogverblindende show, waarbij de volgende line up van DJ's zorgen voor een waanzinnige avond: - Lucien Foort - Dominique Base - Miesta - The outsiders - Chris Dupree - Uncle P Kaarten zijn vanaf 28 augustus online te koop bij easyticket.nl voor 10 euro per stuk. Kaarten van easyticket zijn ook te koop bij: - Velvet Music - Voldersgracht 3 Delft Vanaf 5 september zijn ze bij de volgende voorverkooppunten te koop: - Mios Delft - Sounds Delft - Club Wesseling Delft - www.clubwesseling.nl Evenement info: Datum: 04-10-2008 Venue: Club Wesseling Delft Tijd: 22.00 -- 04.00 Prijs vvk: 10,- Prijs deur: 15,- Route: www.s-sence.nl

gezongen door Huub wesseling met dank aan don cartel opgedragen aan elvis the king presley

Vato Gonzalez Draait Mijn Nummer: 'Flavo - Big Boyz Knob (Original Mix)' @ Flavourz, 26/09/08, Club Wesseling @ Delft

Intervista ad Otto Wesseling mago comico del nuovo spettacolo di Arturo Brachetti "Gran Varietà"

Audi RS 6 auf Autobahn A555 Wesseling - Köln

Artist: Maria Riccarda Wesseling Opera: Carmen (Bizet) Role: Title role Carmen Aria: "Seguedille" Orchestra: Orchestre Symphonique de Mulhouse Conductor: Daniel Klajner Concert: live recording 2 August 2006

Apex: Cockaigne - Youthless

wil graag weten wat jullie er van vinden...

Artist: Maria Riccarda Wesseling Promoter: Festival de Beaune Source: Radio France Musique (live broadcast) Concert: 26 July 2008 Production: Orphée et Eurydice (Paris version) Role: Eurydice Aria: "Fortune ennemie, quelle barbarie" (Eurydice's 2nd aria) Orchestra: Le Cercle de l'Harmonie Conductor: Jérémy Rhorer