Vanguardism I - Lol? - Excuse me, sir/lady This is... !!!VaNgUaRdIsM¡¡¡ Lol Because of pieces of art like this one people ask me what the hell I have for breakfast ¬¬ Just Art!!! ENJOY!

La primera parodia de Carcass en català. El video no tracta de burlar-se ni ofendre a Carcass ni als seus fans.

This is my favourite scene from the third chapter of this awesome anime serie. Really psychedelic, dialogs are just like open to chance, got me? ;) And if both of this have a good result, it´s pure Vanguardism. Sounds a bit like Purple Haze, doesn´t it? I´d like to know the title of this song... but maybe it doesn´t exist

Mini-tutorial.

地點：新店高中側門 人物：花花、鼻子

Giuseppe Badalamenti: : ) , hecho cn una handycam mini-dv , jajaja, fue para un curso de la u, pero no cubria prestamo del equipo , igual ta hecho, disfrutenlo talvez encuentran algo de ustedes mismos reflejados alli, cuidense gente muchos saludos. (vease cn audifonos si se puede) Pasenlo a mas gente si pueden : ). Actriz: Raquel Boza Direccion y guion: Giuseppe Badalamenti Montaje y Fotografia: Guerrero y Giuseppe Badalamenti Asistente de Fotografia: Mauricio Quiroz Sonido: Giuseppe Badalamenti Diseno de Arte: Adriana Montealegre

Oh no the world is going crazy! Hell is close!

A post-modern art piece, that shows two perfect american kiddo specimen, the male subject is half-latin or something else. They´re was trapped doing this findish thingy once, and camera caught the natural moment. This art clip gives by means of his contemplation, the feeling of american essence to people, first right and later sickly and lacking in sense. The first case in a fictional sense too. The colours are emotions, speed is desire, position is mental focus. Finally, i want to say that girl imitates to ape like children do in the same mode with eldest brothers or cool friends.. She does it but without spirit or true intention... Simple Nature Imitation.

Daniel Taubkin & Arrigo Barnabé performing "Cidade Oculta"-("Hidden City"), theme from "Cidade Oculta"- a motion picture directed by Chico Botelho/ music by Arrigo Barnabé and Eduardo Gudin/ lyrics by Roberto Riberti/(in "Uma Beleza Estranha" CD-Organismo Vivo - Tratore) and "Diversões Eletrônicas"/ music written by Arrigo Barnabé and Regina Porto// sound: Marcos Shampoo/ produced by Lúcia Rodrigues/ Projeto Musical "Segundas na Esquina"/ Livraria da Esquina/ São Paulo City/ Brazsil/ video recording: Ari Hollaender/ video editing: Adelson Ferreira- VTS Video/ Upload: Xandugo/ //////////////////////////////////////// In a recent interview, the Brazilian singer Daniel Taubkin made some interesting remarks about the June 27th,1999's NYTimes reviewed concert at Beacon Theater*, in New York City, where the world known Brazilian popstar Caetano Veloso presented a Newyorker avant premiere of a fresh novelty that sounded quite a rendition, almost a cover version of Arrigo Barnabe's ground breaking music, a song called "Doideca"(in "Livro"-Nonesuch-USA), preceeded by an articulate introduction, made by the "bossadonovan" artist in a fluid English specially adressed to a selected audience, where he brilliantly disclosed about pop, electro, modern and high art, mentioning composers such as Schoenberg,Glass, Cage, and their connection to his "new invention". Its also interesting to notice that amongst hundreds of Caetano's articles, reviews and interviews published through almost thirty years in the New York Times, the name of Arrigo Barnabé was never mentioned, although his innovative music had a major influence on the anthroprophagic songwritting of the exquisite and unique "tropycalia's vampire". This is not new. It happened before with others such as songwriters Chico Buarque de Hollanda and the late Carlos Imperial (from "A Banda" through "A Praça" to "Alegria, Alegria"),as with "sambista" and prestigious Brazilian zoologist Paulo Vanzolini (from "Ronda" to "Sampa") and also with the late Brazilian avant-garde movie maker Rogério Sganzerla(from the cult movie "Sem Essa Aranha"- starring Luis "Rei do Baião" Gonzaga and Jorge "Zé Bonitinho" Loredo-, to "Qualquer Coisa")."The guy is pretty much in love with himself, but there's one undeniable truth that can't be neglected: the chamaleonic Veloso can also turn into an incredibly inventive and inspiring artist, capable to create works of art like his albums "Domingo", "Araçá Azul", "Transa", and "Estrangeiro", and also genuine pearls such as "O Ciúme", "Trilhos Urbanos", "Peter Gast", "Outras Palavras", "Cajuína", "Pecado Original" and "Terra", concludes Daniel Taubkin.// //////////////////////////////////////// "...Without growing ponderous, the show had literary dimensions. The title of Mr. Veloso's recent album on Nonesuch records, ''Livro'' (''Book''), refers to his memoir, published in Brazil two years ago. In previous shows, he has read aloud portions of the book in Portuguese; in New York, he paraphrased in English a passage on the power of popular culture to recycle high art. Vanguardist composers of the 20th century, Mr. Veloso reasoned, are seldom heard in concert halls; instead, their influence filters through popular electronic music. ''Mass-culture trash is part of the 20th century too,'' he proclaimed, and beamed. ''It's wonderful to be singing carnival songs and then to say the names Boulez, Cage, Stockhausen. It's funny. But I am funny.'' Then he sang ''Doideca,'' a 12-tone piece with a dense, dancefloor beat." Jazz Festival Review: "Wily Mixer of Cool Jazz, Brazilian Pop and High Art" Published in The New York Times in June 29th 1999- by Ben Ratliff- Arts-635 words.

Another great comercial, this one an extended version from the 80´s with a total futuristic and vanguardist look style mixed with a wonderful music that envolves and create a fascinating ambient that seems nearly a Sci-Fi Movie. Effervescent and cool! Un gran anuncio de la marca SANYO de los años 80 con un aire futuristico y vanguardista combinado con una musica envolvente que parece casi una pelicula de ciencia-ficcion. Increible!

eClips Lab - Warren Hall, Cornell University

Extreme vanguardist videos of Brazil