A little video clip that compares the color gamut in 3-D LAB color space with the sRGB standard.

CM 08-01 "4 Bill Drill" I did pretty bad. This was a new load with mixed crimping and COL results, but on the 105' targets I only had one miss of twelve. Good enough. I need to work on left hand trigger control, because all my weak hand hits were high and left. Boris pointed out that my left trigger finger wasn't sitting correctly and he believed that I was jerking the trigger. Time for more practice. I ended up with approximately 15%.

Bad ammo gets the best of me again. Normally I use a 1.135" COL. I must've been tired loading my ammo last night, because after the match I found some cartridges at 1.180" COL which explains the feeding problems I had. Some of the rounds stuck in the magazines from being too long, and resulted in some jams I had. When I load ammo, I place them in the box in groups of ten and label the boxes as I go along. Sure enough, the ammo I loaded towards the end of the run at 1am were much longer than the samples I pulled from the beginning of the night. Doh.

Quick test on autoRGB switch over SCART for PAL RGB modded N64. And with a white power led! Prueba de conmutación RGB sobre SCART en N64 PAL modificada. ¡Con led de encendido blanco!

http://www.w3.org/TR/1998/REC-CSS2-19980512 :values. All RGB colors are specified in the sRGB color space (see [SRGB]). User agents may vary in the fidelity with which they represent these colors, but using sRGB provides an unambiguous and objectively measurable definition of what the color should be, which can be related to international standards (see [COLORIMETRY]). Conforming user agents may limit their color-displaying efforts to performing a gamma-correction on them. sRGB specifies a display gamma of 2.2 under specified viewing conditions. User agents should adjust the colors given in CSS such that, in combination with an output device's "natural" display gamma, an effective display gamma of 2.2

Set up your Photoshop workspace to be sRGB in the Color Settings dialog for the purpose of lab printing.

http://www.w3.org/TR/1998/REC-CSS2-19980512 :colors outside the 0..255 sRGB range will be representable (inside the device gamut), while other colors inside the 0..255 sRGB range will be outside the device gamut and will thus be clipped. Note. Although colors can add significant amounts of information to document and make them more readable, please consider that certain color combinations may cause problems for users with color blindness. If you use a background image or set the background color, please adjust foreground colors accordingly. 4.3.7 Angles Angle values (denoted by in the text) are used with aural style sheets. Their format is an optional sign character ('+' or '-', with '+' being the default) immediately followed by a immediately followed by an angle unit identifier.

Get dual-monitor or TV computing at http://tiger.tv/more_info/?342 This high-performance, 4 pixels-per-clock 3D rendering engine features 128-bit, studio quality floating-point precision throughout the entire graphics pipeline. NVIDIA GeForce FX-Series graphics cards deliver industry-leading features and performance enabling special effects on par with Hollywood films. The PNY Technologies GeForce FX 5200 supports sRGB texture format for gamma textures and boasts advanced display pipeline with full nView capabilities. The GeForce FX 5200 delivers best-in-class performance and features at a great price. With a GeForce FX mainstream GPU inside your PC, you can experience cinematic-quality effects, studio-quality color, and the industry-leading performance and rock-solid driver stability you expect from NVIDIA.

SRGB

A comparison of the gamut of the Eizo CG211 high-end LCD display against the gamut of the standard Adobe RGB color space. (The Adobe RGB space is used in some professional cameras and scanners, as a broader-gamut alternative to the more common sRGB space used in consumer products. As you'll see here, you really need a purpose-built monitor to be able to see the full range of color that can be represented in Adobe RGB.)

http://www.w3.org/TR/1998/REC-CSS2-19980512 :is produced. See the section on gamma correction for further details. Note that only colors specified in CSS are affected; e.g., images are expected to carry their own color information. Values outside the device gamut should be clipped: the red, green, and blue values must be changed to fall within the range supported by the device. For a typical CRT monitor, whose device gamut is the same as sRGB, the threerules below are equivalent: Example(s): EM { color: rgb(255,0,0) } /* integer range 0 - 255 */ EM { color: rgb(300,0,0) } /* clipped to rgb(255,0,0) */ EM { color: rgb(255,-10,0) } /* clipped to rgb(255,0,0) */ EM { color: rgb(110%, 0%, 0%) } /* clipped to rgb(100%,0%,0%) */ Other devices, such as printers, have different gamuts to sRGB; some

Hybrid Artist Stephen Schaub outlines basic scanning techniques and Photoshop techniques for maximum quality when working with TX and Diafine.

This presents a three-dimensional visualization of RGB and XYZ colorspaces. The wide-gamut XYZ colorspace, though long appreciated in the color community, is taking on increasing relevance since its adoption as part of the Digital Cinema Standard. Created by Jeremy Selan (Sony Pictures Imageworks). Featured in Siggraph 2005's Electronic Theater. Reproduced with permission of author. All rights reserved.

Finally a new vid..but ya...i havnt been practicing so im a little bit rusty..so no hate comments.ill just delete em... enjoy the vid..and dont forget to subscribe :D

http://www.leadertechusa.com/default.asp?etrack=MKYV-C080423Sapp ATOMIC HD3870 Specs * PCI Express® 2.0 -- Get ready for the most demanding graphics applications with PCI Express 2.0 support, which allows up to twice the throughput of current AMD PCI Express cards. * Incredible Microsoft® DirectX® 10.1 performance -- You'll be blown away by life-like graphics from the latest DirectX® 10.1 games, with stunning 3D graphics and shading effects. 320 Stream Processors -- More than enough horsepower to support the most demanding graphics applications. Anti-aliasing features Multi-sample anti-aliasing (2, 4, or 8 samples per pixel) Up to 24x Custom Filter Anti-Aliasing (CFAA) for improved quality Adaptive super-sampling and multi-sampling Temporal anti-aliasing Gamma correct Super AA (ATI CrossFire™ configurations only) All anti-aliasing features compatible with HDR rendering Texture filtering features 2x/4x/8x/16x high quality adaptive anisotropic filtering modes (up to 128 taps per pixel) 128-bit floating point HDR texture filtering Bicubic filtering sRGB filtering (gamma/degamma) Percentage Closer Filtering (PCF) Depth & stencil texture (DST) format support Shared exponent HDR (RGBE 9:9:9:5) texture format support OpenGL 2.0 support ATI CrossFireX™ multi-GPU -- Upgrade to even greater 3D performance quickly and easily thanks to plug-and-play ATI CrossFireX technology with up to quad-GPU support. Unified Video Decoder -- View and manipulate the latest Blu-ray and HD DVD content with a dedicated hardware video decoder that leaves your CPU free to perform other tasks. Ultimate Image Quality -- Performance that rivals high-end HD-DVD and Blu-ray players on displays with resolutions that exceed 1080p -- up to 2560x1600. ntegrated Digital Outputs -- Enjoy your digital content the way you want to, with built-in HDMI that includes 5.1 surround audio for big screen entertainment. More Processing Performance per Watt -- Get up to twice the Gigaflops per watt of previous generations of high-end AMD GPUs. ATI PowerPlay™ Technology -- power saving features that reduce power consumption at idle or during low-usage Runs Cool and Quiet -- With a smaller chip designed to use less power, your system can take advantage of high-end Windows Vista® features while running more efficiently and quieter than ever.

Bored..so i made a c walk vid..srry for the text throughout the vid tho..i cant do nothin about it, its the converter..but enjoy.

StyleZ vs Unkn0wnk1ng rate,comment, and subscribe AND VOTE!!!

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Anglers aboard the Mr. Z in Key West fight a 30-pound bull dolphin. This fish isn't ready to give up without a fight.

srgb rb4tbtb

For landscape photographers getting the best colour on line is paramount. So this tutorial gives you the info and background on how and why. www.mattlauder.com.au

http://www.zeroplusplus.com/ Read the video review at http://www.studiolighting.net/thorsten-ott-video-review/ About the video tutorial "Fashion & Glamour Lighting Techniques Revisited" Duration is 90 minutes Download version is only $90.00 US 760 MB Download for video and printable lighting diagrams. Broadband Internet connection is required for download. The video will play the best on your computer with VLC Media Player or Divx Player. I suggest the free VLC Media Player from http://www.videolan.org/vlc/as it works great on any operating system platform. Divx Player is also free at http://www.divx.com/divx/ We are not offering a DVD version at this time. In the event that you have a download issue, please contact us and we can make other arrangements for video delivery. This first video examines fashion and glamour lighting using just 1 or 2 light sources. We will examine each of the 12 lighting modifiers and how or when we might use them. We will discuss the 18 lighting diagrams and the 19 images created. Follow me as I comment on the lighting diagrams and watch a behind-the-scenes video of the 4 models photographed. This video spans what I have learned over the last 20 years of shooting and modifying the light quality of my studio flash units to a give a 3-dimensional and cinematic light quality. I use both traditional light modifiers and also several custom built modifiers. It is important to understand that lighting modifiers do not necessarily have to be expensive, they just have to work consistently under varying environments. I do not push brand names or endorse any specific company. In fact, I use a very inexpensive brand of mono-head flash units to create the images both in the video and for my commercial portfolio. The specific light modifiers discussed include the 22" Beauty Dish w/Grid, Modified 48" Octabox w/Grid, Strobe Head w/7" Grid, Strobe Head Bare-bulb, Strobe Head w/Reflector, 4 different versions of the V-Bank, and several flat panel variants. Each image in the video uses a different combination of the modifiers to demonstrate the degree of flexibility they can offer the photographer. As a commercial photographer, I prefer to have visual explanations, and that is the format for all the tutorials. Rather than focusing on technical aspects related to digital photography, this video is about LIGHTING. The inspiration for this video was to teach LIGHTING, not Photoshop or how to fix it later. Show me the lights, the modifiers, and toss in a few tips on when to use these lights. The images in the video are not retouched for lighting, just RAW conversions and the basic 30-second levels adjustments and simple skin cleaning. I felt it was necessary to touch on a few digital tech details, we all come from different skill levels. Monitor Calibration, White Balance, Color Spaces, and Light Meters may be new areas for some of us. This chapter is more about bringing us up to speed than a in depth discussion. Never the less, this a very important yet frequently over looked area. Topics include: 1) The Lighting Modifiers used and how to build your own inexpensively 2) White Balance - Using a gray card 3) Color Spaces - sRGB vs. Prophoto and 16 Bit 4) Monitor Calibration 5) What is a good exposure 6) How to use a light meter 7) My lens suggestions 8) Alien Skin Filters and Plugins used for the images Production Planning 1) Planning the Day for Success - your crew and team 2) Utilizing Assistants 3) Directing Models

Mobile movie clips are becoming extremely common, however until it's feasibly possible to manufacture a decent lens and CCD chip without doubling the cost of the mobile phone, the quality will continue to be crap. I took some very dark footage that originally could not be seen clearly and some over-bright clips indoors that had little colour and tried my best to clean up and make the footage more excitable for viewing. It took about 5 versions to get to where it is now, but confident to now except really bad footage and make something of it. The technical. Original: Sony P1i Mobile phone using the highest video mode at 320x240 compressed with Mpeg codec. Final: Upscaled to 720x576, PAL, 25fps and passed through several image and colour filters to get the final result. Compressed to Advance Profile 9.2 WMV with additional OST taken from RE: Extinction, compressed to 192Kbps 48Khz in 2.0Ch. Colour profile: sRGB 6500k FazZ / FazZ Filmz © 2008 / fazzfilmz.co.uk

Leica M8 with handgrip (The first handmade digitalcamera from germany). 1/8000 sek. bulb Phase One Spezialist Luxus schwarz LFI Charakter M-Objektive DNG Format RGB sRGB JPEG TIFF UV/IR 50mm Blende 1,4 E46 Profi-Digitalkamera Messsucher Kamera Philosophie diskret leise schnell präzise Vergleich Focus Normal Linsen Roter Punkt red dot point Kodak Chip Beschnittfaktor Konstrukteure Bildausschnitt Renaissance Schule Tradition Digitalzeitalter Solms Phänomen Firmware 1.102 Histogramm Sucher Shooting Portrait Landscape Sucherlupe 1,25f Clipping SanDisk Extreme III SD Speicherkarte 2 GB Sonnenblende M-Bajonett ISO 160-2500 Sucherkamera schwarz lackiert pre-asph Zauberkiste Magic Lichtwunder Bühnen Konzert Theater Zirkus People Fotografie

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