Brothers Quay: Stop Animation - Street of Crocodiles part 1.

Extrait de Institute Benjamenta des frères Quay

Extrait de Institute Benjamenta des frères Quay

Brothers Quay: Stop Animation - Street of Crocodiles part 2

meet the intriguing brothers Quay

@ Richard's on Richards, Vancouver, 12/06/2006

Some early stuff from The Quay Brothers

Brothers Quay - "Hospital puppet sequence from Frida"

Viet music

http://360.yahoo.com/cuong25987 .Ca khuc nay nam trong album vol 1 cua nhom WeBoys vua duoc phat hanh vao ngay 25/10/2007 .Ca khu hay nhat trong album co su gop mat cua Pham Quynh Anh

Stephen and Timothy Quay (born 17 June 1947 in Norristown, Pennsylvania, United States), are American identical twin brothers better known as the Brothers Quay or Quay Brothers. They are influential stop-motion animators. They reside and work in England where they moved in the late 1960s (after studying illustration in Philadelphia) to study at the Royal College of Art[1] There, they made their first short films, which no longer exist after the only print was irreparably damaged.[citation needed] They spent some time in the Netherlands in the 1970s and then returned to England where they teamed up with another Royal College student, Keith Griffiths, who produced all of their films. The trio formed Koninck Studios in 1980, which is currently based in Southwark, south London. The Quays' works (1979-present) show a wide range of often esoteric influences, starting with the Polish animators Walerian Borowczyk and Jan Lenica and continuing with the writers Franz Kafka, Bruno Schulz, Robert Walser and Michel de Ghelderode, puppeteers Wladyslaw Starewicz and Richard Teschner and composers Leoš Janáček, Zdeněk Liška and Leszek Jankowski, the last of whom has created many original scores for their work. Czech animator Jan Švankmajer, for whom they named one of their films (The Cabinet of Jan Švankmajer), is also frequently cited as a major influence, but they actually discovered his work relatively late, in 1983, by which time their characteristic style and preoccupations had been fully formed.[citation needed] Most of their films feature dolls, often partially disassembled, in a dark, moody atmosphere. Perhaps their best known work is Street of Crocodiles, based on the short story of the same name by the Polish author and artist Bruno Schulz. This short film was selected by director and animator Terry Gilliam as one of the ten best animated films of all time, and critic Jonathan Romney included it on his list of the ten best films in any medium (for Sight and Sound's 2002 critics' poll).[citation needed] They have made two feature-length live action films: Institute Benjamenta, or This Dream People Call Human Life and The Piano Tuner Of Earthquakes. They also directed an animated sequence in the film Frida. With very few exceptions, their films have no meaningful spoken dialogue—most have no spoken content at all, while some, like The Comb (1990) include multilingual background gibberish that is not supposed to be coherently understood. Accordingly, their films are highly reliant on their music scores, many of which have been written especially for them by the Polish composer Leszek Jankowski. In 2000, they contributed a short film to the BBC's Sound On Film series in which they visualised a 20-minute piece by the avant-garde composer Karlheinz Stockhausen. Whenever possible, the Quays prefer to work with pre-recorded music, though Gary Tarn's score for The Phantom Museum had to be added afterwards when it proved impossible to licence music by the Czech composer Zdeněk Liška. They have created music videos for His Name Is Alive ("Are We Still Married", "Can't Go Wrong Without You"), Michael Penn ("Long Way Down (Look What the Cat Drug In)") and 16 Horsepower ("Black Soul Choir"). Some people mistakenly believe that the Quays are responsible for several music videos for Tool, but those videos were created by Fred Stuhr and member Adam Jones, whose work is influenced by the Quays. Although they worked on Peter Gabriel's seminal video "Sledgehammer" (1986) as animators, this was directed by Stephen R. Johnson and the Quays were unhappy with their contribution, believing it to be more imitative of Švankmajer's work than truly distinctive in its own right. Their work also includes decors for the Theatre and Opera productions of director Richard Jones: Prokofiev's The Love for Three Oranges; Feydeau's "A Flea in Her Ear"; Tchaikovsky's Mazeppa; and Molière's "Le Bourgeois Gentilhomme.". Their set design for a revival of Ionesco's "The Chairs" was nominated for a Tony Award in 1998. Before turning to film, they worked as professional illustrators. The first edition of Anthony Burgess' novel "The Clockwork Testament, or Enderby's End", features their drawings before the start of each chapter. Nearly three decades before directly collaborating with Stockhausen, they designed the cover of the book Stockhausen: Conversations with the Composer (ed. Jonathan Cott, Simon & Schuster, 1973).

Stephen and Timothy Quay (born 17 June 1947 in Norristown, Pennsylvania, United States), are American identical twin brothers better known as the Brothers Quay or Quay Brothers. They are influential stop-motion animators. They reside and work in England where they moved in the late 1960s (after studying illustration in Philadelphia) to study at the Royal College of Art[1] There, they made their first short films, which no longer exist after the only print was irreparably damaged.[citation needed] They spent some time in the Netherlands in the 1970s and then returned to England where they teamed up with another Royal College student, Keith Griffiths, who produced all of their films. The trio formed Koninck Studios in 1980, which is currently based in Southwark, south London. The Quays' works (1979-present) show a wide range of often esoteric influences, starting with the Polish animators Walerian Borowczyk and Jan Lenica and continuing with the writers Franz Kafka, Bruno Schulz, Robert Walser and Michel de Ghelderode, puppeteers Wladyslaw Starewicz and Richard Teschner and composers Leoš Janáček, Zdeněk Liška and Leszek Jankowski, the last of whom has created many original scores for their work. Czech animator Jan Švankmajer, for whom they named one of their films (The Cabinet of Jan Švankmajer), is also frequently cited as a major influence, but they actually discovered his work relatively late, in 1983, by which time their characteristic style and preoccupations had been fully formed.[citation needed] Most of their films feature dolls, often partially disassembled, in a dark, moody atmosphere. Perhaps their best known work is Street of Crocodiles, based on the short story of the same name by the Polish author and artist Bruno Schulz. This short film was selected by director and animator Terry Gilliam as one of the ten best animated films of all time, and critic Jonathan Romney included it on his list of the ten best films in any medium (for Sight and Sound's 2002 critics' poll).[citation needed] They have made two feature-length live action films: Institute Benjamenta, or This Dream People Call Human Life and The Piano Tuner Of Earthquakes. They also directed an animated sequence in the film Frida. With very few exceptions, their films have no meaningful spoken dialogue—most have no spoken content at all, while some, like The Comb (1990) include multilingual background gibberish that is not supposed to be coherently understood. Accordingly, their films are highly reliant on their music scores, many of which have been written especially for them by the Polish composer Leszek Jankowski. In 2000, they contributed a short film to the BBC's Sound On Film series in which they visualised a 20-minute piece by the avant-garde composer Karlheinz Stockhausen. Whenever possible, the Quays prefer to work with pre-recorded music, though Gary Tarn's score for The Phantom Museum had to be added afterwards when it proved impossible to licence music by the Czech composer Zdeněk Liška. They have created music videos for His Name Is Alive ("Are We Still Married", "Can't Go Wrong Without You"), Michael Penn ("Long Way Down (Look What the Cat Drug In)") and 16 Horsepower ("Black Soul Choir"). Some people mistakenly believe that the Quays are responsible for several music videos for Tool, but those videos were created by Fred Stuhr and member Adam Jones, whose work is influenced by the Quays. Although they worked on Peter Gabriel's seminal video "Sledgehammer" (1986) as animators, this was directed by Stephen R. Johnson and the Quays were unhappy with their contribution, believing it to be more imitative of Švankmajer's work than truly distinctive in its own right. Their work also includes decors for the Theatre and Opera productions of director Richard Jones: Prokofiev's The Love for Three Oranges; Feydeau's "A Flea in Her Ear"; Tchaikovsky's Mazeppa; and Molière's "Le Bourgeois Gentilhomme.". Their set design for a revival of Ionesco's "The Chairs" was nominated for a Tony Award in 1998. Before turning to film, they worked as professional illustrators. The first edition of Anthony Burgess' novel "The Clockwork Testament, or Enderby's End", features their drawings before the start of each chapter. Nearly three decades before directly collaborating with Stockhausen, they designed the cover of the book Stockhausen: Conversations with the Composer (ed. Jonathan Cott, Simon & Schuster, 1973).

Ripped From Bien Tinh DVD Lyrics: TÌNH YÊU KHÔNG QUAY VỀ Lê Quang Có tiếng chuông chiều về trong giấc mơ Hãy khóc cho người về nơi xa ấy Tình yêu đó mãi mãi ra đi ngàn khơi Bao nhớ thương tiếc nuối sẽ không quay lại Dãy phố lên đèn mình em bước đi Giá buốt đêm dài ngồi ôm thương nhớ Đừng mong nữa tiếng hát ai vang trong đêm Hãy giấu niềm đau vào trái tim khô Người quay lưng bỏ quên tình em cố níu yêu thương về trên nỗi buồn đừng vội lau giọt nước mắt ai rơi vào đêm vắng ngày anh đã xa Người ra đi để bao buồn vui thôi trách nhau chi giờ duyên giã từ Tàn cơn mơ tình yêu vút bay Quán cà phê vắng còn riêng mình em. Có tiếc thương gì giờ cũng xa rồi Hãy giấu nỗi buồn vào trong mắt nhau Chớ khóc đêm dài lạc lối đi về Xin cho con tim Xin cho tình yêu Đừng tan vỡ...

Stephen and Timothy Quay (born 17 June 1947 in Norristown, Pennsylvania, United States), are American identical twin brothers better known as the Brothers Quay or Quay Brothers. They are influential stop-motion animators. They reside and work in England where they moved in the late 1960s (after studying illustration in Philadelphia) to study at the Royal College of Art[1] There, they made their first short films, which no longer exist after the only print was irreparably damaged.[citation needed] They spent some time in the Netherlands in the 1970s and then returned to England where they teamed up with another Royal College student, Keith Griffiths, who produced all of their films. The trio formed Koninck Studios in 1980, which is currently based in Southwark, south London. The Quays' works (1979-present) show a wide range of often esoteric influences, starting with the Polish animators Walerian Borowczyk and Jan Lenica and continuing with the writers Franz Kafka, Bruno Schulz, Robert Walser and Michel de Ghelderode, puppeteers Wladyslaw Starewicz and Richard Teschner and composers Leoš Janáček, Zdeněk Liška and Leszek Jankowski, the last of whom has created many original scores for their work. Czech animator Jan Švankmajer, for whom they named one of their films (The Cabinet of Jan Švankmajer), is also frequently cited as a major influence, but they actually discovered his work relatively late, in 1983, by which time their characteristic style and preoccupations had been fully formed.[citation needed] Most of their films feature dolls, often partially disassembled, in a dark, moody atmosphere. Perhaps their best known work is Street of Crocodiles, based on the short story of the same name by the Polish author and artist Bruno Schulz. This short film was selected by director and animator Terry Gilliam as one of the ten best animated films of all time, and critic Jonathan Romney included it on his list of the ten best films in any medium (for Sight and Sound's 2002 critics' poll).[citation needed] They have made two feature-length live action films: Institute Benjamenta, or This Dream People Call Human Life and The Piano Tuner Of Earthquakes. They also directed an animated sequence in the film Frida. With very few exceptions, their films have no meaningful spoken dialogue—most have no spoken content at all, while some, like The Comb (1990) include multilingual background gibberish that is not supposed to be coherently understood. Accordingly, their films are highly reliant on their music scores, many of which have been written especially for them by the Polish composer Leszek Jankowski. In 2000, they contributed a short film to the BBC's Sound On Film series in which they visualised a 20-minute piece by the avant-garde composer Karlheinz Stockhausen. Whenever possible, the Quays prefer to work with pre-recorded music, though Gary Tarn's score for The Phantom Museum had to be added afterwards when it proved impossible to licence music by the Czech composer Zdeněk Liška. They have created music videos for His Name Is Alive ("Are We Still Married", "Can't Go Wrong Without You"), Michael Penn ("Long Way Down (Look What the Cat Drug In)") and 16 Horsepower ("Black Soul Choir"). Some people mistakenly believe that the Quays are responsible for several music videos for Tool, but those videos were created by Fred Stuhr and member Adam Jones, whose work is influenced by the Quays. Although they worked on Peter Gabriel's seminal video "Sledgehammer" (1986) as animators, this was directed by Stephen R. Johnson and the Quays were unhappy with their contribution, believing it to be more imitative of Švankmajer's work than truly distinctive in its own right. Their work also includes decors for the Theatre and Opera productions of director Richard Jones: Prokofiev's The Love for Three Oranges; Feydeau's "A Flea in Her Ear"; Tchaikovsky's Mazeppa; and Molière's "Le Bourgeois Gentilhomme.". Their set design for a revival of Ionesco's "The Chairs" was nominated for a Tony Award in 1998. Before turning to film, they worked as professional illustrators. The first edition of Anthony Burgess' novel "The Clockwork Testament, or Enderby's End", features their drawings before the start of each chapter. Nearly three decades before directly collaborating with Stockhausen, they designed the cover of the book Stockhausen: Conversations with the Composer (ed. Jonathan Cott, Simon & Schuster, 1973).

This is the third entry of the Sydney Skies Series. The song heard is called Surfin, and it is from an album called Hello Waveforms, which from the artist named William Orbit. Seen in this movie are many time-lapse recordings of both the Sydney Opera House and the Sydney Harbor Bridge. Both of these prominent landmarks are situated on the grounds of Sydney City's ultra bustling transportation hub, Circular Quay. Circular Quay serves as an important public transit interchange for the city's bus lines, ferry routes, and passenger train network. There are also a host of hotels, restaurants, and shops on the premisses as well. Moreover, on a busy day you can also expect to find one or two street performers there too. Furthermore, Circular Quay is also the home of both the Sydney Museum of Contemporary Art and the City of Sydney Library. As a rail station Circular Quay is distinct because it is the only station on the City Circle Line that is above ground. As a ferry station it houses five commuter ferry wharfs, and is the end point all public ferry routes in Sydney Harbour and the Parramatta River. Historically, Circular Quay was called "Semi-Circular Quay", this because the original curvature of the bay was of approximate circular shape. The common name has now been reduced in length out of amenity, but it's also true that the quay is now rectangular because the entire perimeter is now etched man made in brick and concrete walls and piers. The Sydney Opera House at Circular Quay is one of the world's most uniquely designed buildings, and one of the most prominent performing arts venues in the world. The crude design for the structure was submitted by Jorn Utzon, a Danish architect. The Opera House was built in three stages, and took nearly 15 years to complete (1959 to 1973). The Opera House was formally opened by Elizabeth II, Queen of Australia, on 20 October 1973. As a venue, the Opera House is the home of Opera Australia, the Sydney Theatre Company, and the Sydney Symphony. The facilities at the Opera House meet a wide variety of circumstances. It contains five main performance spaces, a recording studio, five restaurants, and four souvenir shops. The other Australian landmark situated at Circular Quay is the Sydney Harbour Bridge. The Sydney Harbour Bridge is a steel arch bridge that spans over Sydney Harbour. It carries rail, vehicular, and pedestrian traffic between the Sydney central business district and the North Shore. Currently, the Harbour Bridge is the fourth longest spanning-arch bridge in the world, and measures 1,160 meters (0.73 miles) in length. It is the tallest steel arch bridge, measuring 134 metres (429.6 ft) from its apex down to the water below. The bridge was designed and built by Dorman Long and Co Ltd. The ground breaking ceremony for the bridge took place on July 28th 1923 and it was officially open for transportation on March 19th 1932. The bridge carries eight lanes of traffic and has two rail-lines and two pedestrian walkways. The rooftop of Southeast pylon is an observation deck that can be accessed during normal business hours for a wonderful view of Circular Quay, Sydney City Center, and Port Jackson (Sydney Harbour). Note: You can find out more about the songs of William Orbit at WilliamOrbit.com. Note: The five venues making up the main performance areas of the Sydney Opera House are listed as follows: the Concert Hall, with 2,679 seats, is the home of the Sydney Symphony, and used by a large number of other concert presenters. It contains the Sydney Opera House Grand Organ, the largest mechanical tracker action organ in the world, with over 10,000 pipes; the Opera Theatre, a proscenium theatre with 1,547 seats, which is the Sydney headquarters of Opera Australia and The Australian Ballet; the Drama Theatre, which is a proscenium theatre with 544 seats, and is used by the Sydney Theatre Company and other dance and theatrical presenters; the Playhouse, an end-stage theatre with 398 seats; the Studio, a flexible room, with a maximum capacity of 400 people. There are two other additional venues here known as the Utzon Room and Forecourt. The Utzon Room is the only interior space to have been designed by Utzon himself, and the Forecourt is an open-air venue that includes the various podiums, plazas, and stairways of the Opera House. Note: You may not use any footage containing perspectives of copyrighted structures that are seen in this video for commercial purposes without contacting and gaining permissions from the respective groups or persons who hold the authority to do so. Thank you. Note: Unfortunately, sixteen workers died during the construction process of the Sydney Harbour Bridge. Note: The bridge is locally nicknamed The Coathanger. Note: This video can be seen and downloaded at higher resolutions at OasisD.com

Animacion "The Brothers Quay" (Stephen and Timothy Quay)(2001)

http://www.egs.edu/ The Quay Brothers talk about their work, film and animation process; describing their reliance on computer graphics and their relationship to objects they can touch and feel. Quay Brothers, Open video lecture for students and faculty of European Graduate School EGS, Media and Communication Studies Program, Saas-Fee, Switzerland, Europe. Stephen and Timothy Quay (born 17 June 1947 in Norristown, Pennsylvania, United States), are American identical twin brothers better known as the Brothers Quay or Quay Brothers. They are influential stop-motion animators.,Careers,They reside and work in England where they moved in the late 1960s (after studying illustration in Philadelphia) to study at the Royal College of Art[1] There, they made their first short films, which no longer exist after the only print was irreparably damaged. They spent some time in the Netherlands in the 1970s and then returned to England where they teamed up with another Royal College student, Keith Griffiths, who produced all of their films. The trio formed Koninck Studios in 1980, which is currently based in Southwark, south London.,,The Quays' works (1979-present) show a wide range of often esoteric influences, starting with the Polish animators Walerian Borowczyk and Jan Lenica and continuing with the writers Franz Kafka, Bruno Schulz, Robert Walser and Michel de Ghelderode, puppeteers Wladyslaw Starewicz and Richard Teschner and composers Leoš Janáček, Zdeněk Liška and Leszek Jankowski, the last of whom has created many original scores for their work. Czech animator Jan Švankmajer, for whom they named one of their films (The Cabinet of Jan Švankmajer), is also frequently cited as a major influence, but they actually discovered his work relatively late, in 1983, by which time their characteristic style and preoccupations had been fully formed.,,Most of their films feature dolls, often partially disassembled, in a dark, moody atmosphere. Perhaps their best known work is Street of Crocodiles, based on the short story of the same name by the Polish author and artist Bruno Schulz. This short film was selected by director and animator Terry Gilliam as one of the ten best animated films of all time, and critic Jonathan Romney included it on his list of the ten best films in any medium (for Sight and Sound's 2002 critics' poll). They have made two feature-length live action films: Institute Benjamenta, or This Dream People Call Human Life and The Piano Tuner Of Earthquakes. They also directed an animated sequence in the film Frida.Institute Benjamenta, or This Dream People Call Human Life (1995), The Piano Tuner of Earthquakes (2006), Sanatorium Under the Sign of the Hourglass, Short Films, Nocturna Artificialia (1979), Punch And Judy (Tragical Comedy or Comical Tragedy) (1980), Ein Brudermord (1981), The Eternal Day Of Michel de Ghelderode (1981), Stravinsky - The Paris Years (1983), Leoš Janáček: Intimate Excursions (1983), The Cabinet of Jan Švankmajer (1984), The Epic of Gilgamesh, or This Unnameable Little Broom (1985) aka Little Songs of the Chief Officer of Hunar Louse, Street of Crocodiles (1986), Stille Nacht I: Dramolet (1988), Rehearsals For Extinct Anatomies (1988), Ex-Voto/The Pond (1989), The Comb (From The Museums Of Sleep) (1990), De Artificiali Perspectiva, or Anamorphosis (1991), The Calligrapher (1991) - an ident commissioned for the BBC2 television channel, but never broadcast, Stille Nacht II: Are We Still Married? (1991), Long Way Down (Look What The Cat Drug In) (1992), Stille Nacht III: Tales From Vienna Woods (1992), Stille Nacht IV: Can't Go Wrong Without You (1993), The Summit (1995), In Absentia (2000), The Sandman (2000), Duet (2000), The Phantom Museum: Random Forays Into the Vaults of Sir Henry Wellcome's Medical Collection (2003)

The Quay Brothers

Vit quay, Heo quay, Phá lấu ... Phố Tàu, Las Vegas 2007 chỉ là 1 trong hàng trăm phố Tàu trên nước MỸ. **************************** Người Việt làm China Town khởi sắc Phố Tàu tại Chicago với nhiều biển hiệu tiếng Việt. Ảnh: Tiền Phong. Nếu có ai hỏi: "Anh là ai?", Kiet H. Lam sẽ nói: "Tôi là người Mỹ". Nếu họ hỏi thêm, Lam trả lời: "Tôi là người Việt gốc Hoa". Lam là một trong hàng ngàn người Việt gốc Hoa rời khỏi Việt Nam trước và sau chiến tranh, đang sống ở thành phố Oakland (California) và trở thành doanh nhân nhỏ. Giống như Lam, hàng ngàn người Việt gốc Hoa khác sống bình lặng ở thành phố này trong 3 thập kỷ qua. Họ bắt đầu với các hoạt động kinh doanh nhỏ như mở cửa hàng trang sức, siêu thị mini giúp China Town (Phố Tàu) hồi sinh và tạo ra các Phố Tàu mới ở quận Eastlake. Sau nhiều năm ở Việt Nam, cộng đồng người Việt gốc Hoa dễ sống hoà đồng với cả người Hoa và người Việt ở Phố Tàu nhờ khả năng ngôn ngữ của họ (có thể nói cả tiếng Việt, tiếng Hoa). Minh Hoa Ta sống tại thành phố College ước tính có khoảng 20.000 người Việt gốc Hoa ở Oakland và San Francisco. Lam và anh trai rời Việt Nam năm 1974 để trốn quân dịch trong chế độ Sài Gòn. Trải qua nhiều sóng gió họ mới đến được Oakland. Tại đây, Lam vừa rửa bát thuê trong các nhà hàng Trung Quốc vừa đi học. Hiện Lam làm trong một văn phòng du lịch ngay cạnh Phố Tàu. Lam nói thành thạo tiếng Việt, tiếng Hoa và tiếng Anh. Lam đã kết hôn với một phụ nữ người Philippines gốc Hoa và có một con gái 16 tuổi. Khác với Lam, Jen Giang, 25 tuổi, thuộc thế hệ thứ hai của người Việt gốc Hoa ở Mỹ và thường nhận được những câu hỏi rằng cô là người Hoa hay Việt Nam vì cô nói được cả 2 thứ tiếng. Thế hệ thứ hai như Giang lớn lên ở Mỹ nhưng đều biết rằng bố mẹ họ đến từ Việt Nam, nói tiếng Việt và nấu những món ăn Việt Nam. Ngày nay nếu đi tới Phố Tàu hoặc các quận thương mại như Eastlake và San Antonio, bạn sẽ gặp nhiều người Việt gốc Hoa. Tại đây, biển hiệu các cửa hàng và doanh nghiệp nhỏ khác thể hiện những dấu hiệu của cả Việt Nam và Trung Quốc. Theo Hội đồng Thương mại Phố Tàu, khoảng 20% việc kinh doanh tại Phố Tàu ở Oakland do người Việt gốc Hoa nắm giữ. Khi đến Mỹ do khả năng tiếng Anh còn kém, người Việt gốc Hoa thường giỏi tiếng Trung đã tìm đến Phố Tàu để làm ăn. Việc kinh doanh phát đạt của người Việt gốc Hoa giúp Phố Tàu khởi sắc và dẫn tới việc nhiều China Town ra đời. (Theo Tiền Phong/InsideBayArea) **************************** Tìm Hiểu Mua nhà, bán nhà và cơ hội đầu tư Địa Ốc tại Orange County - Little Saigon - California - USA xin vào trang web của chúng tôi ... http://www.VinnyTran.com

Extrait de Institute Benjamenta des frères Quay

Aix is a beautiful city in the south of France. There are many prety vietnamese girls studying there

Anh Tạ Hải Phương khi đến tham dự chương trình Sức Sống Mới với tư cách là khách mời của chuyên mục ẩm thực có tâm sự: Khi Phương học làm bếp, Cá lóc quay là món đầu tiên Phương được các bậc đàn anh hướng dẫn, chỉ bảo. Chính vì thế, hôm nay Phương muốn thực hiện lại món này khi đến với chương trình như một cách lưu lại kỷ niệm đẹp trong suốt thời gian học và làm bếp vừa qua. Những bạn nào yêu thích nấu ăn, muốn chia sẻ với chương trình Sức Sống Mới, đừng ngần ngại! Hãy liên lạc với chúng tôi qua địa chỉ: Trung tâm truyền hình Việt Nam tại TP. HCM, số 7 Nguyễn Thị Minh Khai, Q. 1. TP. HCM. Hoặc gửi thư về địa chỉ email: info@sucsongmoi.com.vn Thành phần: -1 con cá lóc (khoảng 500g) -200g thịt heo xay hoặc băm nhuyễn -100g giò lụa sống -2 tai nấm mèo, ngâm nở, thái sợi nhuyễn -100g bột mì -1 trứng gà -Gia vị: Muối, đường, tiêu, hạt nêm, dầu ăn -Tỏi băm và củ hành tím băm -1/2 hộp cà hộp để làm nước sốt -Xà lách, cà chua và ngò rí để trang trí. Cách thực hiện: -Cá, làm sạch, rút xương, để thật ráo nước. Ướp cá với 1/3 muỗng cà phê muối, ½ muỗng cà phê bột nêm, ½ muỗng cà phê đường, ½ muỗng cà phê tiêu, 1 muỗng cà phê tỏi, 1 muỗng cà phê củ hành tím băm -Trộn đều thịt xay với giò sống, nấm mèo và ½ muỗng cà phê hạt nêm, ½ muỗng cà phê đường, ½ muỗng cà phê muối, ½ muỗng cà phê tiêu. -Nhồi nhân cào bụng cá, rồi dùng kim chỉ khâu lại. -Trứng gà, đánh tan, nhúng cá qua trứng gà, rồi lăn cá qua bột mì khô. Thả cá vào chiên trên lửa riu riu, múc dầu dội lên mình cá cho đến khi da cá vàng giòn và phần nhân trong bụng cá chín. -Nước sốt: Phi tỏi với dầu cho thơm, cho cà hộp vào xào thơm, thêm một ít nước dùng. Nêm 1 muỗng cà phê đường, ½ muỗng cà phê muối, ½ muỗng cà phê bột nêm và một ít bột năng pha để tạo độ sánh cho nước sốt. -Trang trí: Chặt đầu cá ra riêng, phần mình cá cắt khoanh, xếp ra đĩa, rồi xếp đầu cá trở lại. Trang trí xà lách và cà chua cắt lát xung quanh đĩa, cắm thêm một quả ớt sừng tỉa hoa lên miệng cá. Chan nước sốt lên, trang trí thêm vài nhánh ngò rí.

lon quay

This video clip is nice. --- Name: Tham Mong Anh Quay Ve Ben Em Artist: May Trang (Mây Trắng) Singer: May Trang (Mây Trắng)

Lam Vu