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GREAT PERFORMANCES | Peter & the Wolf | Post-Production
http://www.pbs.org/wnet/gperf/shows/peterandwolf/index.html "Peter & the Wolf," an Oscar-winning film, airs March 26 on PBS' GREAT PERFORMANCES series. (check local listings) Sergei Prokofiev's fanciful musical tale, Peter and the Wolf, is given new life in this innovative animated interpretation. Conceived and directed by award-winning animator Suzie Templeton, this modern-day "Peter & the Wolf" uses stop-frame model animation, puppets and digital photography to re-tell the enduring classic, and features the Philharmonia Orchestra under the direction of Mark Stephenson performing Prokofiev's beloved score. This video clip takes you behind-the-scenes to check out the post-production of Peter & the Wolf with director Suzie Templeton. GREAT PERFORMANCES is produced for PBS by Thirteen/WNET New York. For more information, visit http://www.pbs.org/wnet/gperf/shows/peterandwolf/index.html |
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Videomaker - Green Screen Post Production
http://www.videomaker.com Brandon gives a step-by-step tutorial on how to use the Chroma Key effect in Premiere pro and Final Cut Pro. To see demonstrations on how to light & shoot for green screen, check out: "Videomaker's Greenscreen 101" and "Videomaker's Setting up a Green Screen". |
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Post Production - And YOU!
Chris Fjord shows America's youth around PS-260, your standard, run of the mill, post-production house. Also this video was made in collaboration with Justin Johnson and the good folks at http://indymogul.com. |
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Sound Design for King Kong (Post/production) 1 of 7
Here's Peter Jacksons soundcrew recording SFX for King Kong. The SFX library is building up to be 1TB yeah! :D (sound effects) |
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Sound Design for King Kong (Post/production) 2 of 7
Now that the sound effects library is full, it's time to put it all together! |
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How to Build a Home Post-Production Video Studio : How to Check Audio for a Post-Production Home Studio
Learn how to check audio for a post-production video home studio with expert tips and advice on film making, studios, movies, and video post-production in this free online video clip. |
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Sound Design for King Kong (Post/production) 3 of 7
Here we can see the actors in ADR (Automatic Dialog Replacement) Jack Black etc. |
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How to Edit Pictures in Photoshop : Applying Photo Filters in Post Production with Photoshop: Part 1
How to edit image filters in Photoshop; learn more about photo editing software in this free instructional video. |
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AH Films
A bad day at the office for the AH team. Episode 1. AH is upset to learn that there is a problem with his film footage. Excerpt from Der Untergang (2004), dir. Oliver Hirschbiegel, dp. Rainer Klausmann Script written by Brian Shepherd brian.shepherd@eim.ae |
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Sound Design for King Kong (Post/production) 4 of 7
Recording the Foley (Jack Foley)Tidious work! hehe |
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Spider-Man 3 Post Production in Cleveland
After almost a year, I finally compiled all the videos and pictures I took when Columbia Pictures came to town to film Spider-Man 3 in downtown Cleveland. |
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Sound Design for King Kong (Post/production) 6 of 7
FINAL MIX Part: 1 |
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Sound Design for King Kong (Post/production) 7 of 7
FINAL MIX Part: 2 |
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SONAR V-Studio 700: Post-Production
Cakewalk's Robin Kelly takes you on a tour of some of the post production features found in SONAR V-Studio 700. As seen on www.sonarvstudio.com. |
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Mind Over Eye- RTB Post-production
Here is a behind-the-scenes look at the post-production process for Reclaiming the Blade, much of which took place at Mind Over Eye in Santa Monica, CA. Get sneak peeks at the color correction, title reveal, and other RTB footage while meeting the Mind Over Eye team. |
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Photoshop Tutorials - Digital Post Production for Glamour Eyes
http://www.mandarichmodels.com This is a first in a series of Photoshop Tutorials that we will be publishing. Sign up to our RSS Feed. http://www.mandarichmodels.com/photoshop_tips_rss_feed/feed.xml |
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Lifted (Audio Post-Production Assignment)
As part of my Audio Post-Production class, my professor took Pixar's Lifted, removed the sound, gave it to us and asked us to design our own for the clip. Enjoy! |
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Video Post Production Assignment 1
Proposal for Video Post Production |
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Sound Design for King Kong (Post/production) 5 of 7
Recording the score for the movie. soundtrack king kong. |
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U2 - Hold Me, Thrill Me, Kiss Me, Kill Me: Live From Mexico - PCM Stereo (Explicit)
Music video by U2 performing Hold Me, Thrill Me, Kiss Me, Kill Me: Live From Mexico - PCM Stereo (Explicit) with David Mallet [Film Director], Ned O'Hanlon [Post-Production], Willie Williams [Stage Design], Bruce Ramus [Stage Design], Joe O'Herlihy [Sound engineer], David Mallet [Film Director], Ned O'Hanlon [Post-Production], Willie Williams [Stage Design], Bruce Ramus [Stage Design], Joe O'Herlihy [Sound engineer], David Mallet [Film Director], Ned O'Hanlon [Post-Production], Willie Williams [Stage Design], Bruce Ramus [Stage Design], Joe O'Herlihy [Sound engineer] (C) 2007 Universal-Island Records Ltd. under exclusive licence to Mercury Records Limited |
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U2 - Hold Me, Thrill Me, Kiss Me, Kill Me: Live From Mexico - PCM Stereo (Explicit)
Music video by U2 performing Hold Me, Thrill Me, Kiss Me, Kill Me: Live From Mexico - PCM Stereo (Explicit) with David Mallet [Film Director], Ned O'Hanlon [Post-Production], Willie Williams [Stage Design], Bruce Ramus [Stage Design], Joe O'Herlihy [Sound engineer], David Mallet [Film Director], Ned O'Hanlon [Post-Production], Willie Williams [Stage Design], Bruce Ramus [Stage Design], Joe O'Herlihy [Sound engineer], David Mallet [Film Director], Ned O'Hanlon [Post-Production], Willie Williams [Stage Design], Bruce Ramus [Stage Design], Joe O'Herlihy [Sound engineer] (C) 2007 Universal-Island Records Ltd. under exclusive licence to Mercury Records Limited |
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Relance
TV Advert for Relance, a new Design, Architecture, Fashion and culture magazine. Filmed in HD at 1000fps using a special high speed camera (Phantom). Agency: Uzina (Portugal) Creative Director: Gustavo Suarez Art Director: André Breda Copywriter: Roberto Ferraz Account Director: António Roquette Production Company: Garage Films (Portugal) Director: Enrique Escamilla Photography Director: Carlos Lopes (Cácá) Executive Producer: Miguel Varela Editor: Marcos Castiel Post-production Director: Marta Metrass Phantom Operator: Raoul Rodriguez Post-Production: Ingreme (Portugal) Music Supervision: Level Two Music (Australia) Song: QUA - Painting Monsters Composer: Cornel Wilczek Sound post-production: Ameba (Portugal) |
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Kanye West - Heard 'Em Say
Music video by Kanye West performing Heard 'Em Say with Kanye West [Producer], Jon Brion [Producer], Richard Brown [Video Producer], Kanye West [Video Director], Tina Mintus [Video Editor], Lance Bangs [Director of Photography], John Winter [Post-Production], Bll Plympton [Cinematographer] (C) 2005 Roc-A-Fella Records, LLC |
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The Raveonettes - Dead Sound (Correct Format)
Directed by Bafta nominated director and regular Wyld Stallyons collaborator Mark Walker, this promo for The Raveonettes' Dead Sound features ghostly visual effects and post production by Wyld Stallyons. Director: Mark Walker; Director of Photography: Stephan Pehrsson; Production Design: Sabine Hviid; Editor: Benjamin Binderup; Produced by: Beofilm; Post-production and visual effects: Wyld Stallyons |
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Phil Vassar - Love Is A Beautiful Thing
Music video by Phil Vassar performing Love Is A Beautiful Thing with Elisa Sanders [Video Producer], Peter Zavadil [Video Director], Mark Pruett [Video Editor], Tim Moore [Post-Production] (C) 2008 Universal South Records, LLC |
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