Darren Cesca

This is the colour Original. This file has taken over two years to make, and 1300+ frames later here is the latested progress. There are over 700 layers which make up all the 1300 frames all of which have been made frame by frame. Again the detail is much lower than my original file due to transfer to Youtube. For those who have asked for the full size copy, I have now made this up in different formats, please contact me if you want the HD copy.

Pillory appearing on Peyton Place doing a fuzzed up version of the Boyce & Hart song Tear Drop City, Groovy Baby!

More by Pillory on Peyton Place

Interview with the staff of The Pillory at the College of William & Mary. Part 1 of the complete interview.

all we know

Over two years and 1300+ frames later here is the latested progress. There are over 700 layers which make up all the 1300 frames all of which have been made frame by frame. I've also upload the original colour file.

a short section of animation one of more to come, this was a different take on my first idea. But I went with my original idea in the finish.

W00t i was looking for clue scrolls by pickpocketing HAM people and i ended up in this pillory! :P

plz subscribe hope u enjoy it ;)

Yup traped in this cage...

Interview with the staff of The Pillory at the College of William & Mary. This segment concerns an allegedly racist cartoon that was printed in The Pillory in the early 1990s.

Interview with The Pillory staff at the College of William and Mary

thats what you get

Caged like a... a.... a runescape player!

Raskibun is an evil little bunny! Stealing all those cakes...

Just for fun...and because we can, thanks to our 1st Amendment.

Our interview with the staff of The Pillory Magazine at the college of William & Mary. This Segment concerns their distribution methods.

Interview with the staff of The Pillory at The College of William & Mary

WooHoo

Excerpt from an interview with the staff of The Pillory at the College of William & Mary. Editor in Chief Ashley Pattison describes her involvement with the publication.

Some parts of the 3rd episode of the famous Brasilian novela "Escrava Isaura" (Globo, 1976). Leoncio informs his father about him leaving Rio for fazenda Santa-Cruz. Dona Ester, Isaura and Januaria arrive to fazenda. The family of Paes Vidal, owners of fazenda Ibituba, appears in the plot for the 1st time. Tobias returns to Brasil from Europe. He tells stories about European life to his mother and sister. Januaria comes to Ibituba to meet Migel, steward of Ibituba. She tells him that Isaura has come to Santa-Cruz. Andre is put to the pillory. He tells Isaura about his life. Isaura asks dona Ester to dismiss him. Rosa says Rita that she hates Isaura for her arrogance. Dona Ester orders Francisco to dismiss Andre from the pillory and to transfer him to the home works. Leoncio is arriving to Santa-Cruz. Rosa tells him that Isaura is walking near the lake. During her ride, Isaura runs across Tobias. He is interested in pretty girl. Tobias asks Isaura who she is. Russian-languaged dubbing for TV-6-Moskva (1997)

Dubuffet was born in Le Havre. He moved to Paris in 1918 to study painting at the Académie Julian, but after six months he left the Académie to study independently. In 1924, doubting the value of art, he stopped painting and took over his father's business selling wine. He took up painting again in the 1930s, but again stopped, only turning to art for good in 1942. His first solo show came in 1944. He approached the surrealist group in 1948, then the College of Pataphysique in 1954. Influenced by Hans Prinzhorn's book Artistry of the Mentally Ill, Dubuffet coined the term Art Brut (outsider art) for art produced by non-professionals working outside aesthetic norms, such as art by mental patients, prisoners, and children. He amassed his own collection of such art, including artists such as Aloïse Corbaz and Adolf Wölfli. The collection is now housed at the Musée de l'Art Brut in Lausanne, Switzerland. Dubuffet sought to create an art as free from intellectual concerns as Art Brut, and his work often appears primitive and child-like. Many of Dubuffet's works are painted in oil paint using an impasto thickened by materials such as sand, tar and straw, giving the work an unusually textured surface. From 1962 he produced a series of works in which he limited himself to the colours red, white, black, and blue. Towards the end of the 1960s he turned increasingly to sculpture, producing works in polystyrene which he then painted with vinyl paint. In late 1960-1961, Dubuffet began experimenting with music and sound and made several recordings with the Danish painter Asger Jorn. In 1978 Dubuffet collaborated with American composer and musician Jasun Martz to create the record album artwork for Martz's avant-garde symphony entitled The Pillory. The much written about drawing has been reproduced internationally in three different editions on tens-of-thousands of record albums and compact discs. A detail of the drawing is also featured on Martz's second symphony (2005), The Pillory/The Battle, performed by The Intercontinental Philharmonic Orchestra and Royal Choir. " Scratched and trowelled in their mudlike pigment, their outlines scrawled in a sophisticated parody of the hasty gential urgency of street graffiti, Dubuffet's cruel portraits of French intellectuals and writers in the 1940s go beyond caricature; they are pathetic monsters. " Robert Hughes One of Dubuffet's later works was Monument With Standing Beast (1984). Dubuffet died in Paris in 1985. The Fondation Jean Dubuffet collects and exhibits his work. http://en.wikipedia.org/wiki/Jean_Dubuffet

pillory

Dedicated to the memory of Maryanne McMillan Jones. Sexism has legs! The witch hunts didn't end in colonial Salem - they've followed Hillary Clinton throughout her political life. "Burn Good Clinton!" is on Roy's new CD "Thanks for the Support," available at http://royzimmerman.com/ Also, you MUST visit Billy Bob Neck's "Website of Bein' Good" at http://billybobneck.com/ BURN GOODY CLINTON! words and music copyright „ 2008 by Roy Zimmerman They put Satan on the ballot as a bait-n'-switch 'Cause it isn't Satan's name, but that of Satan's witch And we know it takes a village for to pillory Hillary Goody Clinton Yes, we know she's evil for she has a uterus And she's sure to use her sorcery to neuter us So good men, let's send her straight-way to the Grillery Hillary Goody Clinton Burn Goody Clinton, burn! For we've all seen her spurn The aprin and the churn And she isn't gonna sink when we dunk her in the drink So, burn Goody Clinton, burn! Oh, what a snap it'll be To prove she is a witch, and with a capital B For where a man might be ambitious, she is uppity And where a man might be assertive, she is shrill Where a man might have a plan, she has a necromantic scheme Men are sensitive, she's soft Men are rugged, she's ill-coiffed Men are steadfast, she is filled with ill Hill will. Well, a woman who is competent - men, that's blaspemy And I needn't say, she's not the kind of lass for me And she's not a good influence on poor Bill or e- Ven Chelsey Hillary "Goodwife" Clinton Burn Goody Clinton, burn! She's far from taciturn Which causes us concern And she isn't gonna sink When we dunk her in the drink So a better way to try 'er Is to toss her on the pyre And the only way that she'd Be converted is to feed the infern...o Burn, oh... Burn Goody Clinton, burn!