Shocking truth!! The mark of the beast and the image of the beast identified! Part 6. Visit http://666.xjohn.com Part 1 -6 Playlist : http://www.youtube.com/view_play_list?p=C201CDA2C986ABF9 I began to research more on the hand signs - the mudras of the pagans and what I've noticed is that three fingers sign is commonly used. So, I analyzed and deciphered the hand signs and what it really means. I began to open more my research work on witchcraft and to my amazement again, the false image of Jesus possesses the same characteristic as the satanic Baphomet. Though it is in the subliminal, it is rather easy to figure out what it means. According to witchcraft, god is what man is (male and female, bisexual); as above so below, as in the spiritual so in the natural, as in heaven so on Earth. The entire mysticism is hidden within the hex. Kindly note bisexual. The devil is a hermaphrodite. I analyzed more the hexagram and I quickly figure out that the number 666 is really very concentrated and infused on the satanic hexagram symbol. Angles in a triangle total 180 degrees. There are two opposing triangles in a hexagram. This gives a total of, 180 + 180 = 360. So, 360, is 36 or three 6s which gives 666. We don't count the zero because it has no value at all. When we add 1+2+3+4+5+6+7+8+9+10+11+12+13+14+15 up to 36 this equals again to 666. So, it is 36 or three 6s which gives 666. The angle of the equilateral triangle in the hexagram is 60 degrees. So, by combining the angles, we have 60-60-60, which gives a distinct pattern of 6-6-6, or three 6 s. On the hexagram, we can derive 6 mini triangles, 6 sided polygon, and 6 sided star. We see another incidence of the pattern 6-6-6. As mentioned, the hexagram symbol is the symbol of Ninurta or in modern tongue, Saturn. Saturn has a mysterious 6 sided polygon of equal length on its north polar vortex. Thus, the Babylonian or the Sumerians associate their god Ninurta or Saturn with the hexagram symbol because of the hexagonal north polar vortex of Saturn. This is where it originated and of course, the number 666. It is mysterious how the ancient Sumerians were able to see the hexagonal north pole of Saturn, unless they are truly a technologically advanced civilization. Saturn is the 6th planet of the solar system. It has a 6 sided polygon on its north pole, and the 6th day of the week is named Saturnday or Saturday. Again, we see another unique identifier of Saturn which is 666. As you can clearly see from this analysis, the number 666 is totally infused with the hexagram symbol as well as the planet Saturn and the Sumerian god, Ninurta. Every aspect of Ninurta, all its religious organization, icons, symbols, and hand gestures, has the number 666, subliminally represented by the hexagram. It is a badge to recognize Ninurtas ownership of these religious organizations. Kindly note, Ninurta is Saturn in English, in Irish it is Satarn, and in South Africa, Bhantu language, it is iSateni. You can clearly see how the name evolved across languages, but in essence, it is non other than Satan himself which has the concentration of the number 666 and his hexagram mark as his key identifier. Going to the hand gestures, the 3 finger sign is actually to signify a triangle. Again, in the equilateral triangle, it gives the combination of 6-6-6. The 3 finger sign is actually subliminally signifying the number 666. On the Baphomet, we see this sign clearly. We see one hand up and one hand down, which subliminally signify the satanic hexagram symbol. When both opposing triangles are joined together to form the hex, we see the concentration of the number 666. In witchcraft, this is the most evil symbol of all due to its 666 concentration. On the false image of Jesus, we see again the same subliminal messages. The 3 finger sign is up, while another subliminal combination of the triangle down or 3 finger down is subtly represented by a globe. When translated, this simply means, as in heaven (3 finger up, triangle up), so on earth (3 finger down, triangle down), as above so below, as in the spiritual so in the natural. This all subliminally form the satanic hexagram. Very subtle, but once you understand witchcraft, it is quite simple to decipher. Now, again, are you really sure that this image belongs to Jesus? As shown by the evidences alone, everyone has been brainwashed to worship Satan himself. It is so evil and deceptive. Everyone is under the spell of the evil one. Another evidence that I have gathered, even the staff of the orthodox catholic priest has the entwined snake on a phallus signifying the seed of the serpent. Both appears on the satanic Baphomet and on the priest's staff. I am quite amazed but not surprised. I guess birds of the same feather flocks together. The evidence speaks. .... continued to part 7 of this video

Translated by: Dr. Stephanie Dalley, a former teacher of the Akkadian language at the Universities of Edinburgh and Oxford and is now Shillito Fellow in Assyriolology at the Oriental Institute, Oxford and a Senior Research Fellow of Somerville College. She also has worked on various excavations in the Middle East and has published cuneiform tablets found there by the British Archaeological Expedition to Iraq. http://www.orinst.ox.ac.uk/html/staff/eanes/sdalley.html The Epic of Anzu is principally known in two versions. The Old Babylonian version of the early second millennium exists as a small portion of the tale, giving the hero as Ningirsu, a warrior-god who was patron of the city Girsu in central Mesopotamia. That city is chiefly known in the late third millennium from the inscriptions of Gudea, a Sumerian governor who rebuilt Eninnu, Ningirsu's temple, and composed long inscriptions in honour of the event, and from many fine objects found by the French in the excavation of strata which date around that time: the lion-headed eagle Anzu is often depicted on them. However, no Sumerian account of the story is known, and Anzu in the Sumerian Epic of Lugalbanda has a quite different character and role: he is a benevolent bird whose offspring are fed during his absence by the hero of the epic. As far as its fragmentary condition allows us to judge, the Old Babylonian version of Anzu was written in an abbreviated form in which repetitious passages are not written verbatim. Ningirsu is given the title 'the God' or perhaps Tl' in this version. The god Shara also plays a prominent role. He was the patron god of Umma, a city in central Mesopotamia which likewise flourished in the late third millennium and was not important thereafter. The Standard Babylonian version, dating to the first millen­nium bc, may have consisted of about 720 lines on three four-column tablets. Some were found on the Late Assyrian sites of Nineveh, Tarbisu and Sultantepe, and probably belong to the seventh century bc. Another tablet comes from a museum collection in the USA and is of unknown provenance. It is Late Babylonian, but seems to have followed the Nineveh version closely. In this version the hero is Ninurta whose great cult centre at that time was Kalah, modern Nimrud, one of the Assyrian kings' capital cities in the ninth and eighth centuries bc. The walls of Ninurta's temple there are faced with monumental stone sculptures illustrating a cosmic battle, prob­ably a version of the Anzu epic. The story gives Ninurta the title 'Bel', 'The Lord', equivalent to West Semitic Ba'al. Repeated episodes are written out in full. The colophon to the Tarbisu version implies that the written story was known to the Hur-rians, who were powerful in the mid- to late second millennium and at times controlled Assyria from their cities north-west of Assyria. The story centres around possession of the Tablet of Destinies. The narrative structure is very similar to that of the Epic of Creation, both in the struggle to regain possession by the good gods, and in the pronouncement of names and hypostases for the victorious hero-god. The opening lines of the epic introduce the theme in the first person, representing the singer or poet, and are very closely comparable to the opening lines of Erra and Ishum. Nergal and Ninurta are quite close in some aspects of their characters, and in Erra and Ishum the defeat of Anzu with a net and the conquest of osafcfcu-demons are attributed to Nergal/Erra. The fight of Ninurta to defeat the asa/ckM-demons is known from the mainly Sumerian epic story of cosmic warfare called Lugal-e, and a companion story An-gim. These were very popular tales during both the second and the early first millennia. Sumerian Ninurta is armed with his trusty weapon Sharur; in Anzu Sharur plays a significant role as Ninurta's courier in the field of conflict. In Lugal-e his mother, the great goddess Nin-mah, speaks in support of him and is given the name Ninhursag, just as in Anzu, the mother of Ninurta as Belet-ili or Mami speaks in support of her son and is given the new title 'Mistress of All Gods'. Other epic deeds of Ninurta are known only from passing references: he slew the bull-man in the sea; he slew the six-headed wild ram on the mountain; he slew the seven-headed serpent. The Anzu epic and its ramifications in other tales illustrate how a common stock of narrative themes was used in different stories, and adapted in various places for diverse gods. Peace

Translated by: Dr. Stephanie Dalley, a former teacher of the Akkadian language at the Universities of Edinburgh and Oxford and is now Shillito Fellow in Assyriolology at the Oriental Institute, Oxford and a Senior Research Fellow of Somerville College. She also has worked on various excavations in the Middle East and has published cuneiform tablets found there by the British Archaeological Expedition to Iraq. http://www.orinst.ox.ac.uk/html/staff/eanes/sdalley.html The Epic of Anzu is principally known in two versions. The Old Babylonian version of the early second millennium exists as a small portion of the tale, giving the hero as Ningirsu, a warrior-god who was patron of the city Girsu in central Mesopotamia. That city is chiefly known in the late third millennium from the inscriptions of Gudea, a Sumerian governor who rebuilt Eninnu, Ningirsu's temple, and composed long inscriptions in honour of the event, and from many fine objects found by the French in the excavation of strata which date around that time: the lion-headed eagle Anzu is often depicted on them. However, no Sumerian account of the story is known, and Anzu in the Sumerian Epic of Lugalbanda has a quite different character and role: he is a benevolent bird whose offspring are fed during his absence by the hero of the epic. As far as its fragmentary condition allows us to judge, the Old Babylonian version of Anzu was written in an abbreviated form in which repetitious passages are not written verbatim. Ningirsu is given the title 'the God' or perhaps Tl' in this version. The god Shara also plays a prominent role. He was the patron god of Umma, a city in central Mesopotamia which likewise flourished in the late third millennium and was not important thereafter. The Standard Babylonian version, dating to the first millen­nium bc, may have consisted of about 720 lines on three four-column tablets. Some were found on the Late Assyrian sites of Nineveh, Tarbisu and Sultantepe, and probably belong to the seventh century bc. Another tablet comes from a museum collection in the USA and is of unknown provenance. It is Late Babylonian, but seems to have followed the Nineveh version closely. In this version the hero is Ninurta whose great cult centre at that time was Kalah, modern Nimrud, one of the Assyrian kings' capital cities in the ninth and eighth centuries bc. The walls of Ninurta's temple there are faced with monumental stone sculptures illustrating a cosmic battle, prob­ably a version of the Anzu epic. The story gives Ninurta the title 'Bel', 'The Lord', equivalent to West Semitic Ba'al. Repeated episodes are written out in full. The colophon to the Tarbisu version implies that the written story was known to the Hur-rians, who were powerful in the mid- to late second millennium and at times controlled Assyria from their cities north-west of Assyria. The story centres around possession of the Tablet of Destinies. The narrative structure is very similar to that of the Epic of Creation, both in the struggle to regain possession by the good gods, and in the pronouncement of names and hypostases for the victorious hero-god. The opening lines of the epic introduce the theme in the first person, representing the singer or poet, and are very closely comparable to the opening lines of Erra and Ishum. Nergal and Ninurta are quite close in some aspects of their characters, and in Erra and Ishum the defeat of Anzu with a net and the conquest of osafcfcu-demons are attributed to Nergal/Erra. The fight of Ninurta to defeat the asa/ckM-demons is known from the mainly Sumerian epic story of cosmic warfare called Lugal-e, and a companion story An-gim. These were very popular tales during both the second and the early first millennia. Sumerian Ninurta is armed with his trusty weapon Sharur; in Anzu Sharur plays a significant role as Ninurta's courier in the field of conflict. In Lugal-e his mother, the great goddess Nin-mah, speaks in support of him and is given the name Ninhursag, just as in Anzu, the mother of Ninurta as Belet-ili or Mami speaks in support of her son and is given the new title 'Mistress of All Gods'. Other epic deeds of Ninurta are known only from passing references: he slew the bull-man in the sea; he slew the six-headed wild ram on the mountain; he slew the seven-headed serpent. The Anzu epic and its ramifications in other tales illustrate how a common stock of narrative themes was used in different stories, and adapted in various places for diverse gods. Peace

Translated by: Dr. Stephanie Dalley, a former teacher of the Akkadian language at the Universities of Edinburgh and Oxford and is now Shillito Fellow in Assyriolology at the Oriental Institute, Oxford and a Senior Research Fellow of Somerville College. She also has worked on various excavations in the Middle East and has published cuneiform tablets found there by the British Archaeological Expedition to Iraq. http://www.orinst.ox.ac.uk/html/staff/eanes/sdalley.html The Epic of Anzu is principally known in two versions. The Old Babylonian version of the early second millennium exists as a small portion of the tale, giving the hero as Ningirsu, a warrior-god who was patron of the city Girsu in central Mesopotamia. That city is chiefly known in the late third millennium from the inscriptions of Gudea, a Sumerian governor who rebuilt Eninnu, Ningirsu's temple, and composed long inscriptions in honour of the event, and from many fine objects found by the French in the excavation of strata which date around that time: the lion-headed eagle Anzu is often depicted on them. However, no Sumerian account of the story is known, and Anzu in the Sumerian Epic of Lugalbanda has a quite different character and role: he is a benevolent bird whose offspring are fed during his absence by the hero of the epic. As far as its fragmentary condition allows us to judge, the Old Babylonian version of Anzu was written in an abbreviated form in which repetitious passages are not written verbatim. Ningirsu is given the title 'the God' or perhaps Tl' in this version. The god Shara also plays a prominent role. He was the patron god of Umma, a city in central Mesopotamia which likewise flourished in the late third millennium and was not important thereafter. The Standard Babylonian version, dating to the first millen­nium bc, may have consisted of about 720 lines on three four-column tablets. Some were found on the Late Assyrian sites of Nineveh, Tarbisu and Sultantepe, and probably belong to the seventh century bc. Another tablet comes from a museum collection in the USA and is of unknown provenance. It is Late Babylonian, but seems to have followed the Nineveh version closely. In this version the hero is Ninurta whose great cult centre at that time was Kalah, modern Nimrud, one of the Assyrian kings' capital cities in the ninth and eighth centuries bc. The walls of Ninurta's temple there are faced with monumental stone sculptures illustrating a cosmic battle, prob­ably a version of the Anzu epic. The story gives Ninurta the title 'Bel', 'The Lord', equivalent to West Semitic Ba'al. Repeated episodes are written out in full. The colophon to the Tarbisu version implies that the written story was known to the Hur-rians, who were powerful in the mid- to late second millennium and at times controlled Assyria from their cities north-west of Assyria. The story centres around possession of the Tablet of Destinies. The narrative structure is very similar to that of the Epic of Creation, both in the struggle to regain possession by the good gods, and in the pronouncement of names and hypostases for the victorious hero-god. The opening lines of the epic introduce the theme in the first person, representing the singer or poet, and are very closely comparable to the opening lines of Erra and Ishum. Nergal and Ninurta are quite close in some aspects of their characters, and in Erra and Ishum the defeat of Anzu with a net and the conquest of osafcfcu-demons are attributed to Nergal/Erra. The fight of Ninurta to defeat the asa/ckM-demons is known from the mainly Sumerian epic story of cosmic warfare called Lugal-e, and a companion story An-gim. These were very popular tales during both the second and the early first millennia. Sumerian Ninurta is armed with his trusty weapon Sharur; in Anzu Sharur plays a significant role as Ninurta's courier in the field of conflict. In Lugal-e his mother, the great goddess Nin-mah, speaks in support of him and is given the name Ninhursag, just as in Anzu, the mother of Ninurta as Belet-ili or Mami speaks in support of her son and is given the new title 'Mistress of All Gods'. Other epic deeds of Ninurta are known only from passing references: he slew the bull-man in the sea; he slew the six-headed wild ram on the mountain; he slew the seven-headed serpent. The Anzu epic and its ramifications in other tales illustrate how a common stock of narrative themes was used in different stories, and adapted in various places for diverse gods. Peace

Shocking truth!! The mark of the beast and the image of the beast identified! Part 2. Visit http://666.xjohn.com Part 1 -6 Playlist : http://www.youtube.com/view_play_list?p=C201CDA2C986ABF9 I opened the Bible to see for more clues whether Jesus really had long hair according to how the Roman Catholics depict him and one particular verse in the Bible says, and I quote: 1 Corinthians 11:14 - NIV Does not the very nature of things teach you that if a man has long hair, it is a disgrace to him This was Paul speaking. Paul was a Jew and Jesus was a Jew as well. Paul has specifically said that it is a disgrace for a man to wear long hair. It would be really odd that Paul said this, offending Jesus in the process, if indeed Jesus had long hair. This is getting interesting. If Jesus did not wear long hair, then whose image is that in the Roman Catholic Church? Who is that man? Another clue in the Bible which says that it is forbidden for anyone to make God to look like mortal man, and I quote again: Romans 1 - NIV 22 Although they claimed to be wise, they became fools 23 and exchanged the glory of the immortal God for images made to look like mortal man This is already a concrete proof that Jesus as depicted in the Roman Catholic Churches is not the image of Jesus. Jesus was a Jew and Jews don't wear long hair. Jesus is God and it is forbidden to depict God in the arts to look like mortal man. Where did the Roman Catholic Church picked up this image? According to evidences shown, it seems to strongly point to the pagans. Now, looking at the image again of the false image of Jesus, we see a sacred heart icon on his chest. Where did it originate? I dug for more clues and I stumbled upon the idol of the Aztecs / Mayans. It also has a sacred heart symbol, to my utmost shock and bewilderment. How can they be similar? So, I checked again and was really surprised that the Mayans described this idol that they worshiped who was called Quetzalcoatl, as having blue eyes, long hair, bearded, narrow face, white man, and has a tall stature. Quetzalcoatl has Caucasian features and physical stature. They are basically the same description as the false image of Jesus. This is really strange. We have Ninurta and the false image of Jesus as both having the hexagram symbol. We have the sacred heart icon on both the false image of Jesus and Quetzalcoatl and was described strikingly similar by the Mayans as the false image of Jesus. This could only mean one thing and that the worship of Saturnus or Ninurta was widespread among the pagans. When people began to spread across the Earth, they carried with them the traditional religious practices and iconography of Sumeria, the very first civilization on Earth. It remained intact as people migrated. According to the Bible, God confused the language of Babylon (Sumeria) and people began to scatter on the face of the Earth. So, it is not a surprise then, why the original name of Ninurta has also evolved among the languages. In the Bible, Ninurta is also called Rephan, Kaiwan, Chiun, Molech, Satyr, etc. He was called by many names due to this language confusion in Babylon according to the Bible. ..continued to part 3 of this video

http://www.artehistoria.com/civilizaciones/videos/193.htm El fundador del reino asirio parece ser un tal Puzurassur en el siglo XIX a.C. Las dos ciudades principales del territorio serían Assur como capital comercial y Nínive como centro de la actividad agrícola. En estos años Asiria establece importantes relaciones comerciales con su entorno, especialmente con Anatolia. El nuevo rey Shamshiadad inicia una serie de campañas militares con el fin de asegurar la fluidez del tráfico comercial, convirtiendo a Asiria en una de las principales potencias de la época. A la muerte de este monarca cada uno de los territorios ocupados intentan recuperar su independencia. El renacimiento de Asiria se produce con Assurubalit, aprovechando la decadencia de su vecino Mitanni para intervenir en la política internacional. Será Adad-Nirari I quien inicie un autentico plan de expansión hacia el oeste, tomando el reino de Hanigalbat. Salmanasar I alcanza las orillas del río Éufrates e incorpora buena parte del Imperio de Mitanni, ahora en decadencia. La época de máximo esplendor del Reino Medio Asirio se produce en el reinado de Tukulti-Ninurta I, extendiendo las fronteras hacia el norte y el este y llegando a tomar Babilonia, Mari y Eshnunna. En el norte el nuevo enemigo serán los hititas. Incluso llegó a realizar campañas hacia el Mediterráneo, consiguiendo botines en las ciudades fenicias. En cinco años Tukulti-Ninurta I se convierte en el monarca más importante de su tiempo. La instalación de un fuerte contingente de arameos en tierras asirias provocará su decadencia durante algunos siglos, hasta que en el siglo IX a.C. se produzca una nueva etapa expansionista gracias al importante papel desempeñado por el ejército, que impondrá una política de terror en las tierras conquistadas. Assurdam será el inaugurador de esta política, restableciendo los límites del Reino Medio y asentando las fronteras para que Assurnasirpal inicie la verdadera expansión que alcanzará el norte de Siria, las ciudades fenicias, Amurru y Damasco. Salmanasar III consolida estos territorios y dirige su atención hacia el norte donde se enfrenta con el reino de Urartu y los estados arameos, conquistando Karkemish y Alepo. Todos los territorios ocupados deben pagar un fuerte tributo al Estado, convirtiéndose ésta en la principal modalidad de financiación estatal. En el siglo VIII a.C. con Tiglat-Pileser III se producen importantes cambios políticos, consolidándose una monarquía despótica basada en un fiel funcionariado. La política imperialista continúa tanto por el norte como por el este, cambiando la exclusiva percepción de tributos por la anexión territorial de los estados sometidos. La zona de Tabal y Que en el norte y el país de los caldeos en el sur pasan a manos asirias. Sargón II y Senaquerib amplían los territorios heredados de sus antecesores, acabando definitivamente con el reino de Urartu y alcanzando las fronteras de Elam. La zona de Palestina cae en manos asirias, tomando Jerusalén, Samaria y Gaza, siendo este territorio cabeza de puente para una posterior conquista de Egipto. Asarhadon y Assurbanipal alcanzarán la máxima expansión del Imperio Asirio al llegar a ocupar el Delta del Nilo y su capital Menfis, lo que suponía la sumisión de Egipto. En la zona este, el país de Elam es ocupado, tomando Susa, la capital. Asiria alcanzaba su máximo poder. Sin embargo, en el año 612 a.C., el babilonio Nabopolasar con ayuda del medo Ciaxares pondrán fin al Imperio Neoasirio, gracias a la caída de Nínive y la toma de Harran dos años después.

Shocking truth!! The mark of the beast and the image of the beast identified! Part 1. Visit http://666.xjohn.com Part 1 -6 Playlist : http://www.youtube.com/view_play_list?p=C201CDA2C986ABF9 As I was doing my research, the hexagram geometric pattern kept on showing up in my mind. So, I did more research work on this and I found out that this symbol is very ancient, dating all the way back to Sumeria, the very first civilization known to man. The hexagram symbol actually belongs to Ninurta, the god of harvest as shown on the cylinder seal. As I was searching for clues who Ninurta really was, I was amazed to find out that he was also called Saturnus in ancient Rome, to the Greek, he was called Kronos, to the Phonecians, he was called El, and in Chaldea, he was called Stur. Stur, when calculated in Chaldean language equals 666. I went back and analyzed the hexagram symbol and was very curious about this number. To my amazement, I found out that the number 666 is tightly integrated with the hexagram symbol. The Hexagram composes of two opposing equilateral triangle. Each angle in the equilateral triangle is 60 degrees each, so that it gives a distinct pattern of 60-60-60, or 6-6-6. Since the Hexagram is the symbol of Saturnus or Stur, as indicated on the cylinder seal, my attention now was focused on the planet Saturn. Now, to my surprise again, Saturn is the 6th planet of the Solar system. Saturday or Saturn day which is the 6th day of the week is derived from the name Saturn. It has been called dies Saturni ("Saturn's Day"), through which from it entered into Old English as Sæternesdæg and gradually evolved into the word "Saturday". Saturn has a curious 6 sided polygon on its north polar vortex - the hexagonal North Pole. We now have another interesting combination of 6-6-6 - 6th planet, 6th day of the week, and 6 sided polygon. This is getting weird and interesting. The number 666 is tightly integrated with Ninurta or Saturn. Now, since this involved religion, I began to study the religions of the world. As I went further in my research, it seems to lead me to another thing to search for clues and answers. And, to my utmost shock, I saw an icon of the image of Jesus according to the Roman Catholic Church, with the hexagram symbol on him. Why is the hexagram symbol associated with Jesus since the hexagram symbol has its origins with the pagans? I began to really doubt and very suspicious about this. Is this really the image of Jesus? My curiosity was peaking. ..continued to part 2 of the video

Shocking truth!! The mark of the beast and the image of the beast identified! Part 3. Visit http://666.xjohn.com Part 1 -6 Playlist : http://www.youtube.com/view_play_list?p=C201CDA2C986ABF9 Going back to the hexagram symbol of Ninurta, I was really curious how people brought it with them as they scattered on the face of the Earth. I studied more on religions and just as I have predicted, the same hexagram symbol appear among the pagan religions of the world. I'm not that surprised since I already knew it originated from Sumeria. It appeared on Hinduism, Buddhism, Taoism, Islam, the occult, etc. It appeared on every pagan religion of the world. To my dismay, I also found it to be the main symbol of the Jews. I read some sources that this is the star of David. How can this be the star of David when it belongs to the pagans? They are also many sources that this is the star of Solomon. According to the Bible, Solomon fell into idolatry. As a yearly tribute to him, Solomon received 666 talents of gold. 1 Kings 10:14 NIV The weight of the gold that Solomon received yearly was 666 talents. This is an indicator that Solomon was already adapting pagan superstitions and numerology and it is not a surprise why he require 666 talents of gold as he worshiped the pagan god. However, Solomon was by no means the keeper of the religion of Israel; for he married many foreign wives, in addition to the daughter of the Pharaoh there were women of the Moabites, Ammonites, Edomites, Sidonines, and Hittites, when Solomon became old his wives turned his heart away from God, and he worshiped other gods. This led him to committing idolatry and condoning the idolatry of his wives. In modern times, we can see this evidence of the hexagram symbol of the pagans on Israel's flag and in the synagogues due Solomon's disobedience to God. When Apostle Stephen pointed this out to the Jews, the star of their god Rephan or Saturn, they stoned him to death. Acts 7:43 - NIV 43 You have lifted up the shrine of Molech and the star of your god Rephan, the idols you made to worship. According to Revelation the temple in which the Jews worships in is now called, and I quote: Revelation 3:9 - NIV I will make those who are of the synagogue of Satan, who claim to be Jews though they are not, but are liars--I will make them come and fall down at your feet and acknowledge that I have loved you. The temple of God has become the synagogue of Satan. Satan is actually another name of Saturn or Ninurta which carries the hexagram symbol. Saturn in Irish is Satarn, and in South Africa, Bhantu language (Xhosa), Saturn is Isateni. We see an interesting evolution of the ancient name of Ninurta across cultures. Ninurta is simply non other than Satan himself. It is no wonder why his hexagram symbol is tightly integrated with the number 666. ...continued to part 4 of this video

Shocking truth!! The mark of the beast and the image of the beast identified! Part 8. Visit http://666.xjohn.com How the pagan ancients were advanced in technology is baffling. I'm not sure for certain where they get this knowledge from. Perhaps from an unknown entity way advance in knowledge and technology. This is the only logical answer to this. Who they are or what they are is unknown. But, on the cylinder seal lies a story of a certain advance beings called the Annunakis meaning - those who from heaven to Earth came. I wish I could avoid this type of unsubstantiated mythical stories, but the evidences are really hard to ignore. Another symbol I found is the eye within a triangle. As I have explained in details earlier, the equilateral triangle represent 6-6-6 which again represents the god Saturn. The eye which can be found on the south pole of Saturn is incorporated as another compound symbol for Saturn. I wont mention it again, but it appears in all pagan religions of the world. By just remembering the symbols of the god Saturn / Ninurta / Saturnus / E l / Kronos / Rephan / Satan, we can recognize which religious organization belongs to him. As I have gathered so far, these are all his symbols: 1.The hexagram 2.The eye within the equilateral triangle 3.The eye within the hexagram symbol 4.The pentagram within the hexagram Another symbol which I have found is the symbol of the solar eclipse of Saturn. From afar, we see that it looks like an eye with glowing rays surrounding it. I found this symbol again in pagan religions, not surprisingly. Everything by now is so predictable. Again, kindly note their advance knowledge in this and how they incorporated it in their pagan symbols way ahead of NASA. Another thing which I have noticed is that the false image of Jesus has a ring behind his head. As mentioned, this is not the image of Jesus. This is the image of Saturnus or Ninurta as indicated by the ring behind his head which indicates the ring of Saturn. They just describe it today as a halo, but it is actually the ring of Saturn. To confirm this, we look at another false image of Jesus. We see an eye within an equilateral triangle located at the top of his head. We know by now what this represents and it simply represents Saturn. Everything connects clearly. Who is the great architect behind the scenes moving like a shadow secretly bringing these subliminal and the doctrine of demons in order to control, brainwash, and deceive the whole world in preparation of his coming the coming of the lawless one, the son of perdition? Will we see Ninurta in the coming future pretending to be the Christ? In the next part of the video, we will see some strange mysterious things happening on the planet Saturn as described by the ancients. Is this the abode of Lucifer? Why is he called the bringer of light? The day star? Stay tuned as I reveal more shocking discoveries. .. continued to part 9 of this video (to be released soon)

Translated by: Dr. Stephanie Dalley, a former teacher of the Akkadian language at the Universities of Edinburgh and Oxford and is now Shillito Fellow in Assyriolology at the Oriental Institute, Oxford and a Senior Research Fellow of Somerville College. She also has worked on various excavations in the Middle East and has published cuneiform tablets found there by the British Archaeological Expedition to Iraq. http://www.orinst.ox.ac.uk/html/staff/eanes/sdalley.html The Epic of Anzu is principally known in two versions. The Old Babylonian version of the early second millennium exists as a small portion of the tale, giving the hero as Ningirsu, a warrior-god who was patron of the city Girsu in central Mesopotamia. That city is chiefly known in the late third millennium from the inscriptions of Gudea, a Sumerian governor who rebuilt Eninnu, Ningirsu's temple, and composed long inscriptions in honour of the event, and from many fine objects found by the French in the excavation of strata which date around that time: the lion-headed eagle Anzu is often depicted on them. However, no Sumerian account of the story is known, and Anzu in the Sumerian Epic of Lugalbanda has a quite different character and role: he is a benevolent bird whose offspring are fed during his absence by the hero of the epic. As far as its fragmentary condition allows us to judge, the Old Babylonian version of Anzu was written in an abbreviated form in which repetitious passages are not written verbatim. Ningirsu is given the title 'the God' or perhaps Tl' in this version. The god Shara also plays a prominent role. He was the patron god of Umma, a city in central Mesopotamia which likewise flourished in the late third millennium and was not important thereafter. The Standard Babylonian version, dating to the first millen­nium bc, may have consisted of about 720 lines on three four-column tablets. Some were found on the Late Assyrian sites of Nineveh, Tarbisu and Sultantepe, and probably belong to the seventh century bc. Another tablet comes from a museum collection in the USA and is of unknown provenance. It is Late Babylonian, but seems to have followed the Nineveh version closely. In this version the hero is Ninurta whose great cult centre at that time was Kalah, modern Nimrud, one of the Assyrian kings' capital cities in the ninth and eighth centuries bc. The walls of Ninurta's temple there are faced with monumental stone sculptures illustrating a cosmic battle, prob­ably a version of the Anzu epic. The story gives Ninurta the title 'Bel', 'The Lord', equivalent to West Semitic Ba'al. Repeated episodes are written out in full. The colophon to the Tarbisu version implies that the written story was known to the Hur-rians, who were powerful in the mid- to late second millennium and at times controlled Assyria from their cities north-west of Assyria. The story centres around possession of the Tablet of Destinies. The narrative structure is very similar to that of the Epic of Creation, both in the struggle to regain possession by the good gods, and in the pronouncement of names and hypostases for the victorious hero-god. The opening lines of the epic introduce the theme in the first person, representing the singer or poet, and are very closely comparable to the opening lines of Erra and Ishum. Nergal and Ninurta are quite close in some aspects of their characters, and in Erra and Ishum the defeat of Anzu with a net and the conquest of osafcfcu-demons are attributed to Nergal/Erra. The fight of Ninurta to defeat the asa/ckM-demons is known from the mainly Sumerian epic story of cosmic warfare called Lugal-e, and a companion story An-gim. These were very popular tales during both the second and the early first millennia. Sumerian Ninurta is armed with his trusty weapon Sharur; in Anzu Sharur plays a significant role as Ninurta's courier in the field of conflict. In Lugal-e his mother, the great goddess Nin-mah, speaks in support of him and is given the name Ninhursag, just as in Anzu, the mother of Ninurta as Belet-ili or Mami speaks in support of her son and is given the new title 'Mistress of All Gods'. Other epic deeds of Ninurta are known only from passing references: he slew the bull-man in the sea; he slew the six-headed wild ram on the mountain; he slew the seven-headed serpent. The Anzu epic and its ramifications in other tales illustrate how a common stock of narrative themes was used in different stories, and adapted in various places for diverse gods. Peace

Saturn: Is the sixth planet from the Sun and the second largest planet in the Solar System, after Jupiter. Along with the planets Jupiter, Uranus, and Neptune, it is classified as a gas giant (also known as a Jovian planet, after the planet Jupiter). It was named after the Roman god Saturnus, equated to the Greek Kronos (the Titan father of Zeus) and the Babylonian Ninurta. Saturn's symbol represents the god's sickle (Unicode: ♄). The day in the week Saturday gets its name from the planet. The planet Saturn is primarily composed of hydrogen, with small proportions of helium and trace elements. The interior consists of a small core of rock and ice, surrounded by a thick layer of metallic hydrogen and a gaseous outer layer. The outer atmosphere is generally bland in appearance, although long-lived features can appear. Wind speeds on Saturn can reach 1,800 km/h, significantly faster than those on Jupiter. Saturn has a planetary magnetic field intermediate in strength between that of Earth and the more powerful field around Jupiter. Saturn has a prominent system of rings, consisting mostly of ice particles with a smaller amount of rocky debris and dust. Sixty known moons orbit the planet. Titan, Saturn's largest and the Solar System's second largest moon (after Ganymede), is larger than the planet Mercury and is the only moon in the Solar System to possess a significant atmosphere.

Nemrod, quien fue el primero en hacerse rey después del Diluvio, y a quien la Biblia identifica como un poderoso cazador opuesto a Yahveh, es señalado como el verdadero gestor de la idea de llevar a cabo esta enorme empresa. Algunos han intentado identificarlo con Sharrukin o Sargón I de Akkad, el fundador del primer Imperio semita (acadio) de que se tiene memoria. Otros creen ver en este vigoroso cazador la figura del dios asirio Ninurta, dios de la guerra y de la caza que, como Nemrod, se placía en cazar a sus enemigos.

Shocking truth!! The mark of the beast and the image of the beast identified! Part 7. Visit http://666.xjohn.com I was pondering all day why the ancients were so obsessed with the planet Saturn. Is there something mysterious with the planet which we do not know yet or are waiting for discovery? I turned to NASA and did a comprehensive study on the planet Saturn. In 1980, Voyager 1 and 2 captured telemetry of a hexagonal pattern of the North Pole of Saturn. Not only that, we see not only a hexagram pattern, but a pentagonal pattern within the hexagram. It is a very mysterious formation - a pentagram in a hexagram on Saturn's North Pole. It is unknown how this formed. In 2006, NASA captured a clearer image of the North Polar vortex of Saturn. The image captured by Voyager in 1980 was not something temporary, but this hexagon is a permanent feature of Saturn. This confirms the evidence on the Sumerian cylinder seal representing the god Ninurta or Saturn with the Hexagram symbol due to the permanent feature of Saturn's North Polar vortex. It is very mysterious how the ancient knew the distinguishing feature of Saturn in advance. Powerful telescopes even today cannot possibly see the north polar vortex of Saturn clearly, unless you send a spacecraft near the planet to survey the surface. Although this sounds rather absurd, but did they really possess a spacecraft back then? I cannot seem to explain how they were able to know the hexagonal feature of the planet Saturn with accuracy. Another mysterious thing which baffles me is that on the other cylinder seal, we see the ring of Saturn clearly etched on the seal. Again, how were they able to know this? Did they have powerful telescopes back then? How were they able to see the rings of Saturn clearly? Although there are no evidences found which suggest a telescope or a spacecraft being utilized, but by just observing the evidences alone, it is clear that the Sumerian civilization was technologically advanced in its time which can be compared to our modern time. I guess our generation is not the only one that can claim advancement in technology. In 2006 again, NASA's Cassini spacecraft has seen something never been seen on another planet, a well developed eye ringed by towering clouds on the south polar vortex of Saturn. This again is very mysterious. Now, having studied all these distinguishing features of the planet Saturn, we now look for clues to confirm what I have suspected. We can derive a compound symbol from Saturn - the eye within the hexagram which is derived from Saturn's north and south polar vortex. Looking for this compound symbol, I now turn to religious organization to find clues. And to my shock and awe again according to what I have suspected all along, I found this compound symbol of Saturn to be present in the pagan religions of the world. I also discovered that the Cao Dai temple in Vietnam has an idol of a planet which has an eye on it. Something is really weird going on here. How can they know in advance where the eye and the hexagram of Saturn were only discovered recently? Is this just a coincidence? I want to be really certain what I have discovered, so I turned to the other compound symbol of Saturn which is the Pentagram within the Hexagram. Both can be found on Saturn's north polar vortex. I look again for clues, as I have expected again, I found this compound symbol to appear in the pagan religion of witchcraft and freemasonry. Unbelievable accuracy! How can they be more advanced than NASA? The eye, the pentagram, and the hexagram on Saturn are just recent discoveries. I am totally bewildered. If I just excuse this as a mere chance and coincidence, how many coincidences do we need to find and gather in order to convince ourselves? Everything points to the planet Saturn. Every pagan religions of the world are associated with Saturn via their sacred symbols which their god is represented. It is for certain with the evidences shown that the worship of the Babylonian god Ninurta has survived even to this day. .... continued to part 8 of this video

here i discuss the eye in the vortex, myself and the third sex in ancient religion. mysticism, occult, metaphysics, eye, vortex, rome, christianity, third sex, hijra, inanna, ishtar, history, politics, transgender, transvestite, transexual, taoism, buddhism, daoism, gnosticism, jesus, christ, osiris, typhon, lucifer, ninurta, megaman, super mario bros., jim morrison

Translated by: Behrens 1978: composite text, score transliteration, translation, photograph, handcopy, commentary, Bottéro and Kramer 1989, p. 105-115: translation, commentary, Cooper 1980: translation, commentary, Geller 1980: commentary, Green 1982: commentary, Hall 1985, p. 524-526: commentary, Heimerdinger 1979, 1, 37: handcopy (new mss.), Jacobsen 1987, p. 167-180: translation, commentary, Röllig 1981: commentary, Römer 1993a, p. 421-434: translation, commentary, Civil 1989g: composite text, Krecher 1996a: composite text, translation. Cuneiform sources BM 38600 (JRAS 1919 190f.) bil. CBS 8176 + CBS 8215 + CBS 13853 (SEM 77) + Ni 2707 (SLTN 19) CBS 9205 (MBI 4; photo HAV pl. 11f.; Kramer SM pl. 11) CBS 10309 + CBS 10412 (+?) CBS 10322, N 1314, N 1747, N 1774, N 2243, N 3038, N 4108, Ni 4533 (ISET 1 105), Ni 4565 (ISET 2 1), Ni 9639 (ISET 2 1), UM 29-13-574, UM 29-15-611, 3N-T294 = A 30202, 3N-T350 = IM 58439 + 3N-T419 = IM 58470 + 3N-T420 = IM 58471 + 3N-T901,34, 3N-T917,380 3N-T921s = A 33536 When Enlil was a young god, he was banished from Dilmun, home of the gods, to Kur, the underworld for raping a girl named Ninlil. Ninlil followed him to the underworld where she bore his first child, the moon god Sin (Sumerian Nanna/Suen). After fathering three more underworld deities (subtitutes for Sin), Enlil was allowed to return to Dilmun. Enlil was also known as the inventor of the pickaxe/hoe (favorite tool of the Sumerians) and caused plants to grow. Enlil (EN = Lord + LIL = Loft, "Lord of the Open" or "Lord of the Wind") was the name of a chief deity listed and written about in ancient Sumerian, Akkadian, Hittite, Canaanite and other Mesopotamian clay and stone tablets. The name is perhaps pronounced and sometimes rendered in translations as Ellil in later Akkadian, Hittite, and Canaanite literature. Enlil was considered to be the god of breath, wind, loft, and breadth. Cosmological role Enlil, along with Anu/An, Enki and Ninhursag were gods of the Sumerians. By his wife Ninlil or Sud, Enlil was father of the moon god Nanna/Suen (in Akkadian, Sin) and of Ninurta (also called Ningirsu). Enlil is sometimes father of Nergal, of Nisaba the goddess of grain, of Pabilsag who is sometimes equated with Ninurta, and sometimes of Enbilulu. By Ereshkigal Enlil was father of Namtar. Cultural histories Enlil is associated with the ancient city of Nippur, sometimes referred to as the cult city of Enlil. At a very early period prior to 3000 BC, Nippur had become the centre of a political district of considerable extent. Inscriptions found at Nippur, where extensive excavations were carried on during 18881900 by John P Peters and John Henry Haynes, under the auspices of the University of Pennsylvania, show that Enlil was the head of an extensive pantheon. Among the titles accorded to him are "king of lands", "king of heaven and earth", and "father of the gods". His chief temple at Nippur was known as Ekur, signifying 'House of the mountain', and such was the sanctity acquired by this edifice that Babylonian and Assyrian rulers, down to the latest days, vied with one another in embellishing and restoring Enlil's seat of worship, and the name Ekur became the designation of a temple in general. Grouped around the main sanctuary, there arose temples and chapels to the gods and goddesses who formed his court, so that Ekur became the name for an entire sacred precinct in the city of Nippur. The name "mountain house" suggests a lofty structure and was perhaps the designation originally of the staged tower at Nippur, built in imitation of a mountain, with the sacred shrine of the god on the top.Enlil was also the God of weather. According to the Sumerians, Enlil helped create the humans, but then got tired of their noise and tried to kill them by sending a flood. A mortal known as Utanapistim survived the flood, and he was made immortal by Enlil. Peace

Hitler machte nicht in der Wolfsschanze selbstmord, er wurde von einem Greißler umgebracht ^^

Translated by: Behrens 1978: composite text, score transliteration, translation, photograph, handcopy, commentary, Bottéro and Kramer 1989, p. 105-115: translation, commentary, Cooper 1980: translation, commentary, Geller 1980: commentary, Green 1982: commentary, Hall 1985, p. 524-526: commentary, Heimerdinger 1979, 1, 37: handcopy (new mss.), Jacobsen 1987, p. 167-180: translation, commentary, Röllig 1981: commentary, Römer 1993a, p. 421-434: translation, commentary, Civil 1989g: composite text, Krecher 1996a: composite text, translation. Cuneiform sources BM 38600 (JRAS 1919 190f.) bil. CBS 8176 + CBS 8215 + CBS 13853 (SEM 77) + Ni 2707 (SLTN 19) CBS 9205 (MBI 4; photo HAV pl. 11f.; Kramer SM pl. 11) CBS 10309 + CBS 10412 (+?) CBS 10322, N 1314, N 1747, N 1774, N 2243, N 3038, N 4108, Ni 4533 (ISET 1 105), Ni 4565 (ISET 2 1), Ni 9639 (ISET 2 1), UM 29-13-574, UM 29-15-611, 3N-T294 = A 30202, 3N-T350 = IM 58439 + 3N-T419 = IM 58470 + 3N-T420 = IM 58471 + 3N-T901,34, 3N-T917,380 3N-T921s = A 33536 When Enlil was a young god, he was banished from Dilmun, home of the gods, to Kur, the underworld for raping a girl named Ninlil. Ninlil followed him to the underworld where she bore his first child, the moon god Sin (Sumerian Nanna/Suen). After fathering three more underworld deities (subtitutes for Sin), Enlil was allowed to return to Dilmun. Enlil was also known as the inventor of the pickaxe/hoe (favorite tool of the Sumerians) and caused plants to grow. Enlil (EN = Lord + LIL = Loft, "Lord of the Open" or "Lord of the Wind") was the name of a chief deity listed and written about in ancient Sumerian, Akkadian, Hittite, Canaanite and other Mesopotamian clay and stone tablets. The name is perhaps pronounced and sometimes rendered in translations as Ellil in later Akkadian, Hittite, and Canaanite literature. Enlil was considered to be the god of breath, wind, loft, and breadth. Cosmological role Enlil, along with Anu/An, Enki and Ninhursag were gods of the Sumerians. By his wife Ninlil or Sud, Enlil was father of the moon god Nanna/Suen (in Akkadian, Sin) and of Ninurta (also called Ningirsu). Enlil is sometimes father of Nergal, of Nisaba the goddess of grain, of Pabilsag who is sometimes equated with Ninurta, and sometimes of Enbilulu. By Ereshkigal Enlil was father of Namtar. Cultural histories Enlil is associated with the ancient city of Nippur, sometimes referred to as the cult city of Enlil. At a very early period prior to 3000 BC, Nippur had become the centre of a political district of considerable extent. Inscriptions found at Nippur, where extensive excavations were carried on during 18881900 by John P Peters and John Henry Haynes, under the auspices of the University of Pennsylvania, show that Enlil was the head of an extensive pantheon. Among the titles accorded to him are "king of lands", "king of heaven and earth", and "father of the gods". His chief temple at Nippur was known as Ekur, signifying 'House of the mountain', and such was the sanctity acquired by this edifice that Babylonian and Assyrian rulers, down to the latest days, vied with one another in embellishing and restoring Enlil's seat of worship, and the name Ekur became the designation of a temple in general. Grouped around the main sanctuary, there arose temples and chapels to the gods and goddesses who formed his court, so that Ekur became the name for an entire sacred precinct in the city of Nippur. The name "mountain house" suggests a lofty structure and was perhaps the designation originally of the staged tower at Nippur, built in imitation of a mountain, with the sacred shrine of the god on the top.Enlil was also the God of weather. According to the Sumerians, Enlil helped create the humans, but then got tired of their noise and tried to kill them by sending a flood. A mortal known as Utanapistim survived the flood, and he was made immortal by Enlil. Peace

Mexicanos no estamos excentos de nuestra responsabilidad mundial, hoy la guerra está lejos, mañana estará cerca.

il dito di hokuto #3

Shocking truth!! The mark of the beast and the image of the beast identified! Part 4. Visit http://666.xjohn.com Part 1 -6 Playlist : http://www.youtube.com/view_play_list?p=C201CDA2C986ABF9 I was invited by a friend to her wedding day. It was held in a Roman Catholic Church - The Most Holy Rosary Parish. It was a beautiful wedding. What caught my eye was the priest's chasuble (robe). I was really shocked to see the satanic symbol of witchcraft, the Goat of Mendes symbol embroidered on the priests chasuble. I forgot to bring my digital camera with me, so I was really frustrated. I just stood there and stared at the satanic symbol. It was really unbelievable and shocking. I'm actually inside a satanic church, to put it bluntly. This really freaked me out a bit. Everyone seems to be having a good time, except me. I felt that I was the only one that came out of an illusion and everyone seems to be under a spell. How can they not know that? What in the world is the satanic symbol of witchcraft doing in a Christian Church? Who are they really bowing down to? Is this Church really a Christian Church? I went home and started to do some research again to verify what I saw. But, I don't have any images to compare so I have to rely on my memory. I just cannot believe what I saw. Being so busy at work, I forgot all about it. A couple of months have passed. I was browsing the net and I quickly remembered it again. So, I called my friend to ask her whether I could borrow her wedding pictures, but the picture album was not with her, unfortunately. All she has was a video footage of her wedding. This is good enough. I took the CD from her and played it at home. However, I can't play it on my computer due to incompatibilities but I can play it on my DVD player. Since I cant capture the video, I decided to take the picture directly form the TV screen. The quality sucks but I enhanced it a bit in my computer. So much hassles. lol. I got the image ready and compared it with the witchcraft symbols. What do you know, it matches. I feel like Fox Mulder from the X-files doing some investigative work lol. This goat of Mendes is actually the idol of ancient Egypt in a place called Mendes and was worshiped. It had a form of Ram/Goat head with a human body and was called Banebdjed (literally Ba of the lord of djed, and titled "the Lord of Mendes") Herodotus relates how all male goats were held in great reverence by the Mendesians, and how in his time a woman publicly copulated with a goat. This is disgusting. Also in my research, I studied the monstrance of the pope. To my surprise, it has hexagonal features as shown in the video. Even the little hex equals 666, 3 hexes = 3 "6"s. Everything is so fused with this ancient hexagram symbol. What is really going on here? If the beast in the Bible represents 666, then we are not too far in knowing who the beast really is. According to the Bible, there are 2 beasts in Revelation. Everybody knows that VACARIVS FILII DEI equals 666. It is a title of the pope. In English, it translates to the Vicar of the Son of God or on behalf of Christ - VICARIVS CHRISTI. We now have the identity of this beast. Who is the other one then? If the pope acts as a representative of Christ, then, who is this Christ are they referring to? Remember, there are 2 beasts in Revelation, not just one. Going by this context, the other beast is non other than Ninurta who impersonates himself as the Christ. He is the false messiah, the son of perdition, the lawless one, the false Christ. He has been throughout mankind's history since the very first civilization on Earth as evidence by his distinctive hexagram symbol. ..continued to part 5 of this video