Part 8 contains: Tashdid and gunnah (nasalization). A lesson of how to read al-quran using the ITQAN method. It is a powerful method that can make you read al-quran with proper tajweed and makhrajal huruf in a short of time. The method was developed by Ust. Zuhri Muhammad Syazali, Lc. MA from Indonesia.

Stereo: http://www.youtube.com/watch?v=qETBepizD-8&fmt=18 Buck Norris sings "Streets Of Bakersfield by Buck Owens and Dwight Yoakum. Alvis Edgar Owens Jr. was born in Sherman, Texas, on Aug. 12, 1929, and at age 3 or 4 nicknamed himself "Buck" after a mule on the family farm. The family moved west in 1937, settling in Mesa, Ariz., after their trailer hitch broke in Phoenix. Dropping out of school at 13, he taught himself to play guitar. By 1951, he had moved to Bakersfield, Calif., and eventually found success in its thriving country music scene. In the clubs of Bakersfield, Owens developed a trademark twisted-note style on his solid body Fender Telecaster. Initially recording as lead guitarist for Tommy Collins in 1953 (on "You Better Not Do That") and then singing for the small Pep and Chesterfield labels, Owens landed on Capitol Records in 1957. When his first single for Capitol fizzled, Owens moved to Puyallup, Wash., (a Tacoma suburb) to pursue a radio career. There he met Don Rich (real name Donald Eugene Ulrich), whose high, nasalized harmony vocals would combine with Owens' singing and chugging 2/4 freight train rhythm to make Owens' recordings distinctive. (Rich remained Owens' charismatic right-hand man until he died in a motorcycle accident in 1974.) In 1959, Owens hit with a recording of "Second Fiddle" in the Ray Price "shuffle" style. Later that year, the success of "Under Your Spell Again" led Owens to return to Bakersfield and form a band, the Buckaroos. In 1963, his recording of Johnny Russell's "Act Naturally" stayed at No. 1 for four weeks, and "Love's Gonna Live Here" spent 16 weeks atop the charts. Throughout the '60s, his recordings regularly topped the country chart including "My Heart Skips a Beat," "I Don't Care (Just As Long As You Love Me)," "I've Got a Tiger by the Tail," "Before You Go," "Waitin' in Your Welfare Line," "Think of Me," "Open Up Your Heart" and "Where Does the Good Times Go." Encouraged by his manager, Jack McFadden, Owens began investing in entertainment properties. In 1964, they formed the OMAC booking agency, which eventually handled such clients as Merle Haggard, Joe and Rose Maphis, Wynn Stewart, Freddie Hart and Rose Maddox. In 1967, Owens launched Blue Book Publishing. (He sold the company to Tree in the 1980s, and his catalog is now a part of the giant Sony/ATV firm.) Moreover, Owens began to acquire and develop radio stations. (In 1999, Clear Channel bought his KNIX-FM in Phoenix for $84 million and his jointly-owned KESZ for $58 million.) Yet another feature of the Owens empire came through Buck Owens Productions, which produced his syndicated television series, The Buck Owens Ranch Show. Starting in 1966, the show was shot in "batches" in Oklahoma City, much as Hee Haw would later be done in Nashville. In all, 78 half-hour color shows were taped, and the show at its peak aired in around 100 markets. Several of these shows are now available on home video, and excerpts from them were used as country music videos in the late 1980s. Owen's top-notch band, The Buckaroos, won CMA's instrumental group of the year awards in 1967 and '68. Owens teamed with singer/multi-instrumentalist Roy Clark in 1969 to host Hee Haw, originally a show for CBS-TV. CBS dropped it in 1971, but the show continued as a syndicated effort. Besides introducing acts, telling jokes and appearing in skits, Owens and Clark had a "pickin' and grinnin'" spot in each show, and both sang and recorded in the popular Hee Haw Gospel Quartet. Owens withdrew from his Hee Haw hosting duties in 1986 and was never replaced although the show continued into 1994. With his recording career sagging, Owens was essentially reduced to being a face of Hee Haw until Dwight Yoakam came along in the mid-1980s. Like Owens, Yoakam was passionate about West Coast country music, and he was loud in his praise of the old master. In fact, Yoakam made so much noise -- including making a personal plea to his idol -- that Owens recorded (and made a music video of) "The Streets of Bakersfield" with him. It went No. 1 in 1988, the last time Owens has viewed the chart from that vantage point.

BCB Band sings Tiger By The Tail By Buck Owens. Alvis Edgar Owens Jr. was born in Sherman, Texas, on Aug. 12, 1929, and at age 3 or 4 nicknamed himself "Buck" after a mule on the family farm. The family moved west in 1937, settling in Mesa, Ariz., after their trailer hitch broke in Phoenix. Dropping out of school at 13, he taught himself to play guitar. By 1951, he had moved to Bakersfield, Calif., and eventually found success in its thriving country music scene. In the clubs of Bakersfield, Owens developed a trademark twisted-note style on his solid body Fender Telecaster. Initially recording as lead guitarist for Tommy Collins in 1953 (on "You Better Not Do That") and then singing for the small Pep and Chesterfield labels, Owens landed on Capitol Records in 1957. When his first single for Capitol fizzled, Owens moved to Puyallup, Wash., (a Tacoma suburb) to pursue a radio career. There he met Don Rich (real name Donald Eugene Ulrich), whose high, nasalized harmony vocals would combine with Owens' singing and chugging 2/4 freight train rhythm to make Owens' recordings distinctive. (Rich remained Owens' charismatic right-hand man until he died in a motorcycle accident in 1974.) In 1959, Owens hit with a recording of "Second Fiddle" in the Ray Price "shuffle" style. Later that year, the success of "Under Your Spell Again" led Owens to return to Bakersfield and form a band, the Buckaroos. In 1963, his recording of Johnny Russell's "Act Naturally" stayed at No. 1 for four weeks, and "Love's Gonna Live Here" spent 16 weeks atop the charts. Throughout the '60s, his recordings regularly topped the country chart including "My Heart Skips a Beat," "I Don't Care (Just As Long As You Love Me)," "I've Got a Tiger by the Tail," "Before You Go," "Waitin' in Your Welfare Line," "Think of Me," "Open Up Your Heart" and "Where Does the Good Times Go." Encouraged by his manager, Jack McFadden, Owens began investing in entertainment properties. In 1964, they formed the OMAC booking agency, which eventually handled such clients as Merle Haggard, Joe and Rose Maphis, Wynn Stewart, Freddie Hart and Rose Maddox. In 1967, Owens launched Blue Book Publishing. (He sold the company to Tree in the 1980s, and his catalog is now a part of the giant Sony/ATV firm.) Moreover, Owens began to acquire and develop radio stations. (In 1999, Clear Channel bought his KNIX-FM in Phoenix for $84 million and his jointly-owned KESZ for $58 million.) Yet another feature of the Owens empire came through Buck Owens Productions, which produced his syndicated television series, The Buck Owens Ranch Show. Starting in 1966, the show was shot in "batches" in Oklahoma City, much as Hee Haw would later be done in Nashville. In all, 78 half-hour color shows were taped, and the show at its peak aired in around 100 markets. Several of these shows are now available on home video, and excerpts from them were used as country music videos in the late 1980s. Owen's top-notch band, The Buckaroos, won CMA's instrumental group of the year awards in 1967 and '68. Owens teamed with singer/multi-instrumentalist Roy Clark in 1969 to host Hee Haw, originally a show for CBS-TV. CBS dropped it in 1971, but the show continued as a syndicated effort. Besides introducing acts, telling jokes and appearing in skits, Owens and Clark had a "pickin' and grinnin'" spot in each show, and both sang and recorded in the popular Hee Haw Gospel Quartet. Owens withdrew from his Hee Haw hosting duties in 1986 and was never replaced although the show continued into 1994.

Ancient Fathers Call for the Truth! http://www.scienceblog.com/cms/print/16452 http://www.etymonline.com/index.php?term=ethnic Elizabeth J. Pyatt, Linguistic PhD, Pennsylvania State University USA:"In 3200 BC, there were many, many languages spoken besides Sumerian and Egyptian, but they were not fortunate enough to have a writing system. These languages are just as old. To take one interesting case, the Albanian language (spoken north of Greece) was not written down until about the 15th century AD, yet Ptolemy mentions the people in the first century BC.* The linguistic and archaeological evidence suggests that Albanians were a distinct people for even longer than that. So Albanian has probably existed for several millennia, but has only been written down for 500 years. With a twist of fate, Albanian might be considered very "old" and Greek pretty "new"." . Albanian is a direct descendant of a south-west group of Illyrian dialects. However, there have been other hypotheses proposed, among which the following merit to be mentioned. A. The Pelasgian hypothesis. Albanian is the continuation of the language of an ancient people called Pelasgians, a hypothesis rather diffused in the 19th century. J.G. von HAHN (1854) formulated in a strict manner the hypothesis that the Albanians are direct descendants of the Illyrians, Macedonians, and Epirotes, and that in the remotest times they formed a united race together with the Latins and the Hellenes called Pelasgians, with their language, the Pelasgian. A. SCHLEICHER gave full authority to this theory of Pelasgian origin with his family tree of languages. Today this is considered a groundless idea. . B. The Thracian (Dacian) hypothesis. Albanian is the continuation of the Thracian language. This thesis, implying an Albanian-Rumanian symbiosis, is supported by students of Rumanian: H. HIRT, K. PAUL, G. WEIGAND, H. BARIC, I. POPOVIC, and I. I. RUSSU. Only scant remains of Thracian exist, but HIRT saw Albanians as descendants of the Thracians. This means that in the early Middle Ages the Albanians moved westward from the central part of the Balkans, but there are no historical records of such a massive migration. To BARIC Albanian is an Illyricized Thracian dialect. . C. The Illyrian-Thracian hypothesis. Albanian is derived from a mixture of Illyrian and Thracian. N. JOKL supported the idea of an intermediate position between Illyrian and Thracian. However, Thracian is not better known than Illyrian, and it is difficult to distinguish their specific elements, or to trace a dividing line between Illyrian and Thracian. For JOKL the Albanians are probably the descendants of the Illyrian tribe of Dardanians, living in the interior of the Balkan peninsula, who migrated westward some time in the late Roman period. . D. The Daco-Moesian hypothesis is sustained by the Bulgarian academician V. GEORGIEV. . E. The independent hypothesis. H. KRAHE affirms that Albanian presents an independent Indo-European language. The vast work of Prof. E. ÇABEJ on Albanian etymology (1976), an unrivaled synthesis of everything known in this field, refers to remote periods of Albanian as an Indo-European language, without considering the Illyrian language. Following a strict method, the Albanian etymologies would go back to Illyrian forms, which in turn would be traced back to Indo-European roots, like the Italian etymologies going back to Latin forms. E. HAMP (1972) states: "Albanian shows no obvious close affinity to any other Indo-European language;It is plainly the sole modern survivor of its own subgroup". . Along with the basic Albanian vowels: a e i o u y, and ë, there are short and long versions that brings the total to 14 vowels. Then, with Gheg there are nasalized vowels: â, ê, î, ô, û, and ŷ so that brings the vowels to 20. Then each nasalized vowel can also be short or long so now we get 26 vowels. Some dialects have a few more front vowels which we could write as é and ö. So 28 vowels. Then Albanian has a few diphthongs: aj ej ij oj uj yj, and ëj; au, eu, iu. There can short and long variations. Albanian consonants, a ton of those: p/b t/d q/gj k/g ; c/x ç/xh ; f/v th/dh s/z sh/sh h ; l/ll/ r/rr m n/nj j Also we could add these clusters: mb mp nd ng ngj nk nx. Some dialects have the glottal stop, and velarized forms for m, n, and a pure velar ng. I imagine a few dialects have even a few more consonant sounds. So that could bring up the total to around 40 or so. So all in all Albanian as a whole has around 100 sounds or so. Since most Albanians can speak one or more dialects of Albanian, I wouldn't be surprised if an Albanian has around 100 phonemes in the head!

Stereo: http://www.youtube.com/watch?v=PVTSzQGYGIU&fmt=18 BCB Band sings "Crying Time Again" by Buck Owens. Alvis Edgar Owens Jr. was born in Sherman, Texas, on Aug. 12, 1929, and at age 3 or 4 nicknamed himself "Buck" after a mule on the family farm. The family moved west in 1937, settling in Mesa, Ariz., after their trailer hitch broke in Phoenix. Dropping out of school at 13, he taught himself to play guitar. By 1951, he had moved to Bakersfield, Calif., and eventually found success in its thriving country music scene. In the clubs of Bakersfield, Owens developed a trademark twisted-note style on his solid body Fender Telecaster. Initially recording as lead guitarist for Tommy Collins in 1953 (on "You Better Not Do That") and then singing for the small Pep and Chesterfield labels, Owens landed on Capitol Records in 1957. When his first single for Capitol fizzled, Owens moved to Puyallup, Wash., (a Tacoma suburb) to pursue a radio career. There he met Don Rich (real name Donald Eugene Ulrich), whose high, nasalized harmony vocals would combine with Owens' singing and chugging 2/4 freight train rhythm to make Owens' recordings distinctive. (Rich remained Owens' charismatic right-hand man until he died in a motorcycle accident in 1974.) In 1959, Owens hit with a recording of "Second Fiddle" in the Ray Price "shuffle" style. Later that year, the success of "Under Your Spell Again" led Owens to return to Bakersfield and form a band, the Buckaroos. In 1963, his recording of Johnny Russell's "Act Naturally" stayed at No. 1 for four weeks, and "Love's Gonna Live Here" spent 16 weeks atop the charts. Throughout the '60s, his recordings regularly topped the country chart including "My Heart Skips a Beat," "I Don't Care (Just As Long As You Love Me)," "I've Got a Tiger by the Tail," "Before You Go," "Waitin' in Your Welfare Line," "Think of Me," "Open Up Your Heart" and "Where Does the Good Times Go." Encouraged by his manager, Jack McFadden, Owens began investing in entertainment properties. In 1964, they formed the OMAC booking agency, which eventually handled such clients as Merle Haggard, Joe and Rose Maphis, Wynn Stewart, Freddie Hart and Rose Maddox. In 1967, Owens launched Blue Book Publishing. (He sold the company to Tree in the 1980s, and his catalog is now a part of the giant Sony/ATV firm.) Moreover, Owens began to acquire and develop radio stations. (In 1999, Clear Channel bought his KNIX-FM in Phoenix for $84 million and his jointly-owned KESZ for $58 million.) Yet another feature of the Owens empire came through Buck Owens Productions, which produced his syndicated television series, The Buck Owens Ranch Show. Starting in 1966, the show was shot in "batches" in Oklahoma City, much as Hee Haw would later be done in Nashville. In all, 78 half-hour color shows were taped, and the show at its peak aired in around 100 markets. Several of these shows are now available on home video, and excerpts from them were used as country music videos in the late 1980s. Owen's top-notch band, The Buckaroos, won CMA's instrumental group of the year awards in 1967 and '68. Owens teamed with singer/multi-instrumentalist Roy Clark in 1969 to host Hee Haw, originally a show for CBS-TV. CBS dropped it in 1971, but the show continued as a syndicated effort. Besides introducing acts, telling jokes and appearing in skits, Owens and Clark had a "pickin' and grinnin'" spot in each show, and both sang and recorded in the popular Hee Haw Gospel Quartet. Owens withdrew from his Hee Haw hosting duties in 1986 and was never replaced although the show continued into 1994. With his recording career sagging, Owens was essentially reduced to being a face of Hee Haw until Dwight Yoakam came along in the mid-1980s. Like Owens, Yoakam was passionate about West Coast country music, and he was loud in his praise of the old master. In fact, Yoakam made so much noise -- including making a personal plea to his idol -- that Owens recorded (and made a music video of) "The Streets of Bakersfield" with him. It went No. 1 in 1988, the last time Owens has viewed the chart from that vantage point.

Alvis Edgar Owens Jr. was born in Sherman, Texas, on Aug. 12, 1929, and at age 3 or 4 nicknamed himself "Buck" after a mule on the family farm. The family moved west in 1937, settling in Mesa, Ariz., after their trailer hitch broke in Phoenix. Dropping out of school at 13, he taught himself to play guitar. By 1951, he had moved to Bakersfield, Calif., and eventually found success in its thriving country music scene. In the clubs of Bakersfield, Owens developed a trademark twisted-note style on his solid body Fender Telecaster. Initially recording as lead guitarist for Tommy Collins in 1953 (on "You Better Not Do That") and then singing for the small Pep and Chesterfield labels, Owens landed on Capitol Records in 1957. When his first single for Capitol fizzled, Owens moved to Puyallup, Wash., (a Tacoma suburb) to pursue a radio career. There he met Don Rich (real name Donald Eugene Ulrich), whose high, nasalized harmony vocals would combine with Owens' singing and chugging 2/4 freight train rhythm to make Owens' recordings distinctive. (Rich remained Owens' charismatic right-hand man until he died in a motorcycle accident in 1974.) In 1959, Owens hit with a recording of "Second Fiddle" in the Ray Price "shuffle" style. Later that year, the success of "Under Your Spell Again" led Owens to return to Bakersfield and form a band, the Buckaroos. In 1963, his recording of Johnny Russell's "Act Naturally" stayed at No. 1 for four weeks, and "Love's Gonna Live Here" spent 16 weeks atop the charts. Throughout the '60s, his recordings regularly topped the country chart including "My Heart Skips a Beat," "I Don't Care (Just As Long As You Love Me)," "I've Got a Tiger by the Tail," "Before You Go," "Waitin' in Your Welfare Line," "Think of Me," "Open Up Your Heart" and "Where Does the Good Times Go." Encouraged by his manager, Jack McFadden, Owens began investing in entertainment properties. In 1964, they formed the OMAC booking agency, which eventually handled such clients as Merle Haggard, Joe and Rose Maphis, Wynn Stewart, Freddie Hart and Rose Maddox. In 1967, Owens launched Blue Book Publishing. (He sold the company to Tree in the 1980s, and his catalog is now a part of the giant Sony/ATV firm.) Moreover, Owens began to acquire and develop radio stations. (In 1999, Clear Channel bought his KNIX-FM in Phoenix for $84 million and his jointly-owned KESZ for $58 million.) Yet another feature of the Owens empire came through Buck Owens Productions, which produced his syndicated television series, The Buck Owens Ranch Show. Starting in 1966, the show was shot in "batches" in Oklahoma City, much as Hee Haw would later be done in Nashville. In all, 78 half-hour color shows were taped, and the show at its peak aired in around 100 markets. Several of these shows are now available on home video, and excerpts from them were used as country music videos in the late 1980s. Owen's top-notch band, The Buckaroos, won CMA's instrumental group of the year awards in 1967 and '68. Owens teamed with singer/multi-instrumentalist Roy Clark in 1969 to host Hee Haw, originally a show for CBS-TV. CBS dropped it in 1971, but the show continued as a syndicated effort. Besides introducing acts, telling jokes and appearing in skits, Owens and Clark had a "pickin' and grinnin'" spot in each show, and both sang and recorded in the popular Hee Haw Gospel Quartet. Owens withdrew from his Hee Haw hosting duties in 1986 and was never replaced although the show continued into 1994. With his recording career sagging, Owens was essentially reduced to being a face of Hee Haw until Dwight Yoakam came along in the mid-1980s. Like Owens, Yoakam was passionate about West Coast country music, and he was loud in his praise of the old master. In fact, Yoakam made so much noise -- including making a personal plea to his idol -- that Owens recorded (and made a music video of) "The Streets of Bakersfield" with him. It went No. 1 in 1988, the last time Owens has viewed the chart from that vantage point. Also in 1988, Owens re-signed to his old label, Capitol Records. That union resulted in two albums and five charted singles, none of which reached the Top 20. However, his "Act Naturally" duet with Ringo Starr did make it to No. 27 in 1989. It was accompanied by an amusing Old West-inspired music video in which Owens' manager, McFadden, played the sheriff and actor Vic Tayback (Mel on TV's Alice) played the bartender. In 1996, he was elected to both the Country Music Hall of Fame and the Nashville Songwriters Hall of Fame. Earlier that same year, he opened his opulent Crystal Palace in Bakersfield. He died on March 25, 2006.

Alvis Edgar Owens Jr. was born in Sherman, Texas, on Aug. 12, 1929, and at age 3 or 4 nicknamed himself "Buck" after a mule on the family farm. The family moved west in 1937, settling in Mesa, Ariz., after their trailer hitch broke in Phoenix. Dropping out of school at 13, he taught himself to play guitar. By 1951, he had moved to Bakersfield, Calif., and eventually found success in its thriving country music scene. In the clubs of Bakersfield, Owens developed a trademark twisted-note style on his solid body Fender Telecaster. Initially recording as lead guitarist for Tommy Collins in 1953 (on "You Better Not Do That") and then singing for the small Pep and Chesterfield labels, Owens landed on Capitol Records in 1957. When his first single for Capitol fizzled, Owens moved to Puyallup, Wash., (a Tacoma suburb) to pursue a radio career. There he met Don Rich (real name Donald Eugene Ulrich), whose high, nasalized harmony vocals would combine with Owens' singing and chugging 2/4 freight train rhythm to make Owens' recordings distinctive. (Rich remained Owens' charismatic right-hand man until he died in a motorcycle accident in 1974.) In 1959, Owens hit with a recording of "Second Fiddle" in the Ray Price "shuffle" style. Later that year, the success of "Under Your Spell Again" led Owens to return to Bakersfield and form a band, the Buckaroos. In 1963, his recording of Johnny Russell's "Act Naturally" stayed at No. 1 for four weeks, and "Love's Gonna Live Here" spent 16 weeks atop the charts. Throughout the '60s, his recordings regularly topped the country chart including "My Heart Skips a Beat," "I Don't Care (Just As Long As You Love Me)," "I've Got a Tiger by the Tail," "Before You Go," "Waitin' in Your Welfare Line," "Think of Me," "Open Up Your Heart" and "Where Does the Good Times Go." Encouraged by his manager, Jack McFadden, Owens began investing in entertainment properties. In 1964, they formed the OMAC booking agency, which eventually handled such clients as Merle Haggard, Joe and Rose Maphis, Wynn Stewart, Freddie Hart and Rose Maddox. In 1967, Owens launched Blue Book Publishing. (He sold the company to Tree in the 1980s, and his catalog is now a part of the giant Sony/ATV firm.) Moreover, Owens began to acquire and develop radio stations. (In 1999, Clear Channel bought his KNIX-FM in Phoenix for $84 million and his jointly-owned KESZ for $58 million.) Yet another feature of the Owens empire came through Buck Owens Productions, which produced his syndicated television series, The Buck Owens Ranch Show. Starting in 1966, the show was shot in "batches" in Oklahoma City, much as Hee Haw would later be done in Nashville. In all, 78 half-hour color shows were taped, and the show at its peak aired in around 100 markets. Several of these shows are now available on home video, and excerpts from them were used as country music videos in the late 1980s. Owen's top-notch band, The Buckaroos, won CMA's instrumental group of the year awards in 1967 and '68. Owens teamed with singer/multi-instrumentalist Roy Clark in 1969 to host Hee Haw, originally a show for CBS-TV. CBS dropped it in 1971, but the show continued as a syndicated effort. Besides introducing acts, telling jokes and appearing in skits, Owens and Clark had a "pickin' and grinnin'" spot in each show, and both sang and recorded in the popular Hee Haw Gospel Quartet. Owens withdrew from his Hee Haw hosting duties in 1986 and was never replaced although the show continued into 1994. THIS BIO SEGMENT IS THE FIRST OF TWO PARTS OF BUCK'S BIOGRAPHY FOUND ON THE CMT SITE.