Nov 2, 2006 Artworx segment on Swine Palace production of Metamorphoses by Mary Zimmerman

Forgive the video quality of the images: this is a quickly done video comment about the models used in Waterhouse's work in response to some comments I read recently about one woman being the model for most of his images. It is about the process about his development of an ideal through his work and is not meant as a direct reference to "The Waterhouse Ideal," an essay by Cathy Baker. See Cathy's notes under comments.

Nicholas Daniel performs Bacchus from Britten 6 Metamorphoses after Ovid

A production of Mary Zimmerman's "Metamorphoses" at Edmund Burke School in Washington, DC directed by Richard Carlson and designed by Jonathan Deull

Metamorphoses fadistas (6) Audio: Amália Rodrigues Artwork by Joannes Richter Audio: 1-Fadista Louco, 2-Fado Alfacinha, 3-Tentacao All lyrics see: http://www.lyricsspot.com/am+lia+rodrigues-lyrics-19655.html La Reina del Fado - Canta Amália Rodrigues Canta: Amália Rodrigues Cara A Sem Rasao As Rosas Do Meu Caminho Cabeca de Vento Disse Mal de Ti Tentacao Ave Maria Fadista Cara B O Namorico da Rita Fadista Louco La Proque Tems Cinco Pedras Fado Alfacinha A Manha Cancao e Saudade Cuando os outros te Batem, Beijo - te eu Sonus LPS 1027 Este disco LP ha sido hecho por SADEL & CIA., S.A., Caracas ca. 1960

Svetlana Kuznetsova: "Metamorphoses 2007" ...listening to the wind of change...

fragilité, Moscow Conservatory Netlabel / Сетевой лейбл Московской консерватории presents / представляет http://fragilite.com/music/metamorphoses-for-12-performers/ Anna Mikhailova Metamorphoses Performed by Studio of new music and I. Dronov (conductor) Анна Михайлова Metamorphoses Исполняет ансамбль "Студия новой музыки", дирижер И. Дронов

Nicholas Daniel performs Niobe from Britten 6 Metamorphoses after Ovid

http://es.wikipedia.org/wiki/Seis metamorfosis de Ovidio Benjamin Britten Six Metamorphoses after Ovid ------------------------------------------------- Benjamin Britten was an enthusiastic composer of music for his close friends and colleagues, including solo works for cello, harp, and oboe. In 1951, Britten was primarily concerned with writing his opera Billy Budd. After he had finished sketching it, he turned his attention to other projects, among them overseeing the Aldeburgh Festival, which had begun four years previously primarily as a showcase for English operas, and where many of his own works were given their premières. In the same year Britten composed six little pieces for solo oboe, to be performed by Joy Boughton (daughter of the composer Rutland Boughton) during the Aldeburgh Festival. Britten turned for inspiration to Ovid, the exiled Roman poet who died in 17 A.D. in obscurity on the northwest coast of the Black Sea. Ovid's greatest work, Metamorphoses, is a fifteen-volume treatise of the disillusionment of his generation described in terms of the instability of nature. Britten has titled his Six Metamorphoses After Ovid using names of the some of the legendary figures who appear in the great Roman poet's work. The movements are: PAN who played upon the reed pipe which was Syrinx, his beloved. PHAETON who rode upon the chariot of the sun for one day and was hurled into the river Padus by a thunderbolt. NIOBE who, lamenting the death of her fourteen children, was turned into stone. BACCHUS at whose feasts is heard the noise of gaggling women's tattling tongues and shouting out of boys. NARCISSUS who fell in love with his own image and became a flower. ARETHUSA who, flying from the love of Alpheus the river god, was turned into a fountain. These six pieces, written in Britten's later style, demonstrate the musical metamorphoses which always fascinated Britten. Benjamin Britten Six Metamorphoses after Ovid, Op.49 1. I. Pan 1'39 2. II. Phaeton 1'15 3. III. Niobe 2'07 4. IV. Bacchus 1'45 5. V. Narcissus 2'43 6. VI. Arethusa 2'16

A preview of the Gainesville Theatre Alliance's latest production: Mary Zimmerman's Metamorphoses. It runs form

Nicholas Daniel performs Arethusa from Britten 6 Metamorphoses after Ovid

http://www.elizabethgreenleaf.com/ The main theme from Elizabeth W. Greenleaf's Music for Metamorphoses, written for a performance of Mary Zimmerman's Metamorphoses, based on the narrative poem from Ovid. 01 - Prelude/Alcyone's Plea Copyright 2008 Elizabeth W. Greenleaf, All Rights Reserved

Globalisation, mondialisation... le monde moderne résonne de mots nouveaux qui riment avec les profondes mutations de la société. Le Rugby peut-il échapper à ces transformations ? En voir plus sur : http://www.vodeo.tv/12-162-4924-les-metamorphoses-de-l-ovalie-to-be-or-not-rugby.html?PARTID=9085

Genesis--the opening sound cue written for the Sheldon Vexler's production of 'metamorphoses'. It's when the narrator is talking about the beginning of the universe.--photos by: www.albertosphotos.com

Nicholas Daniel performs Pan from Britten 6 Metamorphoses after Ovid

Nicholas Daniel performs Narcissus from Britten 6 Metamorphoses after Ovid

Nicholas Daniel performs Phaeton from Britten 6 Metamorphoses after Ovid

______________ Endless Love ((Diana Ross & Lionel Ritchie) My love, there's only you in my life, The only thing that's right. My first love, you're every breath that I take, You're every step I make. And I, I want to share, all my love with you, No one else will do. And your eyes, they tell me how much you care. Oh yes, you will always be, my endless love. Two hearts, two hearts that beat as one. Our lives have just begun. Forever, I'll hold you close in my arms, I can't resist your charm. My love, I'll be a fool, for you I'm sure, You know I don't mind. Cause you, you mean the world to me. Oh, I know I've found in you, my endless love. And love, I'll be that fool, for you, I'm sure. You know I don't mind. And yes, you'll be the only one. Cause no one can deny, This love I have its fine. I'll give it all to you, My love, my love, my endless love. ____________________________ http://en.wikipedia.org/wiki/Pygmalion_and_Galatee _____________________________

ὁρᾷς τὸν Ἀκτέωνος ἄθλιον μόρον, ὃν ὠμόσιτοι σκύλακες ἃς ἐθρέψατο διεσπάσαντο, κρείσσον' ἐν κυναγίαις Ἀρτέμιδος εἶναι κομπάσαντ', ἐν ὀργάσιν. Look at Actaeon's wretched fate who by the man-eating hounds he had raised, was torn apart, better at hunting than Artemis he had boasted to be, in the meadows.

Hungarian National Ballet Company: Metamorphoses Nocturnes - Music: Gyorgy Ligeti - Choreography: Andrea Paolini Merlo - Dancers: Johanna Schnetz, Zsòfia Gyarmati, Ildikò Bacskai, Orsolya Gàspàr, Alexander Komarov, Dàniel Fodor, Gyorgy Szirb, Akos Baràt Magyar Nemzeti Balett

Its a video projekt about the metamorphoses from Ovid! Copy right by ThomasArts. All rights reserved.

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agora fidelio live métamorphoses

Metamorphoses - Abertura da Novela

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