The very funny & talented Gish doing his act for the AotearoHa gig on TV3 last night. Covers of Dave Dobbyns' Loyal and the Eagles' Hotel California.

GISH is one of the few existing games in which the players character is animated and reacts according to a physics engine (In this case a ball of tar is simulated with a "spoke" made of springs). The developers website is here: http://www.chroniclogic.com/ You can also try the demo here: http://www.chroniclogic.com/index.htm?gish_download.htm

the second video of gish 2, 3 weeks into development. focusing on the new physical structure of Gish.

Trailer for underground pc hit, Gish! Crypticsea.com

A montage consists some of Lillian's best photos as a dedication to this great silent actress.

A slideshow dedication to some of my favorite ladies: the vamps, flapper, delicate, swooning heroine and silent innocents. Mary Miles Minter, Norma Talmadge, Betty Compson, Janet Gaynor, Mary Philbin, Blanche Sweet, etc.

"WAY DOWN EAST",1920. Saved from an icy death!

Peggy and Art Gish of Christian Peacemaker Teams (CPT) visited Belmont University Oct. 17, 2007, to discuss their peacemaking work in the Middle East.

A montage of a few of Lillian Gish's pictures, short and sweet. Lillian Gish was a popular silent movie actress during the 1920's, and her career spanned about 75 years. She was also, in my opinion, and incredibly beautiful lady. Comments? Questions? Concerns?

http://downloadablesuicide.com/2008/03/11/givin-you-the-gisht-of-it/ Gameplay demonstration for Gish.

Marsha Mason, Emily Watson, Lily Tomlin and Bridget Fonda.

And so their eyes met...'Broken Blossoms' starring the beautiful Lillian Gish and the gorgeous Richard Barthelmess was the first silent movie I ever saw and ultimately, is responsible for my enduring love of the genre and my natural desire then, to discover Valentino, my great passion! I find this film as delightful and captivating today as I did at the age of 8, all those years ago. Enjoy...

The Mothering Heart 1913 cast: Lillian Gish -The Young Wife, Joseph McDermott ,Mae Marsh ,Peggy Pearce, Adolphe Lestina, Walter Miller, Charlie Murray, Charles H. West, Viola Barry,Gertrude Bambrick ,Blance Sweet, Mae Marsh, Josephine Crowell, Kate Bruce , Donald Crisp Billy Bitzer - Cinematographer Summary: The Mothering Heart was one of six films Griffith was producing and directing at the same time in California 1913, and the first major roll for Lillian Gish. Against her better judgment the young women(Lillian Gish), marrys a man shes not sure is the right person(Walter Miller). During the hard times together the wife takes on jobs doing laundry until better days come for her husband. But the Husband starts to do well and becomes discontent with his wife and unhappy the way she looks. Its while he takes his wife out for dinner that he starts to flirt with a women(Peggy Pearce) at another table and soon takes up with her after a chance meeting.Its when Lillian whos now expecting a baby finds the womens gloves in the husbands jacket that her suspicions are aroused. She leaves him to have her baby at her mothers home as the man dates the other women. Its at dinner one night that the women meets another man flirting with her from another table(Charlie Murry) and runs off with him.The husband goes back to Lillian for forgivenes to learn that his baby has died. For what every reason Lillian will forgive him, and they hug and hope to start over the right way. Take note of Henry Walthal and Mae Marsh as extras having dinner, as well as Donald Crisp and Blanche Sweet dancing together as performers on the stage in the resturant. http://www.YouTube.com/DIRECTORSSERIES http://www.YouTube.com/THEATRECORNER http://www.YouTube.com/IRARONA http://www.YouTube.com/TVNETWORKS http://www.YouTube.com/TVDAYS http://www.tvdays.com (400 DVD TITLES ) DW GRIFFITH AT BIOGRAPH BY IRA H. GALLEN What soon ends Griffith's association with the Biograph Company will be the events surrounding the production of three films: THE BATTLE OF ELDERBUSH GULCH, THE MOTHERING HEART and JUDITH OF BETHULIA. All three are being made at the same time, each one was different and highly involved in scope and production value. They're made with the same cunning he used in his other battles with the front office. The question on the audiences lips was now reaching across all class boundaries; the D.W. Griffith method riveted them in their seats or had them sitting up on the edge of the seats, awaiting the outcome. Moving picture audiences were now coming to feel as well as see the stories on the nickelodeon or movie parlor screens in front of them. Griffith's acting company would soon be operating in such a fashion as to be completely independent of any one actress or actor. Each category of character was staffed in depth by Griffith. He had the practice of alternating casts which kept any one player from becoming too important. This kept them from knowing their importance with the public for a period of better than three years. In this fashion, salaries were kept quite low. Moving pictures were still produced in a highly improvised manner. Griffith would never be found using a shooting script of any sort which outlined the action. The synopsis was carried in his head. If one scenic background that was called for in the story was unavailable, he changed the background and altered the story to fit. Production problems as well as the continuity of the story that was being shot were also kept in Griffith's head. What makes it all work was that those who stayed on to learn and work with Griffith soon became a permanent part of his stock company and assisted him in his decisions as well as in carrying out his orders. Whenever an actor or actress was not actually appearing in a story, they might be seen in the background, working on a Griffith errand or carrying a prop.

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This video clip features the following set of cards: http://stores.ebay.com/Creamofcards-Cigarette-Cards#bottom Manufacturer: Lambert and Butler Series Title: Popular Film Stars Year Of Issue: 1925 Card Size: normal Complete Set: yes Number of Cards: 50 cards Mae Murray,Barbara La Marr,Mary Pickford,Harold Lloyd,Rudolph Valentino,Doris Kenyon,Alice Terry,Ramon Novarro,Anna Q Nilsson,Laura La Plante,Milton Sills,Jack Holt,Norma Talmadge,Dorothy Gish,Rod La Rocque,Pola Negri,Adophe Jean Menjou,Buster Keaton,, Gloria Swanson,Theodore Roberts,Corinne Griffith,Lillian Gish,Richard Dix,Bebe Daniels,Lewis Stone,Constance Talmadge,Charlie Chaplin,Norma Talmadge,Agnes Ayres,Betty Compson,May McAvoy,Gloria Swanson,Tom Mix,Colleen Moore,Rudolph Velentino,Jackie Coogan,, Lewis Stone,Leatrice Joy,Anna Q. Nilsson,Ramon Novarro,Adolphe Jean Menjou,May McAvoy,Thomas Meighan,Jackie Coogan,Betty Blythe,Reginald Denny,Douglas Fairbanks,Colleen Moore,Walter Hiers,Richard Barthelmess, Silent Movie Stars,Early Film Stars,Silver Screen

Epic Game Between two people

Dr. Robert G. Gish, medical director, liver transplant program for California Pacific Medical Center and Epocrates subscriber, shares three tips for tomorrow's physicians looking to run a successful medical practice: providing the best in patient care, understanding the business of medicine and obtaining work/life balance.

LA BOHÈME, 1926. With Renee Adoree, John Gilbert and Lillian Gish.

Marc queen,Gish,Singing,Mozart season

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In "ORPHANS OF THE STORM",1921.

Here is my Lillian Gish video back on youtube with new music!

A little gameplay from the game Gish, just to show people that this relatively unknown game is serious fun. :)

The Musketeers of Pig Alley 1912 cast: Robert Harron, Lillian Gish, Walter Miller, Alfred Paget, Jack Pickford, Elmer Booth , Lionel Barrymore, Dorothy Gish, Harry Carey ,Donald Crisp ,D.W. Griffith - Screenwriter Anita Loos - Screenwriter, Billy Bitzer - Camera http://www.YouTube.com/DIRECTORSSERIES http://www.YouTube.com/THEATRECORNER http://www.YouTube.com/IRARONA http://www.YouTube.com/TVNETWORKS http://www.youtube.com/TVDAYS http://www.tvdays.com (400 DVD TITLES) DW GRIFFITH at BIOGRAPH by IRA H. GALLEN Another Griffith landmark and what could reasonably be considered the first gangster film ever made. Clearly this exercise in realism is the predecessor of the crime movies of later generations, as well as one of Griffith's most profoundly moving shorts.BLANCHE SWEET was one of those in whom Griffith couldn't see "soul" at first glance. Frank Powell, who would go from the ranks of Griffith actor to the second Biograph director after McCutcheon leaves, makes extensive use of Blanche Sweet, but Griffith would use her occasionally. Upon Mary Pickford's exit, Griffith panics for a replacement leading lady and after trying Blanche, she soon develops into the stature of the latest GRIFFITH GIRL. Blanche Sweet takes over the lead and likewise begins to develop a weight problem arising from her affection for snacks. Two young girls come to Biograph's studio looking for their friend Gladys Smith (also known as Mary Pickford!). Their names are LILLIAN GISH and her sister, DOROTHY GISH. Griffith soon started developing these two girls into members of his stock company. Their first film was THE UNSEEN ENEMY, with THE MUSKETEERS OF PIG ALLEY and THE BATTLE OF ELDERBUSH GULCH to follow. DW GRIFFITH by IRA H. GALLEN It was an era that laid the foundation upon which was built the Golden Age of Cinema; an era whose development and advancement of the moving picture as an art form was inextricably tied to one man's creative and innovative genius. The man's name is D. W. Griffith--David Wark Griffith--and his story is that of the period between 1908 and 1913 when he created a method of storytelling in purely cinematic terms that was to raise the moving picture permanently out of the category of a scientific curiosity. This he did by the use of techniques that broke precedents and created a vocabulary of visual devices for the emergence of film as art as well as by the development of a stock company of actors and actresses with him at the American Mutuscope and Biograph Company in New York, who would later emerge as some of the greatest individual talents during the glory years of the Golden Age David Wark Griffith's film creation, THE BIRTH OF A NATION, was to make history and achieve immortality when released in 1914. With THE BIRTH, Griffith was to bring together the words "art" and "film" as a permanent equation for the first time. Only five years after his initial explorations into the then crude world of moving picture images, his epic, THE BIRTH, was both an historical creation as well as a history making event in its own right. The American artist, whom the world would come to recognize simply as D.W. Griffith, became as much a household name as any of his creations on film, and for him the status of "genius" was to be given; a father figure in the birth of film art. To describe "genius" in finite terms as it applies to the methods of D.W. Griffith is to seek after that which is beyond precise definition. He felt degraded by motion pictures and therefore sought to raise the level of the medium by breaking all of the conventions and existing practices of filmmaking as they then existed. Despite the overwhelming importance of D.W. Griffith to the development of cinema art; his name, his work and the work of those who helped him create his moving pictures have become a generally unknown commodity amongst the American public.

A second tribute to the long-standing screen heroine named 'The First Lady of the Silent Screen'.