 | iWonder מתארחים אצל לונדון וקירשנבאום SIR DUKE iWonder מתארחים אצל לונדון וקירשנבאום |
 | LIVING FOR THE CITY iWonder the STEVIE WONDER's Tribute Band Playing LIVE |
 | Signed Sealed& Delivered - iWonder Signed Sealed& Delivered - iWonder the Stevie Wonder's Tribute Band |
 | Minuette Jazz Quartet, 1996 - FAM Recorded on TV @ National Israel Festival during 1996. FAM composed by Menachem Zibziner. Nitzan Ein Habar: Sax Itai Shimron: Bass Doron Rephaeli: Drums Menachem Zibziner: Guitars see also http://www.youtube.com/watch?v=63Va92aOrcM רביעיית הג'אז מינואט, פסטיבל ישראל, ירושלים, 1996 ניצן עין הבר: סקסופונים איתי שמרון: בס דורון רפאלי: תופים מנחם זיבצנר: גיטרות |
 | חתול שיעשנו עליו גראס=] הדבר הכי מצחיק בארץ (c)!TerMinator(c) |
 | לירז אביטל - לך בורא עולם www.Mizrahit-Stage.net הבמה האמיתית למוזיקה המזרחית |
 | V4 Lights.. camera.. action? a somewhat sweaty canaan getting his groove on with his colored balls, teehee. |
 | החתונה של עדי ואייל הופמן כל החתונה ב3 דקות |
 | כשאת אומרת לא השיר "כשאת אומרת לא" בהופעה בערוץ הספורט מילים: דן אלמגור |
 | Sarah Vaughan - The Sassy One http://www.jazzvideoguy.tv presents the Sassy One, Sarah Vaughn in a an excerpt from the 1955 film, Rhythm and Blues Revenue. The film is now in public domain and can be downloaded from http://www.archive.org Jazz critic Leonard Feather called her "the most important singer to emerge from the bop era." Ella Fitzgerald called her the worlds "greatest singing talent." During the course of a career that spanned nearly fifty years, she was the singers singer, influencing everyone from Mel Torme to Anita Baker. She was among the musical elite identified by their first names. She was Sarah, Sassy -- the incomparable Sarah Vaughan. Born in Newark, New Jersey, in 1924, Vaughan was immediately surrounded by music: her carpenter father was an amateur guitarist and her laundress mother was a church vocalist. Young Sarah studied piano from the age of seven, and before entering her teens had become an organist and choir soloist at the Mount Zion Baptist Church. When she was eighteen, friends dared her to enter the famed Wednesday Night Amateur Contest at Harlems Apollo Theater. She gave a sizzling rendition of "Body and Soul," and won first prize. In the audience that night was the singer Billy Eckstine. Six months later, she had joined Eckstine in Earl Hiness big band along with jazz legends Dizzy Gillespie and Charlie Parker. When Eckstine formed his own band soon after, Vaughan went with him. Others including Miles Davis and Art Blakey, were eventually to join the band as well. Within a year, however, Vaughan wanted to give a solo career a try. By late 1947, she had topped the charts with "Tenderly," and as the 1940s gave way to the 1950s, Vaughan expanded her jazz repertoire to include pop music. As a result, she enlarged her audience, gained increased attention for her formidable talent, and compiled additional hits, including the Broadway show tunes "Whatever Lola Wants" and "Mr. Wonderful." While jazz purists balked at these efforts, no one could deny that in any genre, Vaughan had one of the greatest voices in the business. In the late 1960s, Vaughan returned to jazz music, performing and making regular recordings. Throughout the 1970s and '80s she recorded with such jazz notables as Oscar Peterson, Louie Bellson, Zoot Sims, Herbie Hancock, Ron Carter, Don Cherry, and J.J. Johnson. Her recordings of the "Duke Ellington Song Book (1 and 2)" are considered some of the finest recordings of the time. While for many years her signature song had been "Misty," by the mid-70s, she was closing every show with Sondheims "Bring In The Clowns." In 1982, while in her late fifties, Vaughan won the Grammy for Best Jazz Vocalist for her album, "Gershwin Live"! While she continued to work without the massive commercial success enjoyed by colleagues such as Peggy Lee, Rosemary Clooney, and Ella Fitzgerald, Sarah Vaughan consistently retained a special place in the hearts of fellow musicians and audiences alike. She continually performed at top venues, playing to adoring sell-out crowds well into her sixties. Remarkably, unlike many singers, she lost none of her extraordinary talent as time went on. Her multi-octave range, with its swooping highs and sensual lows, and the youthful suppleness of her voice shaded by a luscious timbre and executed with fierce control, all remained intact. In 1990, at the age sixty-six, Sarah Vaughan passed away. Shortly after her death, Mel Torme summed up the feelings of all who had seen her, saying "She had the single best vocal instrument of any singer working in the popular field." |
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