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 | 1. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
 | 2. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
 | 7. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
 | 4. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
 | 10. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
 | 8. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
 | 5. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
 | 3. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
 | 6. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
 | 9. Lassus: Missa pro Defunctis / Hilliard Ensemble is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, an influence which was formative on his early musical style. He then worked as a singer and ... |
