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 | 1. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
 | 2. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
 | 7. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
 | 4. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
 | 10. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
 | 5. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
 | 3. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
 | 9. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
 | 8. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
 | 6. Lassus: Missa pro Defunctis / Hilliard Ensemble early musical style. He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano in Rome, a spectacularly prestigious post for a man only twenty-one years old, but he stayed there only for a year ... |
