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'Zahhāk' or 'Zohhāk' (in ) is a figure of Persian mythology, evident in ancient Iranian folklore as 'Aži Dahāka', the name by which he also appears in the texts of the Avesta. In Middle Persian he is called Dahāg or Bēvar-Asp, the latter meaning "[he who has] 10,000 horses".

Contents

Etymology and derived words

The Ahi / Aži in Indo-Iranian tradition

Other dragons in Iranian tradition

Aži Dahāka (Dahāg) in Zoroastrian literature

Zahhāk in the Shāhnāma

Zahhāk in Arabia

Zahhāk the Emperor

The Revolution against Zahhāk

Aži Dahāka in popular culture

Place names

See also

Bibliography

Etymology and derived words

'Aži' (nominative 'ažiš') is the Iranian Avestan word for "serpent" or "dragon". It is cognate to the Vedic Sanskrit word 'ahi', "snake", and without a sinister implication. Azi and Ahi are distantly related to Greek ''ophis'', Latin ''anguis'', both meaning "snake".
The meaning of 'dahāka' is uncertain. Among the meanings suggested are "stinging" (source uncertain), "burning" (cf. Sanskrit ''dahana''), "man" or "manlike" (cf. Khotanese ''daha''), "huge" (cf. Pashto ''lōy'') or "foreign" (cf. the Scythian Dahae and the Vedic dasas). In Persian mythology, Dahāka is treated as a proper name, and is the source of the Ḍaḥḥāk (Zahhāk) of the (cf. Shāhnāme).
'Aži Dahāka' is the source of the modern Persian word 'azhdahā' or 'ezhdehā' اژدها (Middle Persian 'azdahāg') meaning "dragon", often used of a dragon depicted upon a banner of war.
The Azhdarchid group of pterosaurs are named from an Uzbek word for "dragon" that ultimately comes from 'Aži Dahāka'.

The Ahi / Aži in Indo-Iranian tradition

Stories of monstrous serpents who are killed or imprisoned by heroes or divine beings may date back to prehistory, and are found in the myths of many Indo-European peoples, including those of the Indo-Iranians, that is, the common ancestors of both the Iranians and Vedic Indians.
The most obvious point of comparison is that Vedic Sanskrit ''ahi'' is a cognate of Avestan ''aži''. However, In Vedic tradition, the only dragon of importance is Vrtra, but "there is no Iranian tradition of a dragon such as Indian Vrtra, who guards the cosmic waters and is defeated by the gods themselves." (Boyce, 1975:91-92) Moreover, while Iranian tradition has numerous dragons, all of which are malevolent, Vedic tradition has only one other dragon besides Vṛtra - ''ahi budhnya'', the benevolent 'dragon of the deep'. In the Vedas, gods battle dragons, but in Iranian tradition, this is a function of mortal heroes.
Thus, although it seems clear that dragon-slaying heroes (and gods in the case of the Vedas) "were a part of Indo-Iranian tradition and folklore, it is also apparent that India and Iran developed distinct myths early." (Skjaervø, 1989:192)

Other dragons in Iranian tradition

Besides Aži Dahāka, several other dragons and dragon-like creatures are mentioned in Zoroastrian scripture:

★ ''Aži Sruvara'' - the 'horned dragon', also called ''Aži Zairita'' - the 'yellow dragon', that is killed by the hero Kərəsāspa, Middle Persian Kirsāsp. (''Yasna'' 9.1, 9.30; ''Yasht'' 19.19)

★ ''Aži Raoiδita'' - the 'red dragon' conceived by Angra Mainyu's to bring about the '''daeva''-induced winter' that is the reaction to Ahura Mazda's creation of the ''Airyanem Vaejah''. (''Vendidad'' 1.2)

★ ''Aži Višāpa'' - the 'dragon of poisonous slaver' that consumes offerings to Aban if they are made between sunset and sunrise (''Nirangistan'' 48).

★ ''Gandarəβa'' - the 'yellow-heeled' monster of the sea 'Vourukasha' that can swallow twelve provinces at once. On emerging to destroy the entire creation of ''Asha'', it too is slain by the hero Kərəsāspa. (''Yasht'' 5.38, 15.28, 19.41)

Aži Dahāka (Dahāg) in Zoroastrian literature

Aži Dahāka is the most significant and long-lasting of the ''aži''s of the Avesta, the earliest religious texts of Zoroastrianism. He is described as a monster with three mouths, six eyes, and three heads (presumably meaning three heads with one mouth and two eyes each), cunning, strong and demonic. But in other respects Aži Dahāka has human qualities, and is never a mere animal.
Aži Dahāka appears in several of the Avestan myths and is mentioned parenthetically in many more places in Zoroastrian literature.
In a post-Avestan Zoroastrian text, the ''Dēnkard'', Aži Dahāka is identified as an Arab, as the source of the writings of Judaism (in this context identified as a religion opposed to Zoroastrianism), and possessed of all possible sins and evil counsels, the opposite of the good king Jam. The name Dahāg (Dahāka) is punningly interpreted as meaning "having ten (''dah'') sins". His mother is Wadag (or Ōdag), herself described as a great sinner, who committed incest with her son.
In the Avesta, Aži Dahāka is said to have lived in the inaccessible fortress of Kuuirinta in the land of Baβri, where he worshipped the yazatas Arədvī Sūrā (Anāhitā), divinity of the rivers, and Vayu, divinity of the storm-wind. Based on the similarity between Baβri and Old Persian Bābiru (Babylon), later Zoroastrians localized Aži Dahāka in Mesopotamia, though the identification is open to doubt. Aži Dahāka asked these two yazatas for power to depopulate the world. Being representatives of the Good, they of course refused.
In one Avestan text, Aži Dahāka has a brother named Spitiyura. Together they attack the hero Yima (Jamshid) and cut him in half with a saw, but are then beaten back by the yazata Ātar, the divine spirit of Fire.
According to the post-Avestan texts, following the death of Jam ī Xšēd (Jamshid), Dahāg gained kingly rule. Another late Zoroastrian text, the ''Mēnog ī xrad'', says that this was ultimately good, because if Dahāg had not become king, the rule would have been taken by the immortal demon Xešm, and so evil would have ruled upon earth until the end of the world.
Dahāg is said to have ruled for a thousand years, starting from 100 years after Jam lost his royal glory (see Jamshid). He is described as a sorcerer who ruled with the aid of demons (divs).
The Avesta identifies the person who finally disposed of Aži Dahāka as Θraētaona son of Aθβiya, in Middle Persian called Frēdōn. The Avesta has little to say about the nature of Θraētaona's defeat of Aži Dahāka, other than that it enabled him to liberate Arənavāci and Savaŋhavāci, the two most beautiful women in the world. Later sources, especially the Dēnkard, provide more detail. Frēdōn is said to have been endowed with the divine radiance of kings (''xvarrah'', modern Persian ''farr'') from birth, and was able to defeat Dahāg at the age of nine, striking him on shoulder, heart and skull with a mace and giving him three wounds with a sword. However, when he did so, vermin (snakes, insects and the like) emerged from the wounds, and the god Ormazd told him not to kill Dahāg, lest the world become infested with these creatures. Instead, Frēdōn chained Dahāg up and imprisoned him on the mythical Mt. Damāvand (later identified with Damāvand, one of the high mountains of the Alborz chain).
The Middle Persian sources also prophesy that at the end of the world, Dahāg will at last burst his bonds and ravage the world, consuming one in three humans and livestock. Kirsāsp, the ancient hero who had killed the Az ī Srūwar, returns to life to kill Dahāg.

Zahhāk in the Shāhnāma

In Ferdowsi's epic poem, the Shāhnāma, written c. 1000 AD, the legend of Dahāg is retold with the main character given the name of Zahhāk or Zohhāk. The name is written with the Arabic characters ض and ح, which rarely appear in Persian words of non-Arabic origin, and may have been chosen to emphasize the allegedly Arabic ethnicity of the character.

Zahhāk in Arabia

According to Ferdowsi, Zahhāk (Arabic transliteration: Ḍaḥḥāk or Ḍuḥḥāk) was born as the son of an Arab ruler named Merdās. Because of his Arab origins, he is sometimes called Zahhāk-e Tāzi, "the Arabian Zahhāk". He was handsome and clever, but had no stability of character and was easily influenced by evil counsellors. Ahriman therefore chose him as the tool for his plans for world domination.
When Zahhāk was a young man, Ahriman first appeared to him as a glib, flattering companion, and by degrees convinced him that he ought to kill his own father and take over his territories. He taught him to dig a deep pit covered over with leaves in a place where Merdās was accustomed to walk; Merdās fell in and was killed. Zahhāk thus became both patricide and king at the same time.
Ahriman now took another guise, and presented himself to Zahhāk as a marvellous cook. After he had presented Zahhāk with many days of sumptuous feasts, Zahhāk was willing to give Ahriman whatever he wanted. Ahriman merely asked to kiss Zahhāk on his two shoulders. Zahhāk permitted this; but when Ahriman had touched his lips to Zahhāk's shoulders, he immediately vanished. At once, two black snakes grew out of Zahhāk's shoulders. They could not be surgically removed, for as soon as one snake-head had been cut off, another took its place.
Ahriman now appeared to Zahhāk in the form of a skilled physician. He counselled Zahhāk that the only remedy was to let the snakes remain on his shoulders, and sate their hunger by supplying them with human brains for food every day otherwise the snakes will feed on his own.
From a psychological point of view the snakes on Zahhak's shoulders could represent his lust for killing or a form of sadism which if left unsatisfied torment Zahhak. Also when Zahhak is defeated by Fereydun, he can not think of a better fitting punishment than to simply bound him in cave where the snakes (not being fed) will eat Zahhak's own brain symbolizing his inner agony and unsatisfied homicidal lust.
This story is Ferdowsi's way of reconciling the descriptions of Dahāg as a three-headed dragon monster and those stories which treat him as a human king. According to Ferdowsi, Zahhāk is originally human, but through the magic of Ahriman he becomes a monster; he does, in fact, have three heads, the two snake heads and one human head; and the snakes remind us of his original character as a dragon.
The characterization of Zahhāk as an Arab in part reflects the earlier association of Dahāg with the Semitic peoples of Iraq, but probably also reflects the continued resentment of many Iranians at the 7th century Arab conquest of Persia.

Zahhāk the Emperor

About this time, Jamshid, who was then the ruler of the world, through his arrogance lost his divine right to rule. Zahhāk presented himself as a savior to those discontented Iranians who wanted a new ruler (reflecting the embracing of the Arab religion and culture by Persians after the Arab conquest of Persia and the subsequent oppression Persians faced). Collecting a great army, he marched against Jamshid, who fled when he saw that he could not resist Zahhāk. Zahhāk hunted Jamshid for many years, and at last caught him and subjected him to a miserable death -- he had Jamshid sawn in half. Zahhāk now became the ruler of the entire world. Among his slaves were two of Jamshid's daughters, Arnavāz and Shahrnavāz (the Avestan Arənavāci and Savaŋhavāci).
Zahhāk's two snake heads still craved human brains for food, so every day Zahhāk's spies would seize two men, and execute them so their brains could feed the snakes. Two men, called Armayel and Garmayel, wanted to find a way to rescue people from being killed for the snakes. So they learned cookery and after mastering how to cook great meals, they went to Zahhāk's palace and managed to become the chefs of the palace. Everyday they saved one of the two men and put the brain of a sheep instead of his into the food, but they could not save the lives of both men.
Zahhāk's tyranny over the world lasted for centuries. But one day Zahhāk had a terrible dream – he thought that three warriors were attacking him, and that the youngest knocked him down with his mace, tied him up, and dragged him off toward a tall mountain. When Zahhāk woke he was in a panic. Following the counsel of Arnavāz, he summoned wise men and dream-readers to explain his dream. They were reluctant to say anything, but one finally said that it was a vision of the end of Zahhāk's reign, that rebels would arise and dispossess Zahhāk of his throne. He even named the man who would take Zahhāk's place: Fereydun.
Zahhāk now became obsessed with finding this "Fereydun" and destroying him, though he did not know where he lived or who his family was. His spies went everywhere looking for Fereydun, and finally heard that he was but a boy, being nourished on the milk of the marvelous cow Barmāyeh. The spies traced Barmāyeh to the highland meadows where it grazed, but Fereydun had already fled before them. They killed the cow, but had to return to Zahhāk with their mission unfulfilled.

The Revolution against Zahhāk

Zahhāk now tried to consolidate his rule by coercing an assembly of the leading men of the kingdom into signing a document testifying to Zahhāk's righteousness, so that no one could have any excuse for rebellion. One man spoke out against this charade, a blacksmith named Kāva (Kaveh). Before the whole assembly, Kāva told how Zahhāk's minions had murdered seventeen of his eighteen sons so that Zahhāk might feed his snakes' lust for human brains – the last son had been imprisoned, but still lived.
In front of the assembly Zahhāk had to pretend to be merciful, and so released Kāva's son. But when he tried to get Kāva to sign the document attesting to Zahhāk's justice, Kāva tore up the document, left the court, and raised his blacksmith's apron as a standard of rebellion – the Kāviyāni Banner, ''derafsh-e Kāviyānī'' (درفش کاویانی). He proclaimed himself in support of Fereydun as ruler.
Soon many people followed Kāva to the Alborz mountains, where Fereydun was now living. He was now a young man and agreed to lead the people against Zahhāk. He had a mace made for him with a head like that of an ox, and with his brothers and followers, went forth to fight against Zahhāk. Zahhāk had already left his capital, and it fell to Fereydun with small resistance. Fereydun freed all of Zahhāk's prisoners, including Arnavāz and Shahrnavāz.
Kondrow, Zahhāk's treasurer, pretended to submit to Fereydun, but when he had a chance he escaped to Zahhāk and told him what had happened. Zahhāk at first dismissed the matter, but when he heard that Fereydun had seated Jamshid's daughters on thrones beside him like his queens, he was incensed and immediately hastened back to his city to attack Fereydun.
When he got there, Zahhāk found his capital held strongly against him, and his army was in peril from the defense of the city. Seeing that he could not reduce the city, he sneaked into his own palace as a spy, and attempted to assassinate Arnavāz and Shahrnavāz. Fereydun struck Zahhāk down with his ox-headed mace, but did not kill him; on the advice of an angel, he bound Zahhāk and imprisoned him in a cave underneath Mount Damāvand, binding him with a lion's pelt tied to great nails fixed into the walls of the cavern, where he will remain until the end of the world. Thus, after a thousand years' tyranny, ended the reign of Zahhāk.

Aži Dahāka in popular culture

★ In the Prince of Persia video-game series from Ubisoft, the Dahaka appears as the monstrous guardian of continuity, hunting down and killing anomalies in the timeline of history.

★ In the Anime OVA Heroic Legend of Arslan based on a Manga of the same name, Mount Damāvand appears as the prison of Zahak

★ In Ogre Battle 64: Person of Lordly Caliber for the Nintendo 64, the Azhi Dahaka is the green, scaley final form of the "earth" elemental dragons in the game.

★ In the role playing game Vampire the Masquerade, certain members of the Tzimisce clan strive to become like Azhi Dahaka.

★ In the TV series Xena, Warrior Princess and , the evil deity Dahak is based on Azhi Dahaka.

★ He also appears on Lionheart: Legacy of the Crusader (game by Interplay,2003) as a guardian of his lair in the Fortress at Alamut.

★ In the PlayStation 2 video game Final Fantasy X-2, three fiends called Azi Dahaka guard the direct routes to Vegnagun.

★ In his Empire from Ashes-trilogy, David Weber wrote of an immense sentient starship by the name of Dahak, whose crest was a three-headed dragon.

★ In Suikoden V, there is a massive ship named Dahak--given its 3 dragon figureheads, it's likely a reference to the aforementioned starship and to Azhi Dahaka. There is also a Queen's Knight named Zahhak.

★ In the third book of the roleplaying series "Blood Sword", the player will face three simulacrums of ancient gods. Azidahaka was described as a serpentine creature with three human heads.

★ One of the most well known monsters in the Godzilla series, King Ghidorah, seems to be based on Ahzi Dahaka. Both are three headed dragons, and King Ghidorah is sometimes referred to as "The King of Terror."

★ In the Korean RPG game The War of Genesis III, a section of the protagonists ride flying dragons with large repeating guns mounted on their undersides. These flying creatures are referred to as Azhi Dahaka. The image is somewhat similar to a pterodactyl in the game, and it is referred to as being "extremely difficult to control."

★ The Azhi Dahaka are also a fictional race of immortals featured in "The Everlasting", a series of Role Playing Game books published originally by Visionary Entertainment. In this context, the name refers to a supernatural creature that has stolen and consumed the soul of at least one dragon.

★ Azhi Dahaka is a class of Dragon in the game .

★ In the Playstation game Dragon Valor Azi Dahaka is the final dragon boss, and the ruler of all dragons.

★ In the MMORPG Final Fantasy XI, 'Zahak' is referenced as the founder of the Empire of Aht Urhgan. Players who become Blue Mages also receive the 'Mark of Zahak'. The setting of the Treasures of Aht Urhgan expansion also draws heavily on Persia and its mythology.

★ ''Az-i-Dahak'' is the title of a 2004 album by American black metal act Black Funeral, and the serpent itself is referenced in several song titles from that album.

Place names

"Zahak Citadel" is the name of an ancient ruin in East Azarbaijan, Iran which according to various experts, was inhabited from the second millennia BC until the Timurid era. First excavated in the 1800s by British archeologists, Iran's Cultural Heritage Organization has been studying the structure in 6 phases.[1]

See also

★ List of dragons in mythology and folklore

Bibliography

★ History of Zoroastrianism, Vol. I, Boyce, Mary, , , Brill, 1975,

★ Aždahā: in Old and Middle Iranian Encyclopedia Iranica

★ Aždahā: in Persian Literature Encyclopedia Iranica

★ Aždahā: in Iranian Folktales Encyclopedia Iranica

★ Aždahā: Armenian Aždahak Encyclopedia Iranica