WILLIAM-ADOLPHE BOUGUEREAU

'William-Adolphe Bouguereau' (November 30, 1825 – August 19, 1905) was a French academic painter.

Contents

Biography

Real name dilemma

Exhibitions

Reviews

See also

External links

Gallery

1850s

1860s

1870s

1880s

1890s

Biography

Bouguereau was born in La Rochelle.
A student at the École des Beaux-Arts in Paris, he won the Prix de Rome in 1850 and his realistic genre paintings and mythological themes were exhibited at the annual exhibitions of the Paris Salon for his entire working life. Although he fell into disregard in the early 20th century, due perhaps to his staunch opposition to the Impressionists, there is a new appreciation for his work. In his lifetime, Bouguereau painted eight hundred and twenty-six paintings.

In his own time, Bouguereau was considered to be one of the greatest painters in the world. In 1900, his contemporaries Degas and Monet reportedly named him as most likely to be remembered as the greatest 19th-century French painter by the year 2000, according to chairman Fred Ross of the Art Renewal Center - although with Degas' famous trenchant wit, and the aesthetic tendencies of the two Impressionists, it is possible the statement was meant as an ironic comment on the taste of the future public. Bouguereau's works were eagerly bought, at high prices, especially by American millionaires. After about 1920, Bouguereau fell into disrepute. Some assert this may have been consciously engineered by the new "art expert establishment", who resented his former opposition to new developments in painting, but it is likely that more profound societal factors were instrumental to this enormous shift in taste and sensibility. For decades, his name was not even mentioned in encyclopedias. Today, over one hundred museums throughout the world exhibit his works.
At a rather advanced age, Bouguereau was married for the second time, to fellow artist Elizabeth Jane Gardner Bouguereau, one of his pupils. He also used his influence to open many French art institutions to women for the first time, including the Académie française.
He died in La Rochelle.

Real name dilemma

Sources on his full name are contradictory; some give ''William-Adolphe Bouguereau'' (composed name), ''William Adolphe Bouguereau'' (usual and civil-only names according to the French tradition), while others give ''Adolphe William Bouguereau'' (with Adolphe as the usual name). However, the artist used to sign his works simply as William Bouguereau (hinting "William" was his given name, whatever the order), or more precisely as ''"W.Bouguereau.date"'' (French alphabet) and later as ''"W-BOVGVEREAV-date"'' (Latin alphabet).

Exhibitions

His first modern exhibition appeared in 1974 at the New York Cultural Center as a curiosity. In 1984 the Borghi Gallery hosted the commercial show of his 23 oil paintings and 1 drawing. In the same year a major exhibition was organized by the Montréal Museum of Fine Arts, in Canada. The exhibition opened at the Musée du Petit-Palais, in Paris, traveled to The Wadsworth Atheneum in Hartford, and concluded in Montréal. This was the beginning of renewal of interest about Bouguereau. In 1997 Mark Borghi and Laura Borghi organized an early Internet exhibition.

Reviews

★ Albert Boime: ''The Academy and French Painting in the Nineteenth Century'' (London, 1971).

★ Aleska Celebonovic: ''Peinture kitsch ou réalisme bourgeois, l'art pompier dans le monde''. Paris: Seghers, 1974.

★ ''Art Pompier: Anti-Impressionism.'' New York: The Emily Lowe Gallery, Hofstra University, 1974.

★ Mario Amaya (Forward), Robert Isaacson (catalogue and selection): ''William Adolphe Bouguereau''. New York: New York Cultural Center, 1974.

★ John Russell: ''Art: Cultural Center Honors Bouguereau''. In New York Times, 1974.

★ Louise d 'Argencourt and Douglas Druick: ''The Other Nineteenth Century''. Ottawa: The National Gallery of Canada, 1978.

★ James Harding: ''Les peintres pompiers''. Paris: Flammarion, 1980.

★ "The Bouguereau Market". ''The Art newsletter''. January 6, 1981. pp. 6-8.

★ Louise d'Argencourt and Mark Steven Walker: ''William Bouguereau''. Montreal, Canada: The Montreal Museum of Fine Arts, 1984.

★ Robert and H. W. Jason Rosenblums: ''19th Century Art''. New York: Harry N. Abrams, 1984.

★ Michael Gibson: ''Bouguereau's "Photo-Idealism".'' In International Herald Tribune, 1984.

★ Grace Glueck: ''To Bouguereau, Art Was Strictly "The Beautiful.'' In The New York Times, 1985.

★ Cécile Ritzenthaler: ''L'école des beaux art du XIXe siècle''. édition Mayer, 1987

★ Exhibition catalogue ''William Adolphe Bouguereau, L'Art Pompier''. Borghi & Co., New York, 1991.

See also

;Articles on individual paintings:

★ ''La Danse'' (1850)

★ ''Alone in the World'' (Latest 1867)

★ ''The Knitting Girl'' (1869)

★ ''Nymphs and Satyr'' (1873)

★ ''Cupidon'' (1875)

★ ''The Birth of Venus'' (1879)

★ ''Evening Mood'' (1882)

★ ''The Nut Gatherers'' (1882)

★ ''Le Printemps (The Return of Spring)'' (1886)

★ ''L'Amour et Psyché, enfants'' (1889)

★ ''The Shepherdess'' (1889)

★ ''The Bohemian'' (1890)

★ ''The Young Shepherdess'' (1895)
;Other:

★ Art nouveau

External links

★ Biography of William Bouguereau at the Art Renewal Center

★

★ Web Museum

★ Nymphs and Satyr

★ Bouguereau Gallery at MuseumSyndicate

★ Getty Research Institute material, including letters

Gallery

1850s

1860s

1870s

1880s

1890s