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'William Ackerman' is a
Grammy winning guitarist and composer of
acoustic-based instrumental
music. He founded and ran for many years the influential
new age record label
Windham Hill Records.
Born in
West Germany but adopted by a couple who lived in
Palo Alto,
California. A self-professed poet and musician who briefly studied guitar with
Robbie Basho, William Ackerman grew up in the
San Francisco Bay Area. He attended the
Northfield Mount Hermon School and
Stanford University. After Stanford, Ackerman dropped out to become a
carpenter. Ackerman had composed some pieces of music for a performance of
Romeo and Juliet at Stanford. In
1975, without having played a "paying gig"
(a) group of friends and informal fans got together and collected about $300 in five dollar bills to send me into a recording studio. I picked a studio out of the phone book named Mantra Studios (it was the 70s after all!). I walked into that room and made a record I called ''The Search for the Turtle's Navel'' in two afternoons. (William Ackerman, liner notes for ''Returning'', 2005).
Initially William Ackerman kept up his job as a builder but recording music took up more of his time until he was working on music full time. Ackerman ran his music label (
Windham Hill Records) for years. He did just about everything from picking cover art to producing the records. Early albums featured himself (''It Takes a Year'') and his cousin, fellow guitarist
Alex de Grassi ''Turning: Turning Back''
1978. Although in later years critics would single out Ackerman's records (especially ''Childhood and Memory'') and De Grassi's first record, the album that gained Windham Hill Records notice was the
1980 recording by
George Winston ''Autumn''. This record was well reviewed in
Rolling Stone Magazine and, as a result of this national exposure the record began selling in large numbers. For many years it was the best selling album in the Windham Hill Catalog.
Ackerman found that life as a record label executive was, in his own words, making him crazy. His marriage ended in divorce and he eventually moved out of the Bay Area and across the country to Windham County
Vermont. In
1992 he sold half of his stake in Windham Hill Records to BMG and stopped recording and producing. Life in Vermont away from the record business proved enjoyable and so Ackerman sold the remainder of his stake in Windham Hill Records in
1996.
Since that time he has released only a couple new albumns ''Sound of Wind Driven Rain'
1998 and ''Hearing Voices''
2001 (both were nominated for a
Grammy) and one albumn re-working some older songs - ''Returning''
2004 (which won a Grammy award). William Ackerman now focuses on producing other musicians and performing in select few concerts. He has recorded many artists in his personal recording studio, Imaginary Road Studios.
In addition to ''discovering'' George Winston, William Ackerman's other great discovery was
Michael Hedges. Ackerman has often told the story of how he heard Hedges performing in a Palo Alto cafe and immediately wrote a recording contract for him on a paper napkin. Hedges and Ackerman performed concerts together for several years in the early 1980s and played together on one of William Ackerman's albums. Some other notable artists he produced:
Liz Story and
Shadowfax.
Guitar Tunings: William Ackerman has said that none of his songs use the standard guitar tuning. He also says that only two songs share the same tuning (at least as of
2000). Ackerman's love of non-standard tunings (coupled with the use of a capo) allows him to play melodies where many of the notes can be played without fretting them allowing the strings to "ring free". He shared his love of non-standard tunings with Michael Hedges.
William Ackerman's musical influences are
Erik Satie,
John Fahey,
Robbie Basho, and
Leo Kottke. William Ackerman has told an anecdote about his musical debt to John Fahey. One of his early pieces of music sounded a great deal like a Fahey composition and so he visited Fahey, asked him if he thought the music was too similar, and played him the tune. Fahey said "You can have it!". The tune in question might have been ''The Rediscovery of Big Bug Creek, Arizona'' (from ''It Takes a Year'').
Discography (partial list)
★ ''
The Search for the Turtle's Navel'' (later renamed: ''In Search of the Turtle's Navel'') (1976) - Solo guitar.
★ ''
It Takes a Year'' (1977) - Solo guitar.
★ ''Childhood and Memory'' (1979) - Mostly solo guitar, a few duets.
★ ''Passage'' (1981) - Re-recordings of older pieces as duets (including one with George Winston), a few solo guitar pieces.
★ ''Past Light'' (1983) - Mostly duets (including one with Michael Hedges).
★ ''Conferring with the Moon'' (1986) - Mostly duets and some trios.
★ ''Imaginary Roads'' (1988) - Mostly duets and trios.
★ ''The Opening of Doors'' (1992) - Mostly duets and trios, several pieces with electric guitar and electric keyboard.
★ '' (1993) - A package of previously recorded tracks.
★ ''Sound of Wind Driven Rain'' (1998) - Half solo guitar, half duets or trios, most songs were new.
★ ''Hearing Voices'' (2001) - All songs feature the human voice, many different singers were used.
★ ''Returning'' (2004) - Re-recordings of older pieces, nearly all as solo guitar tracks. Won the 2004
Grammy Award in the
Best New Age Album category.
★ ''Pure Will Ackerman'' (2006) - A package of previously recorded tracks.
Trivia
★ Before starting his own record label, William Ackerman sent a copy of the music for his first album to several other record labels, including John Fahey's Takoma Records. He was rejected by all of them. Several years later John Fahey wrote back a short letter saying "Dear Will, I've reconsidered..." (''anecdote told by Ackerman at the Windham Hill 30th Anniversary Concert'').
★ Other artists who performed on Ackerman's records include:
Darol Anger,
Chuck Greenberg,
Michael Manring,
Happy Rhodes.
★ Will Ackerman is also the name of the guitarist for a local metal band in Toledo, Ohio known as Myndcrym
[1][2]
External links
★
William Ackerman's Official Site
★
Windham Hill Official Site
★
Innerviews interview of William Ackerman a very detailed interview, conducted in June
1998
★
Piero Scaruffi - The History of Rock Music: 1976-1989 - The New Age and World-music
★
Windham Hill Records history 1982-1989