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'Ugolino della Gherardesca' (c.
1220 – March
1289), count of Donoratico, was an
Italian noble and naval commander, head of the powerful family of della
Gherardesca, the chief
Ghibelline house of
Pisa.
He is best known from
Dante's fictional depiction of him in ''
Inferno''. Alleged to have betrayed his native city of
Pisa to its enemies in
Genoa, he was betrayed by his co-conspirator
Ruggieri degli Ubaldini,
Archbishop of Pisa and imprisoned, along with his two sons and two grandsons.
Biography
Ugolino was born in
Pisa, from a noble family of
Lombard origins.
His alliance with the
Visconti, the leaders of the
Guelph faction, through the marriage of his sister with
Giovanni Visconti,
judge of Gallura, aroused the suspicions of his party, the Ghibellines, then being predominant in Pisa. The disorders in the city caused by Ugolino and Visconti in 1271-1274 led to the arrest of the former and the banishment of the latter. Visconti died soon afterwards, and Ugolino, no longer regarded as dangerous, was liberated and banished. But he immediately began to intrigue with the Guelph towns opposed to Pisa, and with the help of
Charles I of Anjou attacked his native city and forced it to make peace on humiliating terms, pardoning him and all the other Guelph exiles.
He lived quietly in Pisa for some years, although working all the time to extend his influence. War having broken out between Pisa and
Genoa in 1284, Count Ugolino was given the command of a division of the Pisan fleet. It was by his flight - usually attributed to treachery - that the fortunes of the day were decided and the Pisans totally
defeated at La Meloria (August 1284). But the political ability which he afterwards displayed led to his being appointed
podesta for a year and
capitano del popolo for ten years.
Florence and
Lucca took advantage of the Pisan defeat to attack the republic, but Ugolino succeeded in pacifying them by ceding certain castles. He was however less anxious to make peace with Genoa, for the return of the Pisan prisoners, including most of the leading Ghibellines, would have diminished his power. He was now the most influential man in Pisa, and was preparing to establish his absolute sovereignty, when for some reason not clearly understood he was forced to share his power with his nephew
Nino Visconti, son of Giovanni. The duumvirate did not last, and the count and Nino soon quarrelled. Then Ugolino tried to consolidate his position by entering into negotiations with the archbishop,
Ruggieri degli Ubaldini, the leader of the Ghibellines. But that party having revived once more, the archbishop obliged both Nino and Ugolino to leave the city, and had himself elected podesta and capitano del popolo.
However, he allowed Ugolino to return soon afterwards, and was even ready to divide the government of the city with him, although he refused to admit his armed followers. The count, determined to be sole master, attempted to get his followers into the city by way of the
Arno, and Ruggieri, realizing the danger, aroused the citizens, accusing Ugolino of treachery for having ceded the castles, and after a days street fighting (July q, 1288), Gherardesca was captured and immured together with his sons Gaddo and Uguccione, and his grandsons Nino (surnamed il Brigata) and Anselmuccio, in the
Muda, a tower belonging to the
Gualandi family; here they were detained for nine months, and then starved to death.
The corpses were buried in the St. Francis church of Pisa.
The legend

Ugolino and his sons in their cell, as painted by
William Blake circa 1826.
The historic details of the episode are still involved in some obscurity, and although mentioned by
Villani and other writers, it owes its fame entirely to Dante, who placed Ugolino and Ruggieri in the ice of the second ring (Antenora) of the lowest circle of the ''
Inferno'', with Ugolino constantly gnawing at Ruggieri's
skull (canto xxxii. 124-140 and xxxiii. 1-90). This terrible but magnificent passage, which, according to
Landor, includes thirty lines unequalled by any other thirty lines in the whole dominion of poetry, has been paraphrased by
Chaucer in the
Monk's Tale of the ''
Canterbury Tales'', and by
Shelley. Irish poet Seamus Heaney also recounts the legend in his poem "Ugolino" found in his 1979 book ''Field Work''.
But the reason why Dante placed Ugolino among the traitors is not by any means clear, as the flight from La Meloria was not regarded as treachery by any writer earlier than the 16th century, although
G. del Noce, in ''Il Conte U. della Gherardesca'' (1894), states that that was the only motive;
Daniella Bartoli, in the 6th volume of his ''Storia della letteratura italiana'', suggests Ugolino's alliance with the Ghibellines as the motive. The cession of the castles was not treachery but an act of necessity, owing to the desperate conditions of Pisa.
According to Dante, the prisoners were slowly starved to death and before dying Ugolino's children begged Ugolino to eat their bodies. In the end, Ugolino states that hunger proved stronger than grief. This deliberately ambiguous line may be interpreted in two ways: Ugolino may mean that he devoured his offspring's corpses after being driven mad with hunger, or perhaps he means that starvation killed him after he had failed to die of grief. The first and more ghastly of these interpretations has proved the more popular and resonant. For this reason Ugolino is known as the "Cannibal" Count and is often depicted gnawing at his own fingers ("eating of his own flesh", a reference to his horrible sin) in consternation, as in the sculpture ''
The Gates of Hell ''by
Auguste Rodin, in ''Ugolino and his Sons'' by
Jean-Baptiste Carpeaux and in other artwork. Ugolino appears in the ''Inferno'' as both a damned soul and a punishing demon: trapped in the ice of the Ninth Circle with only his head free, he eternally gnaws vengefully at the skull of the evil Ruggieri.
In
José Saramago’s novel
The Year of the Death of Ricardo Reis, Saramago features a question and answer column, like those found in any newspaper, in which a reader asks about her ‘foxhound bitch’ and the dog’s having been found eating its own young from two different litters. (This is page 18 into 19.) The main character, Reis, decides a ‘suitable name’ for the dog would be Ugolina, and mentions ‘History of the Guelphs and Ghibellines’ and the ‘Divine Comedy’ as references to Ugolino della Gherardesca’s having eaten his ‘children and grandchildren.’ Ugolina is mentioned twice more in the novel.
Scientific analysis
In 2002, Italian archaeologist
Francesco Mallegni found what he believes are the remains of Ugolino and his children.
DNA analysis agrees with the remains being a father, his sons, and his grandsons. Additional comparison to DNA from modern day members of the Gherardesca family leave Mallegni about 98 percent sure that he has identified the remains correctly.
Forensic analysis discredits the cannibalism story. Analysis of the rib bones of the putative Ugolino skeleton reveals traces of magnesium, but no zinc, implying he had consumed no meat in the months before his death; apparently the starvation part of the story is at least partly correct. Ugolino also had few remaining teeth and is believed to have been in his 70s when he was imprisoned, making it further unlikely that he could have outlived and eaten his descendants in captivity, as the cannibalism account requires.
Additionally, Mallegni notes that the putative Ugolino skull was damaged; perhaps he did not ultimately die of starvation, although malnourishment is evident. In 2003 Mallegni published an
Italian language book about his study of the Ugolino remains.
[1]
References
★
Notes
1.
Il conte Ugolino di Donoratico tra antropologia e storia, , Francesco, Mallegni, , 2003, ISBN 88-8492-059-0