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In Greek mythology, the 'Titans' (Greek: ''Titan''; plural: ''Titanes'') were a race of powerful deities that ruled during the legendary Golden Age.
There were twelve Titans from their first literary appearance, in Hesiod, ''Theogony''; pseudo-Apollodorus, in ''Bibliotheke'', adds a thirteenth Titan Dione, a double of Theia (a.k.a. Medusa). The six male Titans are known as the 'Titanes', and the female as the 'Titanides' ("Titanesses"). The Titans were associated with various primal concepts, some of which are simply extrapolated from their names: ocean and fruitful earth, sun and moon, memory and natural law. The twelve first-generation Titans were led by the youngest, Cronus, who overthrew their father, Uranus ('Heaven'), at the urgings of their mother, Gaia ('Earth').
The Titans later gave birth to other Titans, notably the children of Hyperion (Helios, Eos, and Selene), the daughters of Coeus (Leto and Asteria), and the sons of Iapetus — Prometheus, Epimetheus, Atlas, and Menoetius; all of these descendants in the second generation are also known as "Titans".
The Titans preceded the Twelve Olympians, who, led by Zeus, eventually overthrew them in the Titanomachy ('War of the Titans'). The Titans were then imprisoned in Tartarus, the depths of the underworld, with a few exceptions.

Contents

In Hesiod

Titanomachy

In Orphic sources

In the 20th century

Notes

References

External links

In Hesiod

In Hesiod's ''Theogony'' the twelve Titans follow the
Hecatonchires (the "Hundred-handed") and Cyclopes as the youngest set of children of Uranus, and Gaia:
:"Afterwards she lay with Uranus and bore deep-swirling Oceanus, Coeus and Crius and Hyperion and Iapetus, Theia and Rhea, Themis and Mnemosyne and gold-crowned Phoebe and lovely Tethys. After them was born Cronus the wily, youngest and most terrible of her children, and he hated his lusty sire."
Uranus kept all of Gaia's children trapped within her womb, and Gaia groaned from the strain. Eventually, Cronus, her youngest child at the time, volunteered to set upon his father, castrating him, thereby freeing Gaia's children and setting himself up as king of the gods with Rhea as his wife and queen.
Rhea gave birth to a new generation of gods to Cronus, but, in fear that they too would eventually overthrow him, he swallowed them all whole one by one. Only Zeus was saved: Rhea gave Cronus a stone in swaddling clothes in his place, and placed the infant Zeus in Crete to be guarded by the Kouretes.
Once Zeus reached adulthood, he subdued Cronus by wile rather than force, using a potion concocted with the help of Gaia, his grandmother, to forcibly cause Cronus to vomit up Zeus's siblings. A war between younger and older gods commenced, in which Zeus is aided by the Hecatonchires and Cyclopes, who had once again been freed from Tartarus. Zeus won after a long struggle, and cast many of the Titans down into Tartarus.
And yet the older gods left their mark on the world: Oceanus continued to encircle the world, and the name of "bright shining" Phoebe was attached as an epithet to effulgent Apollo, "Phoebus Apollo". Some of them had not fought the Olympians and became key players in the new administration: Mnemosyne as a Muse, Rhea, Hyperion, Themis, or the "right ordering" of things and Metis.

Titanomachy

Greeks of the Classical age knew of several poems about the war between the gods and many of the Titans, the Titanomachy ("War of the Titans"). The dominant one, and the only one that has survived, was in the ''Theogony'' attributed to Hesiod. A lost epic ''Titanomachy'' attributed to the blind Thracian bard Thamyris, himself a legendary figure, was mentioned in passing in an essay ''On Music'' that was once attributed to Plutarch. And the Titans played a prominent role in the poems attributed to Orpheus. Although only scraps of the Orphic narratives survive, they show interesting differences with the Hesiodic tradition.
These Greek myths of the Titanomachy fall into a class of similar myths of a War in Heaven throughout Europe and the Near East, where one generation or group of gods by and large opposes the dominant one. Sometimes the Elder Gods are supplanted. Sometimes the rebels lose, and are either cast out of power entirely or incorporated into the pantheon. Other examples might include the wars of the Æsir with the Vanir and Jotuns in Scandinavian mythology, the Babylonian epic Enuma Elish, the Hittite "Kingship in Heaven" narrative, and the obscure generational conflict in Ugaritic fragments. The rebellion of Lucifer from Christianity could also fall under this category.

In Orphic sources

Hesiod is not, however, the last word on the Titans. Surviving fragments of Orphic poetry in particular preserve some variations on the myth.
In one Orphic text, Zeus does not simply set upon his father violently. Instead, Rhea spreads out a banquet for Kronos, so that he becomes drunk upon fermented honey. Rather than being consigned to Tartarus, Cronus is dragged — still drunk — to the cave of Nyx (Night), where he continues to dream and prophesy throughout eternity.
Another myth concerning the Titans that is not in Hesiod revolves around Dionysus. At some point in his reign, Zeus decides to give up the throne in favor of the infant Dionysus, who like the infant Zeus is guarded by the Kouretes. The Titans decide to slay the child and claim the throne for themselves; they paint their faces white with gypsum, distract Dionysus with toys, then dismember him and boil and roast his limbs. Zeus, enraged, slays the Titans with his thunderbolt; Athena preserves the heart in a gypsum doll, out of which a new Dionysus is made. This story is told by the poets Callimachus and Nonnus, who call this Dionysus "Zagreus", and also in a number of Orphic texts, which do not.
One iteration of this story, reported by the Neoplatonist philosopher Olympiodorus, writing in the Christian era, says that humanity sprung up out of the fatty smoke of the burning Titan corpses. Other earlier writers imply that humanity was born out of the blood shed by the Titans in their war against Zeus.
Pindar, Plato and Oppian refer offhandedly to man's "Titanic nature". Whether this refers to a sort of "original sin" rooted in the murder of Dionysus is hotly debated by scholars.

In the 20th century

Some scholars of the past century or so, most eloquently Jane Ellen Harrison, have argued that an initiatory or shamanic ritual underlies the myth of Dionysus's dismemberment and cannibalism by the Titans.
She also points out that the word "Titan" comes from the Greek 'τιτανος', meaning white earth, clay or gypsum, and that the Titans were "white clay men", or men covered by white clay or gypsum dust in their rituals. The name for Titan Cement in Greece similarly was derived from the "white earth" that makes up modern building Cement.^[1]
The scholar M.L. West also points this out in relation to shamanistic initiatory rites of early Greek religious practices.^[2]
The element Titanium is named for the titans.
Out of confusion with the Gigantes, various large things have been named after the Titans for their "titanic" size, for example the RMS ''Titanic'' or the giant predatory bird ''Titanis walleri''.

Notes

1. Jane Ellen Harrison, ''Themis'', p. 16ff. "The Titans then, the white-clay-men, are real men dressed up as bogies to perform initiation rites. It is only later when their meaning is forgotten that they are explained as Titanes, mythological giants."[1]
2. See M.L. West, ''The Orphic Poems''.

References

★ Jane Ellen Harrison, ''Themis: A Study of the Social Origins of Greek Religion'', 1912. [2]

★ Smith, William, ''Dictionary of Greek and Roman Biography and Mythology'', 1870, article on "Titan".

★ Martin Litchfield West, ''The Orphic Poems'', 1983.

★ God of War (1 and 2), Video Games 2005 and 2007 by MCD

External links

★ Theoi Project, Titans references to Titans in classical literature

★ Greek Mythology Link, Titans summary of the Titans myth