Discover

(Redirected from Tertius minor)

Names	Ratio	Cents
comma	531441/524288	23.5
limma minor semitone	256/243	90.2
apotome major semitone	2187/2048	113.7
tone	9/8	203.9
semiditone	32/27	294.1
ditone	81/64	407.8
perfect fourth diatessaron sesquitertium	4/3	498.0
tritone	729/512	611.7
perfect fifth diapente sesquialterum	3/2	702.0
octave diapason	2/1	1200.0

The intervals of Pythagorean tuning are just intervals involving only powers of two and three.
The fundamental intervals are the superparticular ratios 2/1, 3/2, and 4/3. 2/1 is the octave or ''diapason'' (Greek for "across all"). 3/2 is the perfect fifth, ''diapente'' ("across five"), or ''sesquialterum''. 4/3 is the perfect fourth, ''diatessaron'' ("across four"), or ''sesquitertium''. These three intervals and their octave equivalents, such as the perfect eleventh and twelfth, are the only absolute consonances of the Pythagorean system. All other intervals have varying degrees of dissonance, ranging from smooth to rough.
The difference between the perfect fourth and the perfect fifth is the ''tone'' or major second. This has the ratio 9/8, and it is the only other superparticular ratio of Pythagorean tuning, as shown by Størmer's theorem.
Two tones make a ''ditone'', a dissonantly wide major third, ratio 81/64. The ditone differs from the just major third (5/4) by the syntonic comma (81/80). Likewise, the difference between the tone and the perfect fourth is the ''semiditone'', a narrow minor third, 32/27, which differs from 6/5 by the syntonic comma. These differences are "tempered out" or eliminated by using compromises in meantone temperament.
The difference between the minor third and the tone is the ''minor semitone'' or ''limma'' of 256/243. The difference between the tone and the limma is the ''major semitone'' or ''apotome'' ("part cut off") of 2187/2048. Although the limma and the apotome are both represented by one step of 12-pitch equal temperament, they are not equal in Pythagorean tuning, and their difference, 531441/524288, is known as the Pythagorean comma.

Contents

See also

External links

See also

★ Whole-tone scale

★ List of meantone intervals

External links

★ Neo-Gothic usage by Margo Schulter