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'Tashilhunpo Monastery', built in
1447, is a historic and culturally important
monastery in
Shigatse, the second-largest city in
Tibet.
The monastery is the traditional seat of successive
Panchen Lamas, the second highest ranking
tulku lineage in the
Gelukpa tradition.
Located on a hill in the center of the city, the full name in
Tibetan of the monastery means: "all fortune and happiness gathered here" or "heap of glory".
Pilgrims circumambulate the monastery on the
Lingkor (sacred path) outside the walls.
Fortunately, although two-thirds of the buildings were destroyed during the
Cultural Revolution, they were mainly the residences for the 4,000 monks
[1] and the monastery itself was not as extensively damaged as most other monasteries in Tibet, for it was the seat of the Panchen Lama who remained in Chinese-controlled territory.

Tashilhunpo Monastery. The two tiered gilded bronze structure of the roof chapels can be seen at the top of the picture
History

The
Thanka Wall overlooking the monastery
The monastery was founded in
1447 CE by
Gedun Drub, the nephew and disciple of the famous Buddhist philosopher
Je Tsongkhapa,, who was later named the
First Dalai Lama. The construction was financed by donations from local nobles.
Later
Lobsang Chökyi Gyalsten, the
Fourth Panchen Lama and the first Panchen Lama to be recognized as such by the rulers of
Mongolia, made major expansions to the monastery. Since then all Panchen Lamas have resided at Tashilhunpo, and have managed to expand it gradually.
In
1791 the monastery was attacked and looted by an army of
Nepalese Gurkha warriors but were driven out by the
Chinese who at the same time strengthened their control, over the temple and
Tibet.

Tashilhunpo Monastery, Shigatse, 1993

Monks hurrying to services, Tashilhunpo, 1993
Choekyi Gyalpo, the
11th Panchen Lama according to the government of the
People's Republic of China, has been enthroned there, while Gedhun Choekyi Nyima, the
11th Panchen Lama recognised by the
Dalai Lama, has been held under "protective custody" by the Chinese authorities since 1995.
Tashilhunpo in its prime had over 4,000 monks and had four
Tantric colleges each with its own
Abbot. After the death of a
Panchen Lama, these four abbots led the search for his infant incarnation and one of them always acted as a prime minister of
Tsang under the control of the
Dalai Lama in
Lhasa.
In 1960, however, the monastery was disbanded by the Chinese army whilst the
Panchen Lama was absent, although less damage was inflicted on the monastery than on most others around Tibet.
During the 1960s many senior lamas and monastics left Tibet and helped re-establish new monasteries in
India,
Nepal and
Bhutan. The late Panchen Lama did not leave Tibet and consequently many of the senior lamas from Tashilhunpo Monastery remained inside Tibet. Therefore, while other monasteries-in-exile have expanded and developed under the guidance of senior lamas, Tashilhunpo has remained at a disadvantage, although in
1972 a new campus of Tashilhunpo Monastery was built by Tibetan exiles at a settlement in
Bylakuppe,
Karnātakā in southern
India.
Since the early 1980s parts of the Tashilhunpo monastery have been open to the public and it is an important tourist attraction in
Tibet today.
=Halls of the Tashilhunpo Monastery=
Jamba Chyenmu 'The Maitreya Temple'

An example of a
Maitreya Buddha statue seen throughout the monastery
The
Maitreya Temple known as (Jambu Chyenmu)) on the west side is the tallest building of the monastery. It was erected in 1914 by the
Ninth Panchen Lama to house a gigantic
statue of the
Maitreya Buddha and is 26.2 metres (86 feet) in height. The staue sits on a splendid lotus throne in the 'European' posture with its hands in the symbolic teaching pose. A single finger of the giant figure is almost 4 feet in length. The statue contains 279kg (614lbs) of
gold and 150,000kg (330,000lb) of copper and brass moulded on a solid wooden frame by Tibetan and
Nepalese craftsmen. Small versions of the
Maitreya are positioned in all four corners of the chamber and the
murals on either side of the door show a more active, antic style than any to be seen in
Lhasa.
Gudong: The Panchen Lama's Palace
On the east side of the monastery is the old living quarters of the
Panchen Lama, the Panchen Lama's Palace known as Gudong. Within, a narrow courtyard gives access to the
temple containing the
Fourth Panchen Lama's tomb. The temple
vestibule has very large inscriptions at either end praising his holiness. Inside, the silver and gold
stupa tomb rivals any in the
Potala Palace in
Lhasa for the splendour of its craftsmenship and jewels. Measuring 11 metres (36ft) in height it contains 85kg (187lb) of gold and countless semi-precious stones. On the left is three statues representing
Amitabha, the
Buddha of Infinite Light, whom the Panchen Lams are thought to embody. An upper level has a number of long chapels embroidered in
silk thangka's that relate the lives and events surrounded the Panchen Lamas. Most were made in Hangzou as indeed many throughout Tibet were during the 1920s. The old living quarters of the Panchen Lama are no longer open to the public but the rooms are more modest and human that any of the rooms at the
Potala.
Main Chanting Hall

The White
Tara goddess occupies the centre of the
altar in the Main Hall of Tashilhunpo
The main chanting hall contains the
throne of the
Panchen Lama and two connected chapels. The left-one is devoted to an elaborately ensconced
Sakyamuni with eight
Bodhisattva robed in bocade. The right hand one is dedicated to
Tara the goddess who sanctifies the mountain above and whose image is depicted throughout the temple. A White Tara goddess occupies the centre of the
altar with a Jade Green Tara on either side.
Sutra Hall
Sutra Hall is the repository chamber of the monastery containing some 10,000 hand-carved wooden blocks used for printing the
Buddhist scriptures. These are all
Tibetan translations of the original
Sanskrit text. Visitors to the temple can buy colured prayer flags and Tibetan lunar calendars as souvenirs which are printed in the chamber.
Gyeni Chanting Hall

An example of a mural
The 'Gyeni Chanting Hall' is a chanting chamber of the
Tashilhunpo Monastery on the south-east side where
Tibetan Buddhism is practised. It has a debating garden in its courtyard with many fine trees. The roof of the chanting hall has a chapel on the north side where two very tall guardians are formed from its structural columns by the use of masks and ancient
armour. Outside it are some extraordinary colourful
Buddha murals and animal
murals which have emerged from folklore and
animism It is situated near the smaller chanting hall of the Ngagang college on the west side.

Hundreds of
Sakyamuni Buddha statues can be seen throughout the temple and the Great Courtyard of Tashilhunpo
Ngang College
Ngang College is a smaller chanting chamber of the monastery on the west side of the main path upstairs of the
Deyangshar courtyard. A Ngang a morning chanting ceremony with musical instruments usually takes place between the few remaining monks of the temple. Pilgrims may circumambulate the hall but tourists, particularly photographers are asked to be extremely sensitive to the religious atmosphere.
Chuajing Duogang: The Great Courtyard
The great flagstoned courtyard of Tashilhunpo, known as (Chuajing Duogang) has walls which are covered by over 1000 repeated
Sakyamuni, with their hands gesturing the five symbolic poses (mudras)
The Great Gallery
The gallery of the monastery surrounds the
Deyangshar courtyard and leads to the chapels on the east side housing many hundreds of tiny
Buddha statues.
The Roof Chapels
The roof of Tashilhunpo has several bronze-gated chapels located on two-tiered levels. On the north side, above the chapels of the chanting hall is the funerary
stupa of the
First Dalai Lama, the only one not entombed in Lhasa. On the east side is a small 'chamber of horrors' chapel. Painted
demons, considered now to be defenders of
Buddhism betray their origins as the terrifying gods of the old
animist Bon faith who only later were absorbed by Buddhism. On the south side is a charming Tara chapel with blue and gold murals on the walls depicting Tibetan history.
References
1. Dowman, Keith. 1988. ''The Power-places of Central Tibet: The Pilgrim's Guide''. Routledge & Kegan Paul, London and New York. ISBN 0-7102-1370-0, p. 273
★ Dowman, Keith. 1988. ''The Power-places of Central Tibet: The Pilgrim's Guide''. Routledge & Kegan Paul, London and New York. ISBN 0-7102-1370-0
★ Das, Sarat Chandra. ''Lhasa and Central Tibet''. (1902). Edited by W. W. Rockhill. Reprint: Mehra Offset Press, Delhi (1988), pp. 40, 43 ff., 69, 114, 117, 149, 237; illustration opposite p. 50.
External links
★
Website of the Tashilhunpo Monastery in Bylakuppe