'Swinging London' is a catchall term applied to a variety of dynamic cultural trends in the
United Kingdom (centred in
London) in the second half of the 1960s.
It was a
youth-oriented phenomenon that emphasized the new and modern. It was a period of optimism and hedonism, and can be described as a cultural revolution. One of the catalysts was the recovery of the British economy after the post-
World War II period of
austerity and rationing which lasted through much of the 1950s. Journalist
Christopher Booker, one of the founders of the satirical magazine, ''
Private Eye'', recalled the "bewitching" character of the swinging sixties: "there seemed to be no one standing outside the bubble, and observing just how odd and shallow and egocentric and even rather horrible it was"
[1].
''
"Swinging London" was defined by ''
Time '' magazine in its issue of April 15, 1966 and celebrated in the name of the
pirate radio station
Swinging Radio England that began transmissions shortly after the publication appeared. However, the term "swinging" (in the sense of
hip or fashionable) had been used since the early 1960s, including by
Norman Vaughan in his "swinging/dodgy" patter on ''
Sunday Night at the London Palladium''. In 1965,
Diana Vreeland, editor of ''
Vogue'' magazine, declared that "London is the most swinging city in the world at the moment."
[2] Later that year, the American singer
Roger Miller had a hit record with ''England Swings'', which presented a stereotypical picture of
England, with lyrics such as "
Bobbies on bicycles, two by two."
Music
Already heralded by
Colin MacInnes' 1959 novel
Absolute Beginners, the period of Swinging London was underway by the mid 1960s, and included music by
The Beatles,
The Rolling Stones and other artists from what was known in
North America as the ''
British Invasion''. This music was heard in the
United Kingdom over
pirate radio stations such as
Radio Caroline,
Wonderful Radio London and
Swinging Radio England.
Fashion
During the time of Swinging London, fashion and photography were featured in
Queen magazine, which drew attention to the ideas of
Mary Quant. The fashion model
Twiggy was another icon of Swinging London, and may have been the world's first
supermodel. Twiggy has sometimes been called the "the Queen of
mod," a label she shared with others, such as
Cathy McGowan (who hosted the television rock show, ''
Ready Steady Go!'' from 1964 to 1966). Mod-related fashions such as the
miniskirt stimulated the rise of fashionable shopping areas such as
Carnaby Street and the
Kings Road,
Chelsea. The fashion of the day was a symbol of youth culture.
Film
The 1966 film ''
Blowup'', by
Michelangelo Antonioni, both celebrates and mocks the Swinging London period. Other films about Swinging London included ''
The Knack...and How to Get It'' (1965), ''
Alfie'' (1966), ''
Georgy Girl'' (1966), ''
Up the Junction'' (1967) and ''
Smashing Time'' (1967). The character
James Bond was seen in many movies, including the comedy version of ''
Casino Royale'' (1967). The Swinging London period has been
parodied in the 1990s ''
Austin Powers'' films.
Television
One
television series that reflected the spirit of Swinging London was ''
The Avengers''. The
BBC Television show ''
Take Three Girls'' (1969) is noted for
Liza Goddard's first starring role, an evocative
folk-rock theme song ("Light Flight" by
Pentangle), and for many scenes in which the heroines were shown dressing or undressing. In an episode of BBC's ''
Adam Adamant Lives!'', Adamant (
Gerald Harper), an
Edwardian adventurer who had been suspended in time since 1902, was told firmly, "This is London, nineteen sixty-six — the swinging city."
[3] An episode of the detective series ''
Man in a Suitcase'' opened with the announcement: "This is London... Swinging London".
Symbols
The British flag, the
Union Jack, became a potent symbol, assisted by events such as England's home victory in the 1966
World Cup. The
Mini-Cooper car (launched in 1959) was used by a fleet of mini-cab taxis highlighted by advertising that covered their paintwork.
Bibliography
★
Bomb culture, , Jeff, Nuttall, MacGibbon & Kee, 1968, ISBN 0-261-62617-5
★
The Pendulum Years, , Bernard, Levin, Jonathan Cape, 1970, ISBN 0-224-61963-2
★
Revolt into Style, , George, Melly, Allen Lane, 1970, ISBN 0-713-90166-7
★
White heat: A history of Britain in the swinging sixties, , Dominic, Sandbrook, Little, Brown, 2006, ISBN 0-316-72452-1
★
Never had it so good: A history of Britain from Suez to the Beatles, , Dominic, Sandbrook, Little, Brown, 2005, ISBN 0-316-86083-2
Footnotes
1. Christopher Booker (1980) ''The Seventies''
2. Quoted by John Crosby, ''Weekend Telegraph'', 16 April 1965
3. Episode, ''Beauty is an Ugly Word'' (1966)
See also
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Pop art
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