 | The Music of Lulu with Lyric Opera's Sir Andrew Davis Lyric Opera of Chicago's music director Sir Andrew Davis discusses the music of Alban Berg's Lulu. Lulu is onstage at Lyric Opera November 7 November 30, 2008. Reserve your tickets today by visiting www.lyricopera.org or call (312 332-2244, extension 5600. |
 | Lars Frandsen Unedited - sir andrew Aguecheek Hanze's sir andrew Aguecheek RMW 2nd sonata, Classical Guitar |
 | Lars Frandsen Unedited - Henze Sir Andrew Aguecheek Hans Werner Henze's Sir Andrew Aguecheek on Classical guitar |
 | Twelfth Night - "Viola and Sir Andrew Fight Scene, 2nd Part" A scene from an independent film production of Shakespeare's Twelfth Night. |
 | David Essex - tribute to Sir Andrew Lloyd Webber 60th birthday wishes. |
 | Sir Andrew Lloyd webber A devotion to the man himself |
 | Sir Andrew This movie tells about our English teacher - sir Andrew :D He's very good teacher, we always have a lot of fun with him... Greetings! |
 | Twelfth Night - "Viola and Sir Andrew Fight Scene, 1st Part" A scene from and independent film production of Shakespeare's Twelfth Night. |
 | interview of Sir Andrew Huxley The grandson of T.H.Huxley interviewed by Alan Macfarlane Formerly Master of Trinity Cambride Nobel prize winner |
 | Twelfth Night (1969) - Sir Ralph Richardson, part 1 of 10 some marvelous performances here! This extract starts with Act I, scene ii "What country, freinds, is this?" Then the start of play, Act I, scene i. It then back to end of Act I, scene ii. It shifts then to Act 1, scene iv, then to Sir Toby and Maria's first appearance, Act I, scene iii link below to a single playlist of all 10 parts of this "Twelfth Night": http://www.youtube.com/view_play_list?p=7F429A373BCAC12F Joan Plowright ... Viola and Sebastian Paul Curran ... Sea Captain Adrienne Corri ... Countess Olivia Gary Raymond ... Orsino, Duke of Illyria Kurt Christian ... Curio Christopher Timothy ... Valentine Ralph Richardson ... Sir Toby Belch John Moffatt ... Sir Andrew Aguecheek Sheila Reid ... Maria Directed by John Sichel It was filmed in sumptuous color, but alack! my VHS tape is so old and worn it looks like a black and white film. I increased the saturation as much as possible during the conversion... Twelfth Night; or, What You Will by William Shakespeare William Hazlitt on Twelfth Night: This is justly considered as one of the most delightful of Shakespear's comedies. It is full of sweetness and pleasantry. It is perhaps too good-natured for comedy. It has little satire, and no spleen. It aims at the ludicrous rather than the ridiculous. It makes us laugh at the follies of mankind, not despise them, and still less bear any ill-will towards them. Shakespear's comic genius resembles the bee rather in its power of extracting sweets from weeds or poisons, than in leaving a sting behind it. He gives the most amusing exaggeration of the prevailing foibles of his characters, but in a way that they themselves, instead of being offended at, would almost join in to humour; he rather contrives opportunities for them to shew themselves off in the happiest lights, than renders them contemptible in the perverse construction of the wit or malice of others. William Winter ("Shadows of the Stage", iii, 28, from 1892) on "Illyria": It is even more difficult to assign a place and a period for Twelfth Night than it is to localise As You Lihe It. Illyria, — now Dalmatia, Croatia, and Bosnia, — was a Roman province, a hundred and sixty-seven years before Christ. In Shakespeare's time, Dalmatia was under the rule of the Venetian republic. The custom has long prevailed of treating the piece as a romantic and poetic picture of Venetian manners in the seventeenth century. Some stage managers have used Greek dresses. For the purposes of the stage, there must be a 'local habitation.' For a reader, the scene of Twelfth Night is the elusive and evanescent, but limitless and immortal, land of dreams. |
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