العربية
中国
Français
Deutsch
Ελληνική
हिन्दी
Italiano
日本語
Português
Русский
EspañolSCHOLA CANTORUM
:''This article is about the medieval papal choir. For the Parisian music institute, see Schola Cantorum''.
The '''Schola cantorum''' was the trained papal choir during the Middle Ages, specializing in the performance of plainchant. Although legend associates them with the tenure of Pope Gregory the Great, who is popularly but falsely credited with creating the Gregorian repertory, there is no historical evidence to support this claim. The Schola is attested in historical records beginning in the 8th century, possibly beginning under Pope Sergius I. They played a significant and contentious role in the transmission of Roman chant to the Carolingian court of Charlemagne, where the fusion of Roman and Gallican chant evolved into what we now know as Gregorian chant.
Between the years 876 and 1073, the prior of the Schola is recorded to have performed a curious dance with clearly pagan origins known as ''Cornomania'', on the Saturday following Easter, on the Lateran Square in the Vatican. He would wear a wreath with horns on his head, swing a rattle with bells, scatter laurel leaves, and cry out in an unknown language, ''"Iaritan, iaritan, iariariasti; raphayn, iercoin, iariariasti"''. [1]
Several institutions have modeled themselves after the medieval Schola, including the Schola Cantorum Basiliensis of Basel and the Schola Cantorum of Paris.
1. F. Schneider, ''Rom und Romgedanke im Mittelalter'' (Munich, 1926), cited in H. St. L. B. Moss, ''The Birth of the Middle Ages'' (Oxford, 1935), p. 263.
The '''Schola cantorum''' was the trained papal choir during the Middle Ages, specializing in the performance of plainchant. Although legend associates them with the tenure of Pope Gregory the Great, who is popularly but falsely credited with creating the Gregorian repertory, there is no historical evidence to support this claim. The Schola is attested in historical records beginning in the 8th century, possibly beginning under Pope Sergius I. They played a significant and contentious role in the transmission of Roman chant to the Carolingian court of Charlemagne, where the fusion of Roman and Gallican chant evolved into what we now know as Gregorian chant.
Between the years 876 and 1073, the prior of the Schola is recorded to have performed a curious dance with clearly pagan origins known as ''Cornomania'', on the Saturday following Easter, on the Lateran Square in the Vatican. He would wear a wreath with horns on his head, swing a rattle with bells, scatter laurel leaves, and cry out in an unknown language, ''"Iaritan, iaritan, iariariasti; raphayn, iercoin, iariariasti"''. [1]
Several institutions have modeled themselves after the medieval Schola, including the Schola Cantorum Basiliensis of Basel and the Schola Cantorum of Paris.
| Contents |
| Sources |
Sources
1. F. Schneider, ''Rom und Romgedanke im Mittelalter'' (Munich, 1926), cited in H. St. L. B. Moss, ''The Birth of the Middle Ages'' (Oxford, 1935), p. 263.
This article provided by Wikipedia. To edit the contents of this article, click here for original source.
psst.. try this: add to faves
