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The 'Rabinal Achí' is a Maya theatrical play performed in Rabinal, Baja Verapaz, Guatemala, its original name is 'Xajooj Tun' meaning, ''Tun (drum) Dance''. is a dynastic Maya drama from the fifteenth century and a rare example of pre-Hispanic traditions. It comprises myths of origin and addresses popular and political subjects concerning the inhabitants of the region of Rabinal, expressed through masked dance, theatre and music. It was translated by Charles-Étienne Brasseur de Bourbourg, from an Achi narration of the cofrade Bartolo Sis in 1856. In 2005 it was declared one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO.
The oral and written narrative is presented by a group of characters, who appear on a stage representing Maya villages, especially Kajyub’, the regional capital of the Rabinaleb’ in the fourteenth century. The narrative, divided into four acts, deals with a conflict between two major political entities in the region, the ''Rabinaleb’'' and the ''K’iche’''.
The main characters are two princes, the ''Rabinal Achí'' and the ''K’iche Achí''. The other characters are the king of Rabinaleb’, ''Job’Toj'', and his servant, ''Achij Mun'', ''Achij Mun'' and ''Ixoq Mun'', who has both male and female traits, the green-feathered mother, ''Uchuch Q’uq’'', ''Uchuch Raxon'', and thirteen eagles and thirteen jaguars who represent the warriors of the fortress of ''Kajyub’''. K’iche’ Achí is captured and put on trial for having attempted to steal Rabinaleb’ children, a grave violation of Maya Law.
Since colonization in the sixteenth century, the Rabinal Achí dance has been performed on Saint Paul’s day on 25 January. The festival is co-ordinated by members of cofradías, local brotherhoods responsible for running the community. By taking part in the dance, the living enter into “contact” with the dead, the rajawales, ancestors represented by masks. For the Achis of modern-day Rabinal, recalling their ancestors is not just about perpetuating the heritage of the past. It is also a vision of the future, since one day the living will join their ancestors.

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References

★ Akkeren, Ruud van, ''Place of the Lord's Daughter. Rab'inal, its history, its dance-drama'' (2000). Leiden: CNWS.

External Links

★ UNESCO, Web Site

★ Download the Rabinal Achí, from Guatemala, Cradle of the Maya Civilization

★ Guatemala Culture Ministry in Spanish