'Pay-per-view' (often abbreviated 'PPV') is the system in which
television viewers can purchase events to be seen on TV and pay for the private telecast of that event to their homes. The event is shown at the same time to everyone ordering it, as opposed to
video on demand systems, which allow viewers to see the event at any time. Events can be purchased using an on-screen guide, an automated telephone system, or through a live customer service representative. Events include feature
films,
sporting events, and
pornographic movies.
Early History (Americas)
The first pay-per-view system tested in the United states was the
Zenith Phonevision system. Developed in
1949, it used telephone lines to take and receive orders as well as descramble a broadcast signal. Field tests were run for 90 days in
Chicago. In
1950, Skiatron tested it's Subscriber-Vision system on
WOR in
New York City. The system used IBM punch cards to descramble the signal which was broadcast during the broadcasts stations "off-time". Both systems showed promise, but were denied permits by the FCC
[1]
One of the earliest pay-per-view systems on cable the Optical Systems
Channel 100, which first saw service in 1972 in
San Diego through Mission Cable
[2] (acquired by
Cox Communications) and TheaterVisioN, which ran out of
Sarasota, Florida. These early systems quickly went out of business, as the cable industry adopted satellite technology and flat rate systems like Home Box Office became popular.
Early Adoption
Pay per view began becoming popular when the
NBA's
Portland Trail Blazers began using the system after winning the championship in the
1977 season. During that time, it was operated on a few pay-TV services such as
Z Channel,
SelecTV, and
ON-TV in select markets throughout the
1980s.
The first major Pay-Per View event occurred on September 16, 1981, when Sugar Ray Leonard fought Thomas "Hitman" Hearns for the Welterweight Championship. Viacom Cablevision in
Nashville, Tennessee, was the first system to offer the event and sold over fifty percent of its subscribers for the fight. Leonard visited Nashville to promote the fight. The event was such a huge success that Viacom's Annual Report that year was themed around the fight. Viacom's Marketing Director was Pat Thompson who put together the fight and subsequently put together additional PPV fights, wrestling matches, and even a Broadway play.
After leaving Viacom, Thompson became head of Sports View
and produced the first Pay-Per-View Football game on October 16, 1983, Tennessee versus Alabama from
Birmingham, Alabama. Sports View was instrumental in building Pay-Per-View Networks and was the early pioneer in developing TigerVision for LSU, TideVision for Alabama, and UT Vol Seat for Tennessee. Sports View also produced the Ohio State-Michigan Football game on PPV in November of 1983.
In
1985, the first U.S. cable channels devoted to Pay-Per-View
Viewers Choice (now iN Demand),
Cable Video Store, and
Request TV began operation within days of each other. Viewers Choice was available to both home satellite dish and cable customers, while Request was available to cable viewers but would not be available to dish owners until the 1990s.
However, the term "pay-per-view" wasn't widely used until the
1990s, when companies like
iN DEMAND,
HBO, and
Showtime started using the system to show movies and some of their productions. In Demand would show movies, concerts, and other events, with prices ranging from
$3.99 to $49.99, while
HBO and
Showtime, with their legs
TVKO and
SET Pay Per View, would offer championship
boxing, with prices ranging from $14.99 to $54.99.
ESPN has shown
college football and
basketball games on pay-per-view. The
boxing undercard ''
Latin Fury'', shown on
June 28 2003, became
ESPN's first boxing pay-per-view
card and also the first pay-per-view boxing card held in
Puerto Rico. Pay-per-view is also a very important revenue stream for
professional wrestling companies like
WWE To this day, World Wrestling Entertainment (WWE) holds the rank for most PPV's sold per year.
''
History (Europe)
Pay per view was first adopted in the UK with the use of selective access satellite television and cable systems.
History (Australia, NZ & Pacific Islands)
Pay per view was introduced by Foxtel direct to home television in Australia and NZ in the early 2000s and by Sky Pacific in Fiji and other Pacific Island Nations in 2006.
Availability
In the
U.S., two
direct-to-home (DTH)
digital broadcast satellite (DBS) providers
DirecTV and
Dish Network allow customers to order with the
remote control. The unit later calls out using an
800 number and connects via
modem, adding the cost of the movie or sporting event to the account. A similar system is used by
Foxtel and
Optus in
Australia.
Digital cable subscribers also have this capability, using the bidirectional capabilities of
digital cable technology instead of a
telephone line. Similar systems are in use by
Sky Digital in the
United Kingdom.
In
Canada,
Viewers Choice offers pay-per-preview services through various Canadian
satellite TV and
digital cable television providers, including
Rogers Digital Cable,
StarChoice, and
MTS. Prices range from $5.99
CAD for movies, up to $20 CAD or more for special events. (Ex. WWE and ECW Pay-Per-Views, which usually cost $39.95 for normal 3-hour PPV's, and $49.95 for the 4-hour
WrestleMania special.)
Bell ExpressVu delivers its own pay-per-view service, Vu!, to its satellite subscribers. Prices range from $4.99 CAD up to $20 or more for special events. It also runs Venus, an adult pay-per-view service, to its satellite subscribers for $9.99 per movie.
Pay-per-view has also been introduced in
Europe and many other areas of the
world. In the
UK,
Sky's ''
PremPlus'' and ''
Sky Box Office'' services have proved popular with viewers.
See also
★
Conditional access
References
1. FCC Squares Off to Face Subscription TV Dilemma", ''Broadcasting-Telecasting'', November 15, 1954, p31-32
2. Megan Gwynne Mullen, The Rise of Cable Programming in the United States: revolution or evolution?, 2003, University of Texas Press, ISBN 0292752733
External links
★ Capsule history at
Museum of Broadcast Communications