
Old St. Paul's prior to 1561, with intact spire. The height depicted appears exaggerated compared to later engravings.
'Old St. Paul's' is a name used to refer to the
Gothic cathedral in the
City of London built between 1087 and 1314.
At its greatest, the cathedral was the third longest church in Europe and had
one of the tallest spires. The cathedral was destroyed in the
Great Fire of London of 1666, and the current domed
St. Paul's Cathedral was subsequently erected on the site in an
English Baroque style by
Sir Christopher Wren.
Construction

Engraving of Old St. Paul's prior to 1561, with intact spire
The cathedral was the fourth church on the site at
Ludgate Hill dedicated to
St Paul, and was begun by the
Normans following a devastating fire in 1087 (detailed in the
Anglo-Saxon Chronicle) which destroyed much of the city. Work took over 200 years, and a great deal was lost in another fire in
1136. The roof was once more built of wood, which was ultimately to doom the building. The church was
consecrated in
1240, but a change of heart led to the commencement of an enlargement programme in 1256. This 'New Work' was completed in 1314 — the cathedral had been consecrated in
1300. It was the third-longest church in Europe.
[1086 cathedral, St. Paul's official website, accessed 28 January 2007.] Excavations in 1878 by Francis Penrose showed it was 585 feet long and 100 feet wide (290 feet across the
transepts and
crossing), and had one of Europe's tallest spires, at some 489 feet (149 metres).
Interior

1658 plan of the cathedral
The finished cathedral of the Middle Ages was renowned for its interior beauty. William Benham wrote in 1902: "It had not a rival in England, perhaps one might say in Europe."
The nave's immense length was particularly notable, with a Norman
triforium and
vaulted ceiling. The length earned it the nickname "Paul's walk". The
stained glass was reputed to be the best in the country, and the east-end
Rose window was particularly exquisite. Indeed, in ''
The Canterbury Tales'',
Geoffrey Chaucer uses the windows as a
metaphor in "
The Miller's Tale".
[1]
The walls were lined with the tombs of mediæval bishops and nobility. Two
Anglo-Saxon kings were buried inside,
Sebbi, King of the
East Saxons, and
Ethelred the Unready. A number of historic figures such as
John of Gaunt, 1st Duke of Lancaster and
John Beauchamp, 3rd Baron Beauchamp de Somerset had particularly large monuments constructed. The cathedral was also to later contain the tombs of the poet and clergyman
John Donne and the Crown minister
Nicholas Bacon.
Decline

Classical-style West Front by Inigo Jones added between 1630 and 1666
By the
16th century the building was decaying. Under
Henry VIII and
Edward VI, the
Dissolution of the Monasteries and
Chantries Acts led to the destruction of interior ornamentation and the
cloisters,
charnels,
crypts,
chapels,
shrines,
chantries and other buildings in the churchyard. Many of these former religious sites in St Paul's Churchyard, having been seized by the crown, were sold as shops and rental properties, especially to printers and booksellers, who were often
evangelical Protestants. Buildings that were razed often supplied ready-dressed building material for construction projects, such as the Lord Protector's city palace,
Somerset House.
Crowds were drawn to the northeast corner of the Churchyard,
St Paul's Cross, where open-air preaching took place. It was there in the Cross Yard in
1549 that radical Protestant preachers incited a mob to destroy many of the cathedral's interior decorations. In
1561 the spire was destroyed by lightning and it was not replaced; this event was taken by both Protestants and Catholics as a sign of God's displeasure at the other faction's actions.
Queen Elizabeth contributed towards the cost of repairs.
[St. Paul's Cathedral timeline, URL accessed 28 January 2007.]
England's first
classical architect,
Inigo Jones, added the cathedral's west front in the
1630s, but there was much defacement and mistreatment of the building by Parliamentarian forces during the
English Civil War, when the old documents and charters were dispersed and destroyed and the nave was used as a stable for cavalry horses.
[2]
The Great Fire

West Front of the Cathedral after the fire, 1666
Old St Paul's was completely gutted in the
Great Fire of London of
1666, which destroyed the roof and much of the stonework.
Samuel Pepys recalls the building in flames in his diary:
[1]
Temporary repairs were made to the building, but while it might have been salvageable, albeit with almost complete reconstruction, a decision was taken to build a new cathedral in a modern style instead, a step which had been contemplated even before the fire. Following the appointment of Sir Christopher Wren, the Surveyor to the King's Works, demolition of the remains of the old cathedral began. Wren initially utilised the then-new technique of using
gunpowder to bring down the surviving stone walls. Like many experimental techniques, the use of gunpowder was not easy to control and nearby residents complained about noise and damage. Eventually, Wren resorted to using a
battering ram instead. Building work on the new cathedral begin in June 1675.
[1668 — The Demolition, St. Paul's official website, accessed 30 January 2007.]
Gallery
References
1.
2. S.E. Kelly, editor, ''Charters of St Paul's, London'', Oxford University Press, 2004.
3.
External links
★
Official website, with history of Old St. Paul's
★
three paintings of Old St Paul's from the Society of Antiquaries (4th row down)