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'Nagaradhane' () is a form of snake worship which, along with Bhuta Kola, is one of the unique traditions prevalent in coastal districts of Dakshina Kannada and Udupi in Karnataka.

Contents

Origin of Nagaradhane

The Ritual

References

See also

Origin of Nagaradhane

Snakes, especially the cobra have been revered from ancient times all over India. Due to their mysterious appearances, slithering movements, snakes had always been held in awe in India. Snakes find mention in famous religious epics like Mahabharata, Vishnu Purana etc. Hindu Gods like Vishnu and Shiva have been associated with snakes. According to Hindu mythology, Lord Vishnu takes rest under the shade of the giant snake, Adisesha. Lord Shiva wears a snake around his neck.
It is difficult to trace the origin of Nagaradhane. Mostly, snakes were seen as a symbol of fertility. Elsewhere in India, snakes are worshiped during the Nagarapanchami Day. They are offered milk (research has shown that snakes are allergic to milk) and thilak is applied on their forehead.
The snake worship rituals practised in Tulu Nadu are quite unique and different to the aforementioned rituals. Snakes have their own snake shrines in a corner of the garden, often under a neem tree known as Nagabhana. This is usually a stone with snakes carved on it. Accordingly, nobody is allowed to chop the tree near the Nagabhana. It is also believed that, snakes, specifically the cobras are not be harmed or killed by anyone. If harmed, the individual has to perform a ritual to cleanse the sin of killing/harming the snake. The belief is that the individual who refuses to perform the ritual will be cursed by the snake for eternity.
It can also be noted that in Tulu Nadu or the South Canara region in Karnataka, agriculture is predominant that too paddy is the main crop. In these fields snakes help in saving the crop from rodents. This can be a plausible reason for worship of snakes in line with other nature worships such as cow and the banyan tree.

The Ritual

There are two distinct rituals performed in reverence to the snake. They are, Aashleshabali and Nagamandala. Of these, Nagamandala is longer and colourful than Aashleshabali.
Nagamandala depicts the divine union of male and female snakes. It is generally performed by two priests. The first priest, called as patri inhales the areca flower and becomes the male snake. The second priest, called as Nagakannika or the female snake dances and sings around an elaborate serpent design drawn with natural colours on the sacred ground. The ritual is supplemented by playing an hour glass shaped instrument called as Dakke. The drawings in five different colours on the sacred ground are white (white mud), red (mix of lime powder and turmeric powder), green (green leaves powder), yellow (turmeric powder) and black (roasted and powdered paddy husk).
Aashleshabali is similar nature to the after death rituals performed for the humans as per the Hindu tradition.
The ritual, centered around the serpent design, continues till early in the morning. A similar kind of ritual is found in Kerala and is known as Sarpam Tullal and Sarpam Kali.
== Significance of Nagabhanas ==
Nagabhanas or the sacred grooves are deemed to be the resting place of the Snake God. Cutting of trees or defacing the groove is considered as sacrilege. People are wary of the wrath unleashed by the deity. Nagabhanas have largely remained unspoilt and have contributed immensely to the preservation of valuable trees and medicinal plants in Dakshina Kannada.

References

★ http://www.udupipages.com/home/temple/naga.html

★ http://www.gurjari.net/ico/Mystica/html/snake_worship.htm

See also

★ Bhuta Kola

★ Theyyam

★ Snake worship