
Melusine's secret discovered, from ''Le Roman de Mélusine.'' One of sixteen paintings by Guillebert de Mets circa 1410. The original is held by the Bibliothèque nationale de France.
'Melusine' (or 'Melusina') is a figure of
European
legends and
folklore, a feminine
spirit of fresh waters in sacred springs and rivers.
She is usually depicted as a woman who is a
serpent or
fish (much like a
mermaid) from the waist down. She is also sometimes illustrated with wings, two tails or both, and sometimes referred to as a
nixie.
Heraldry
Melusine is sometimes used as a
heraldic figure, typically in
German Coats of arms, where she supports one scaly tail in each arm. She may appear crowned. The
Coat of Arms of Warsaw features a
siren (identified in Polish as a ''syrenka'') very much like a depiction of Melusine, brandishing a sword and shield. She is the water-spirit from the
Vistula who identified the proper site for the city to Boreslaus of Masovia in the late
13th century.
Literary versions

Raymond walks in on his wife, Melusine, in her bath and discovers she has the lower body of a serpent. Illustration from the
Jean d'Arras work, ''Le livre de Mélusine'' (The Book of Melusine), 1478.
The most famous literary version of Melusine tales, that of
Jean d'Arras, compiled about
1382–
1394 was worked into a collection of "spinning yarns" as told by ladies at their spinning. Melusine is depicted in the '
Tres Riches Heures', in the month page for March, as a dragon protecting the castle of
Lusignan.
The tale was translated into
German in
1456 by
Thüring von Ringoltingen, the version of which became popular as a
chapbook. It was later translated into the
English language c.
1500, and often printed in both the
15th century and the
16th century. There is also a prose version called the ''Chronique de la princesse.''
It tells how Elynas, the King of
Albany (an old name for
Scotland) went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise — for there is often a hard and fatal condition attached to any pairing of
fay and mortal — that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of
Avalon.
The three girls — Melusine, Melior, and Palatyne — grew up in Avalon. On their fifteenth birthday, Melusine, the eldest, asked why they had been taken to Avalon. Upon hearing of their father's broken promise, Melusine sought revenge. She and her sisters captured Elynas and locked him, with his riches, in a mountain. Pressyne became enraged when she learned what the girls had done, and punished them for their disrespect to their father. Melusine was condemned to take the form of a serpent from the waist down every Saturday.
Raymond of
Poitou came across Melusine in a forest in
France, and proposed marriage. Just as her mother had done, she laid a condition, that he must never enter her chamber on a Saturday. He broke the promise and saw her in the form of a part-woman part-serpent. She forgave him. Only when, during a disagreement with her, he called her a "serpent" in front of his court, did she assume the form of a
dragon, provide him with two magic rings and fly off, never to return.
In "The Wandering Unicorn" by Manuel Mujica Láinez, Melusine tells her tale of several centuries of existence from her original curse to the time of the crusades.
[1]
Legends
Melusine legends are especially connected with the northern, most Celtic areas of
Gaul, and the
Low Countries. Sir
Walter Scott told a Melusine tale in ''Minstrelsy of the Scottish Border'' (
1802 -
1803) confident that
:the reader will find the fairy of
Normandy, or
Bretagne, adorned with all the splendour of Eastern description. The fairy Melusina, also, who married
Guy de Lusignan, Count of Poitou, under condition that he should never attempt to intrude upon her privacy, was of this latter class. She bore the count many children, and erected for him a magnificent castle by her magical art. Their harmony was uninterrupted until the prying husband broke the conditions of their union, by concealing himself to behold his wife make use of her enchanted bath. Hardly had Melusina discovered the indiscreet intruder, than, transforming herself into a dragon, she departed with a loud yell of lamentation, and was never again visible to mortal eyes ; although, even in the days of
Brantome, she was supposed to be the protectress of her descendants, and was heard wailing as she sailed upon the blast round the turrets of the castle of Lusignan the night before it was demolished.
When Count Siegfried of the
Ardennes bought the feudal rights to
Luxembourg in
963, his name became connected with the local version of Melusine. In
1997 Luxembourg issued a postage stamp commemorating this Melusina, with essentially the same magic gifts as the ancestress of the Lusignans. This Melusina magically made the castle of Bock appear the morning after their wedding. On her terms of marriage, she too required one day of absolute privacy each week. Alas, Sigefroid, as the Luxembourgeois call him, "could not resist temptation, and on one of the forbidden days he spied on her in her bath and discovered her to be a mermaid. When he let out a surprised cry, Melusina caught sight of him, and her bath immediately sank into the solid rock, carrying her with it. Melusina surfaces briefly every seven years as a beautiful woman or as a serpent, holding a small golden key in her mouth. Whoever takes the key from her will set her free and may claim her as his bride."
[1]
Martin Luther knew and believed in the story of another version of Melusine, ''die Melusina zu Lucelberg'' (Lucelberg in
Silesia), whom he referred to several times as a
succubus (''Works,'' Erlangen edition, volume 60, pp 37–42).
Johann Wolfgang von Goethe wrote the tale of ''Die Neue Melusine'' in
1807 and published it as part of ''Wilhelm Meisters Wanderjahre.'' The playwright
Franz Grillparzer brought Goethe's tale to the stage and
Felix Mendelssohn provided a concert overture "The Fair Melusina," his Opus 32.
Melusine is one of the pre-Christian water-faeries who were sometimes responsible for
changelings. The "
Lady of the Lake", who spirited away the infant
Lancelot and raised the child, was such a water nymph. For other European water sprites dangerous to humans, especially men, see
Lorelei,
Nixie.
"Melusina" would seem to be an uneasy name for a girl-child in these areas of Europe, but
Ehrengard Melusine von der Schulenburg, Duchess of Kendal and Munster, mistress of
George I of Great Britain, was christened Melusine in
1667.
References in the arts
Felix Mendelssohn depicted the character in his overture ''The Fair Melusina (Zum Märchen von der Schönen Melusine)'', opus 32.
Marcel Proust's main character compares Gilberte to a Melusine in "Within a Budding Grove." She is also compared on several occasions to the Duchesse de Guermantes who was (according to the Duc de Guermantes) directly descended from the Lusignan dynasty. In the Guermantes Way for example, the narator observes that the Lusignan family "was fated to become extinct on the day when the fairy Melusine should disappear." (Volume II, Page 5, Vintage Edition.)
Melusine is a recurring metaphor in
André Breton's ''Arcanum 17'' and ''Nadja.''
The Melusine legend plays a prominent role in
A.S. Byatt's ''. One of the main characters, Christabel LaMotte, writes an epic poem about Melusina.
Notes
References
★ Donald Maddox and Sara Sturm-Maddox, ''Melusine of Lusignan: foundling fiction in late medieval France.'' Essays on the ''Roman de Mélusine'' (1393) of
Jean d'Arras.
★ Otto j. Eckert, "Luther and the Reformation," lecture, 1955.
e-text
★ Proust, Marcel. (C. K. Scott Moncrieff, trans.) ''Within A Budding Grove''. (Page 190)
External links
★
Well-translated legends about mermaids and water sprites that marry mortal men, with sources noted, edited by D. L. Ashliman.
★
Terri Windling, "Married to Magic: Animal Brides and Bridegrooms in Folklore and Fantasy"
★
Homeira Foth, "The Melusine Myth" San José State University: sources, framework, history
★
Sir Walter Scott, ''Minstrelsy of the Scottish Border'' (e-text)
★
Huysmans, ''The Cathedral'' (e-text)
★
Wolfgang Goethe, ''Die Neue Melusine'' (in German)
★
Archives de littérature du Moyen Âge (Arlima): (in French) Bibliographies on Coudrette, Jean d'Arras, and the English Melusine
★
Melusina of Plaincourault a documentary video by
Carl P. Ruck
★
Melusine Images