(Redirected from Melodies):''This article is about melody in music. For other senses of this word, see
melody (disambiguation).''
In
music, a 'melody', also 'tune', 'voice', or 'line', is a series of
linear events or a
succession, not a
simultaneity as in a
chord (see
harmony). However, this succession must contain change of some kind and be perceived as a single entity (possibly
Gestalt) to be called a melody. Most specifically this includes patterns of changing
pitches and
durations, while most generally it includes any interacting patterns of changing events or
quality. "Melody is said to result where there are interacting patterns of changing events occurring in time."
[1]
Change is necessary for events "to be understood as related or unrelated." Melodies often consist of one or more musical
phrases,
motifs, and are usually repeated throughout a
song or
piece in various forms. Melodies may also be described by their
melodic motion or the pitches or the
intervals between pitches (predominantly conjuct or disjunct or with further restrictions), pitch range,
tension and release, continuity and coherence,
cadence, and shape. "Many extant explanations [of melody] confine us [sic] to specific stylistic models, and they are too exclusive."
What melody does
Melody gives a piece of music richness and character. Melody also helps the listener remember and identify music. In most cases, it is Melody that is the most memorable part.
Elements
The melodies in most European music written before the 20th century features recurring "events, often periodic, at all structural levels" and "recurrence of durations and patterns of durations" are also important in 20th century music.
While in the 20th century pitch includes "those aspects of sound that are classed as having highness or lowness" earlier music included almost exclusively sounds having "fixed and easily discernible frequency patterns" and composers have "utilized a greater variety of pitch resources than has been the custom in any other historical period of Western music." While materials from the
diatonic scale are still used, the
twelve-tone scale became "widely employed."
DeLone states
"The essential elements of any melody are duration, pitch, and quality
[timbre, texture, and loudness].".
However,
quality is not an ''essential'' element of melody, as the same melody is recognizable
when played with a wide variety of timbres, textures, and loudness.
Melodies in the 20th century where increasingly reliant "upon the qualitative dimensions" with those dimensions "in pre-twentieth century music were almost exclusively reserved for pitch and rhythm" such as being an "element of linear ordering" rather than a highlight to "the more predominant pitch and rhythmic aspects." See
Klangfarbenmelodie and
Musique concrète.
Examples
Different
musical styles use melody in different ways. For example:
★
Rock music,
melodic death/
power metal,
melodic music, and other forms of
popular music and
folk music tend to pick one or two melodies (
verse and
chorus) and stick with them; much variety may occur in the
phrasing and
lyrics. "Gino Stefani makes ''appropriation'' the chief criterion for his 'popular' definition of melody (Stefani 1987a). Melody, he argues, is music 'at hand'; it is that dimension which the common musical competence extracts (often with little respect for the integrity of the source), appropriates and uses for a variety of purposes: singing, whistling, dancing, and so on."
:
★ In western
classical music,
composers often introduce an initial melody, or
theme, and then create variations. Classical music often has several melodic layers, called
polyphony, such as those in a
fugue, a type of
counterpoint. Often melodies are constructed from
motifs or short melodic fragments, such as the opening of Beethoven's Fifth.
Richard Wagner popularized the concept of a ''
leitmotif'': a motif or melody associated with a certain idea, person or place.
★ While in both most
popular music and classical music of the
common practice period pitch and duration are of primary importance in melodies, the
contemporary music of the 20th and 21st centuries pitch and duration have lessened in importance and quality has gained importance, often primary. Examples include
musique concrete,
klangfarbenmelodie,
Elliott Carter's ''Eight Etudes and a Fantasy'' which contains a movement with only one note, the third movement of
Ruth Crawford-Seeger's ''
String Quartet 1931'' (later
reorchestrated as ''Andante for string orchestra'') in which the melody is created from an unchanging set of pitches through "dissonant dynamics" alone, and
György Ligeti's ''Aventures'' in which recurring
phonetics create the
linear form.
:

Melody from
Anton Webern's ''Variations for Orchestra'', Op. 30 (pp. 23-24)
★
Jazz musicians use the melody line, called the "lead" or "head", as a starting point for
improvisation.
★
Indian classical music relies heavily on melody and
rhythm, and not so much on
harmony as the above forms.
★
Balinese
gamelan music often uses complicated variations and alterations of a single melody played simultaneously, called
heterophony.
See also
★
Unified field
★
Parsons code, a simple notation used to identify a piece of music through
melodic motion—the motion of the
pitch up and down.
Further reading
★ Apel, Willi. ''Harvard Dictionary of Music'', 2nd edition, p.517-19. Includes "a capsule definition of melody." (Delone et al 1975, p.270)
★ Edwards, Arthur C. ''The Art of Melody'', p.xix-xxx. Includes "a catalog of sample definitions." (ibid)
★ Holst, Imogen. ''Tune'', Faber and Faber, London, 1962.
★ Smits van Waesberghe, J. ''A Textbook of Melody''. Includes "an attempt to formulate a theory of melody." (ibid)
References
1.
★ DeLone ''et al.'' (Eds.) (1975). ''Aspects of Twentieth-Century Music'', chap. 4, p.270-301. Englewood Cliffs, New Jersey: Prentice-Hall. ISBN 0-13-049346-5.
External links
★
Melodyhound: A Search Engine for Melodies
★
Tunespotting: Another Search Engine for Melodies
★
DoDoSoSo: Yet another Search Engine for Melodies
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Access to IMSLP 12 collections of 1000 melodies arranged for solo instrument, with melody-specific historical notes