A 'low-pass filter' is a
filter that passes low
frequency signals but
attenuates (reduces the
amplitude of) signals with frequencies higher than the
cutoff frequency. The actual amount of attenuation for each frequency varies from filter to filter. It is sometimes called a 'high-cut filter', or 'treble cut filter' when used in audio applications.
The concept of a low-pass filter exists in many different forms, including electronic circuits (like a ''hiss filter'' used in
audio), digital algorithms for smoothing sets of data, acoustic barriers, blurring of images, and so on. Low-pass filters play the same role in
signal processing that
moving averages do in some other fields, such as finance; both tools provide a smoother form of a signal which removes the short-term oscillations, leaving only the long-term trend.
Examples of low pass filters
Acoustic
A stiff physical barrier tends to reflect higher sound frequencies, and so acts as a low-pass filter for transmitting sound. When music is playing in another room, the low notes are easily heard, while the high notes are attenuated.
Electronic
Electronic low-pass filters are used to drive
subwoofers and other types of
loudspeakers, to block high pitches that they can't efficiently broadcast.
Radio transmitters use lowpass filters to block
harmonic emissions which might cause interference with other communications.
An
integrator is another example of a low-pass filter.
DSL splitters use low-pass and
high-pass filters to separate
DSL and
POTS signals sharing the same
pair of wires.
Low-pass filters also play a significant role in the sculpting of sound for
electronic music as created by analogue
synthesisers. ''See
subtractive synthesis.''
Ideal and real filters
An ideal low-pass filter completely eliminates all frequencies above the
cut-off frequency while passing those below unchanged. The transition region present in practical filters does not exist in an ideal filter. An ideal low pass filter can be realized mathematically (theoretically) by multiplying a signal by the
rectangular function in the frequency domain or, equivalently,
convolution with a
sinc function in the time domain.
However, the ideal filter is impossible to realize without also having signals of infinite extent, and so generally needs to be approximated for real ongoing signals, because the sinc function's support region extends to all past and future times. The filter would therefore need to have infinite delay, or knowledge of the infinite future and past, in order to perform the convolution. It is effectively realizable for pre-recorded digital signals by assuming extensions of zero into the past and future, but even that is not typically practical.
Real filters for
real-time applications approximate the ideal filter by truncating and
windowing the infinite impulse response to make a
finite impulse response; applying that filter requires delaying the signal for a moderate period of time, allowing the computation to "see" a little bit into the future. This delay is manifested as
phase shift. Greater accuracy in approximation requires a longer delay.
The
Whittaker–Shannon interpolation formula describes how to use a perfect low-pass filter to reconstruct a
continuous signal from a sampled
digital signal. Real
digital-to-analog converters use real filter approximations.
Electronic low-pass filters

The frequency response of a first-order filter
There are a great many different types of filter circuits, with different responses to changing frequency. The frequency response of a filter is generally represented using a
Bode plot.
★ A 'first-order filter', for example, will reduce the signal amplitude by half (about –6
dB) every time the frequency doubles (goes up one
octave). The magnitude Bode plot for a first-order filter looks like a horizontal line below the
cutoff frequency, and a diagonal line above the cutoff frequency. There is also a "knee curve" at the boundary between the two, which smoothly transitions between the two straight line regions. ''See
RC circuit.''
★ A 'second-order filter' does a better job of attenuating higher frequencies. The Bode plot for this type of filter resembles that of a first-order filter, except that it falls off more quickly. For example, a second-order
Butterworth filter will reduce the signal amplitude to one fourth its original level every time the frequency doubles (–12
dB per octave). Other second-order filters may roll off at different rates initially depending on their
Q factor, but approach the same final rate of –12 dB per octave. See
RLC circuit.
★ Third- and higher-order filters are defined similarly. In general, the final rate of rolloff for an n-order filter is 6n
dB per octave.
On any Butterworth filter, if one extends the horizontal line to the right and the diagonal line to the upper-left (the
asymptotes of the function), they will intersect at exactly the "cutoff frequency". The frequency response at the cutoff frequency in a first-order filter is –3
dB below the horizontal line. The various types of filters —
Butterworth filter,
Chebyshev filter,
Bessel filter, etc. — all have different-looking "knee curves". Many second-order filters are designed to have "peaking" or
resonance, causing their frequency response at the cutoff frequency to be ''above'' the horizontal line. ''See
electronic filter for other types.''
The meanings of 'low' and 'high' — that is, the
cutoff frequency — depend on the characteristics of the filter. The term "low-pass filter" merely refers to the shape of the filter's response; a high-pass filter could be built that cuts off at a lower frequency than any low-pass filter – it is their responses that set them apart. Electronic circuits can be devised for any desired frequency range, right up through microwave frequencies (above 1000 MHz) and higher.
Passive electronic realization

A passive low-pass filter showing impedances of the components
One simple
electrical circuit that will serve as a low-pass filter consists of a
resistor in series with a
load, and a
capacitor in parallel with the load. The capacitor exhibits
reactance, and blocks low-frequency signals, causing them to go through the load instead. At higher frequencies the reactance drops, and the capacitor effectively functions as a short circuit. The combination of resistance and capacitance gives you the
time constant of the filter
(represented by the Greek letter
tau). The break frequency, also called the turnover frequency or cutoff frequency (in hertz), is determined by the time constant:
or equivalently (in
radians per second):
One way to understand this circuit is to focus on the time the capacitor takes to charge. It takes time to charge or discharge the capacitor through that resistor:
★ At low frequencies, there is plenty of time for the capacitor to charge up to practically the same voltage as the input voltage.
★ At high frequencies, the capacitor only has time to charge up a small amount before the input switches direction. The output goes up and down only a small fraction of the amount the input goes up and down. At double the frequency, there's only time for it to charge up half the amount.
Another way to understand this circuit is with the idea of
reactance at a particular frequency:
★ Since
DC cannot flow through the capacitor, DC input must "flow out" the path marked
(analogous to removing the capacitor).
★ Since
AC flows very well through the capacitor — almost as well as it flows through solid wire — AC input "flows out" through the capacitor, effectively
short circuiting to ground (analogous to replacing the capacitor with just a wire).
It should be noted that the capacitor is not an "on/off" object (like the block or pass fluidic explanation above). The capacitor will variably act between these two extremes. It is the
Bode plot and
frequency response that show this variability.
Passive digital realization
A model of a simple digital implementation of a low-pass
RC filter is:
where:
:
is the current output value
:
is the previous output value
:
input value
:
is the time interval between samples
:
is the time constant
Active electronic realization

An active low-pass filter
Another type of electrical circuit is an ''active'' low-pass filter.
In this example, the cutoff frequency (in
hertz) is defined as:
or equivalently (in radians per second):
The gain in the passband is
, and the stopband drops off at −6 dB per octave, as it is a first-order filter.
Many times, a simple gain or attenuation amplifier (''See
operational amplifier'') is turned into a lowpass filter by adding the capacitor C. This decreases the frequency response at high frequencies and helps to avoid oscillation in the amplifier. For example, an audio amplifier can be made into a lowpass filter with cutoff frequency 100 kHz to reduce gain at frequencies which would otherwise oscillate. Since the audio band (what we can hear) only goes up to 20 kHz or so, the frequencies of interest fall entirely in the
passband, and the amplifier behaves the same way as far as audio is concerned.
Laplace notation
Continuous-time filters can also be described in terms of the
Laplace transform of their impulse response in a way that allows all of the characteristics of the filter to be easily analyzed by considering the pattern of poles and zeros of the Laplace transform in the complex plane (in discrete time, one can similarly consider the
Z-transform of the impulse response).
A first-order low-pass filter can be described in Laplace notation as
:
where ''s'' is the Laplace transform variable and ''τ'' is the filter
time constant.
See also
★
Digital filter: Another realization of a low-pass filter
★
High-pass filter
★
Band-stop filter
★
Band-pass filter
External links
★
Low-pass filter
★
Low-pass visual simulation
★
RC Filter Calculator
★
Cutoff frequency calculator
★
Low Pass Filter java simulator