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A 'light meter' is a device used to measure the amount of 'light'. In photography, a light meter is often used to determine the proper exposure for a photograph. Typically a light meter will include a computer, either digital or analogue, which allows the photographer to determine which shutter speed and f-number should be selected for an optimum exposure, given a certain lighting situation and film speed.
Light meters are also used in the fields of cinematography and scenic design, in order to determine the optimum light level for a scene. They are used in the general field of lighting, where they can help to reduce the amount of waste light used in the home, light pollution outdoors, and plant growing to ensure proper light levels.

Contents

Use in Photography

Exposure meter calibration

Exposure equations

Calibration constants

Calibrated reflectance

Cameras with internal meters

Exposure determination with a neutral test card

Use in illumination

Notes

References

See also

External links

Use in Photography

The earliest type of light meters were called extinction meters and contained a numbered or lettered row of neutral density filters of increasing density. The photographer would position the meter in front of their subject and note the filter with the greatest density which would still allowed incident light to pass through. The letter or number corresponding to the filter was used as an index into a chart of appropriate aperture and shutter speed combinations for a given film speed.
Extinction meters suffered from the problem that they depended on the light sensitivity of the human eye (which can vary from person to person) and subjective interpretation.
Later meters removed the human element and relied on technologies incorporating selenium, CdS, and silicon photosensors.

Selenium and silicon light meters use sensors that are photovoltaic. These sensors generate a voltage proportional to light exposure. Selenium sensors generate enough voltage for direct connection to a meter. Silicon sensors need an amplification circuit and require a power source such as batteries to operate. CdS light meters use a sensor based on photoresistance. These also require a battery to operate. Most modern light meters use silicon or CdS sensors. They indicate the exposure either with a needle galvanometer or on a LCD screen.
Many modern consumer still and video cameras include a built-in meter that measures a scene-wide light level and are able to make an approximate measure of appropriate exposure based on that. Professional photographers and motion picture cinematographers generally use handheld 'ambient-light meters' to precisely measure the light falling on various parts of their subjects and use suitable lighting to produce the desired exposure levels.
There are two general types of ambient-light meters: reflected-light and incident-light. Reflected-light meters measure the light reflected by the scene to be photographed. All in-camera meters are reflected-light meters. Reflected-light meters are calibrated to show the appropriate exposure for “average” scenes. An unusual scene with a preponderance of light colors or specular highlights would have a higher reflectance; a reflected-light meter taking a reading would incorrectly compensate for the difference in reflectance and lead to underexposure.
This pitfall is avoided by incident-light meters which measure the amount of light falling on the subject using an integrating sphere (usually, a translucent hemispherical plastic dome is used to approximate this). Because the incident-light reading is independent of the subject's reflectance, it is less likely to lead to incorrect exposures for subjects with unusual average reflectance. Taking an incident-light reading requires placing the meter at the subject's position and pointing it in the general direction of the camera, something not always achievable in practice, e.g., in landscape photography where the subject is at infinity.
Another way to avoid under- or over-exposure for subjects with unusual reflectance is to use a spot meter: a reflected-light meter that measures light in a very tight cone, typically with a one degree angle. An experienced photographer can take multiple readings over the shadows, midrange and highlights of the scene to determine optimal exposure, using systems like the Zone System. Many modern cameras include sophisticated multi-segment metering systems that measure the luminance of different parts of the scene and use various algorithms to determine optimal exposure.
When using orthochromatic black and white or infrared film that is not sensitive to the entire visible light spectrum, a light meter may require special filters and re-calibration to match the sensitivity of the film.
There are other types of specialized photographic light meters. Flash meters are used in flash photography to verify correct exposure. Color meters are used where high fidelity in color reproduction is required. Densitometers are used in photographic reproduction.

Exposure meter calibration

In most cases, an incident-light meter will cause a medium tone to be
recorded as a medium tone, and a reflected-light meter will cause
whatever is metered to be recorded as a medium tone. What
constitutes a “medium tone” depends on meter calibration and
several other factors, including film processing or digital image conversion.
Meter calibration establishes the relationship between subject lighting and
recommended camera settings. The calibration of photographic light meters is
covered by .

Exposure equations

For reflected-light meters, camera settings are related to ISO speed and
subject luminance by the reflected-light exposure equation:
:$$
rac {N^2} {t} = rac {L S} {K}

where

★ $N$ is the relative aperture (f-number)

★ $t$ is the exposure time (“shutter speed”)

★ $L$ is the average scene luminance

★ $S$ is the ISO linear speed

★ $K$ is the reflected-light meter calibration constant
For incident-light meters, camera settings are related to ISO speed and
subject illuminance by the incident-light exposure equation:
:$$
rac {N^2} {t} = rac {E S} {C}

where

★ $E$ is the illuminance

★ $C$ is the incident-light meter calibration constant

Calibration constants

Determination of calibration constants has been largely subjective;
states that

“The constants $K$ and $C$ shall be chosen by
statistical analysis of the results of a large number of tests carried out
to determine the acceptability to a large number of observers, of a number
of photographs, for which the exposure was known, obtained under various
conditions of subject manner and over a range of luminances.”

In practice, the variation of the calibration constants among manufacturers
is considerably less than this statement might imply, and values have
changed little since the early 1970s.
recommends a range for $K$
of 10.6 to 13.4 with
luminance in cd/m². Two values for $K$ are in common
use: 12.5 (Canon, Nikon, and
Sekonic^[1]) and 14 (Minolta and Pentax); the
difference between the two values is approximately 1/6
EV.
Common practice when calibration standards were first developed was to use
wide-angle averaging reflected-light meters. Although wide-angle average
metering has largely given way to other metering sensitivity patterns
(e.g., spot, center-weighted, and multi-segment), the values for
$K$ determined for wide-angle averaging meters have remained.
The incident-light calibration constant depends on the type of light
receptor. Two receptor types are common: flat (cosine-responding) and
hemispherical (cardioid-responding). With a flat receptor,
recommends a range for
$C$ of 240 to 400 with
illuminance in lux; a value of 250 is commonly used. A flat receptor
typically is used for measurement of lighting ratios, for measurement of
illuminance, and occasionally, for determining exposure for a flat subject.
For determining practical photographic exposure, a hemispherical receptor has
proven more effective. Don Norwood, inventor of incident-light exposure
meter with a hemispherical receptor, thought that a sphere was a reasonable
representation of a photographic subject; according to his patent, the
objective was

“to provide an exposure meter which is substantially uniformly
responsive to light incident upon the photographic subject from practically
all directions which would result in the reflection of light to the camera
or other photographic register.”

and the meter provided for

“measurement of the effective illumination obtaining at the position
of the subject.”

With a hemispherical receptor,
recommends a range for
$C$ of 320 to 540 with illuminance in lux; in practice, values
typically are between 320 (Minolta) and 340 (Sekonic). The relative
responses of flat and hemispherical receptors depend upon the number and type
of light sources; when each receptor is pointed at a small light
source, a hemispherical receptor with $C$ = 330 will indicate an
exposure approximately 0.40 step greater than that indicated by a flat
receptor with $C$ = 250. With a slightly revised definition of illuminance,
measurements with a hemispherical receptor indicate “effective scene
illuminance.”

Calibrated reflectance

It is commonly stated that reflected-light meters are calibrated to an 18%
(sometimes, 12%) reflectance, but the calibration has nothing to do with
reflectance, as should be evident from the exposure formulae. However,
some notion of reflectance is implied by a comparison of incident- and
reflected-light meter calibration.
Combining the reflected-light and incident-light exposure equations and
rearranging gives
:
Reflectance $zeta$ is defined as
:
A uniform perfect diffuser (i.e., one following Lambert's cosine law)
of luminance $L$ emits a flux density of
$pi$$L$; reflectance then is
:
Illuminance is measured with a flat receptor. It is straightforward to
compare an incident-light measurement using a flat receptor with a
reflected-light measurement of a uniformly illuminated flat surface of
constant reflectance. Using values of 12.5 for $K$ and 250 for
$C$ gives
:
With a $K$ of 14, the reflectance would be 17.6%, close to that
of a standard 18% neutral test card. In theory, an incident-light
measurement should agree with a reflected-light measurement of a test card
of suitable reflectance that is perpendicular to the direction to the
meter. However, a test card seldom is a uniform diffuser, so incident- and
reflected-light measurements might differ slightly.
In a typical scene, many elements are not flat and are at various
orientations to the camera, so that for practical photography, a
hemispherical receptor usually has proven more effective for determining
exposure. Using values of 12.5 for
$K$ and 330 for $C$ gives
:
With a slightly revised definition of reflectance, this result can be taken
as indicating that the average scene reflectance is approximately 12%. A
typical scene includes shaded areas as well as areas that receive direct
illumination, and a wide-angle averaging reflected-light meter responds to
these differences in illumination as well as differing reflectances of
various scene elements. Average scene reflectance then would be
:$mbox\{average\; scene\; reflectance\}\; =$
rac {mbox {average scene luminance} } {mbox {effective scene illuminance }}

where “effective scene illuminance” is that measured by a meter
with a hemispherical receptor.
calls for reflected-light calibration
to be measured by
aiming the receptor at a transilluminated diffuse surface, and for
incident-light calibration to be measured by aiming the receptor at a point
source in a darkened room. For a perfectly diffusing test card and
perfectly diffusing flat receptor, the comparison between a reflected-light
measurement and an incident-light measurement is valid for any position of
the light source. However, the response of a hemispherical receptor to an
off-axis light source is approximately that of a cardioid rather than a
cosine, so the 12% “reflectance” determined for an
incident-light meter with a hemispherical receptor is valid only when the
light source is on the receptor axis.

Cameras with internal meters

Calibration of cameras with internal meters is covered by
;
nonetheless, many manufacturers specify (though seldom state) exposure
calibration in terms of $K$, and many calibration instruments
(e.g., Kyoritsu-Arrowin multi-function camera testers^[2] ) use the specified
$K$ to set the test parameters.

Exposure determination with a neutral test card

If a scene differs considerably from a statistically average scene, a
wide-angle averaging reflected-light measurement may not indicate the
correct exposure. To simulate an average scene, a substitute measurement
sometimes is made of a neutral test card, or ''gray card''.
The instructions for a Kodak neutral test card recommend that the indicated
exposure be increased by ½ step for a frontlighted scene in
sunlight. The instructions also recommend that the test card be held
vertically and faced in a direction midway between the Sun and the camera;
similar directions are also given in the ''Kodak Professional Photoguide''.
The combination of exposure increase and the card orientation gives
recommended exposures that are reasonably close to those given by an
incident-light meter with a hemispherical receptor when metering with an
off-axis light source.
In practice, additional complications may arise. Many neutral test cards
are far from perfectly diffuse reflectors, and specular reflections can
cause increased reflected-light meter readings that, if followed, would
result in underexposure. It is possible that the neutral test card
instructions include a correction for specular reflections.

Use in illumination

Light meters or light detectors are also used in illumination. Their purpose is to measure the illumination level in the interior and to switch off or reduce the output level of luminaires. They can greatly reduce the energy burden of the building by significantly increasing the efficiency of lighting system. It is known, that 20 to 60 percent of all electrical power in a building is consumed by illumination. It is therefore recommended to use light meters in lighting systems especially in rooms, where one cannot expect users to pay attention to manual switching off the lights. These are: hallways, stairs, big halls etc.
There are, however, significant obstacles to overcome in order to achieve a successful implementation of light meters in lighting systems, of which user-acceptance is by far the most formidable. Unexpected or too frequent switching and too bright or too dark rooms are very annoying and disturbing for users of the rooms. Therefore, different switching algorithms have been developed:

★ difference algorithm, where light switch on lower light level than they switch off, thus taking care that the difference between the light level of the 'on' state and 'off' state is not too big

★ time delay algorithms:

★
★ certain amount of time must pass since the last switch

★
★ certain amount of time of sufficient illumination.

Notes

1. Specifications for Sekonic light meters are available on
the Sekonic web site under
“Products.”
2. Specifications
for Kyoritsu testers are available on the
C.R.I.S. Camera Services web site under
“kyoritsu test equipment.”

References

★ Eastman Kodak Company. Instructions for Kodak Neutral Test Card, 453-1-78-ABX. Rochester: Eastman Kodak Company

★ Eastman Kodak Company. 1992. ''Kodak Professional Photoguide''. Kodak publication no. R-28. Rochester: Eastman Kodak Company

★ ISO 2720:1974. ''General Purpose Photographic Exposure Meters (Photoelectric Type)—Guide to Product Specification''. International Organization for Standardization

★ ISO 2721:1982. ''Photography — Cameras — Automatic controls of exposure''. International Organization for Standardization

★ Norwood, Donald W. 1938. Exposure Meter. US Patent 2,214,283, filed 14 November 1938, and issued 10 September 1940

See also

★ Light value

★ Lighting design

★ Photometry (optics) Main Photometry/Radiometry article - explains technical terms

★ Photomultiplier tube

★ PIN diode

★ Radiometer

External links

★ Meters Don't See 18% Gray An article suggesting that photographic light meters are calibrated for 12% average reflectance.

★ Exposure Metering: Relating Subject Lighting to Film Exposure (PDF) A discussion of meter calibration and its practical effects.

★ A Kodak guide to Estimating Luminance and Illuminance using a camera's exposure meter. Also available in PDF.