LIBERTY LEADING THE PEOPLE

'''Liberty Leading the People''' () is a painting by Eugène Delacroix commemorating the Paris Revolt of 1830 in the centre of Paris, which toppled Charles X. A woman personifying Liberty leads the people forward over the bodies of the fallen, holding the ''tricolore'' flag of the French Revolution in one hand and brandishing a bayonetted musket with the other.

Contents

Painting

Political use

Legacy

References

Bibliography

Painting

Delacroix painted his work in the autumn of 1830. In a letter to his brother dated 12 October, he wrote: "My bad mood is vanishing thanks to hard work. I’ve embarked on a modern subject – a barricade. And if I haven’t fought for my country at least I’ll paint for her." The painting was first exhibited at the official Salon of May 1831. Delacroix rejected the norms of Academism in favor of Romantism.
He depicted Liberty as both an allegorical goddess-figure and a robust woman of the people, an approach that contemporary critics denounced as "ignoble". The mound of corpses acts as a kind of pedestal from which Liberty strides, barefoot and bare-breasted, out of the canvas and into the space of the viewer. In an academic painting, Liberty would stand on a real pedestal, look forward, would be better centered in the painting, and would hold an unschredded flag. The Phrygian cap she wears had come to symbolise liberty during the French Revolution of 1789.
The fighters are from a mixture of a classes, ranging from the bourgeoisie, represented by the young man in a top hat, to the lower classes, as exemplified by the boy holding pistols. What they have in common is the fierceness and determination in their eyes. Aside from the flag held by Liberty, a second, minute ''tricolore'' can be discerned in the distance flying from the towers of Notre Dame.
The identity of the man in the top hat has been widely debated. The suggestion that it was a self-portrait by Delacroix has been discounted by modern art historians ^[1]. In the late 19th century, it was suggested the model was the theatre director Etienne Arago, but there is no firm consensus on this point.
The kid with the gun, at the right of the allegorical Liberty, would be Victor Hugo's inspiration for Gavroche in ''Les Misérables'', who would die on the barricades on June 1832 during the July Monarchy.

Political use

The French government bought the painting for 3,000 francs with the intention of displaying it in the throne room of the Palais du Luxembourg as a reminder to the "citizen-king" Louis-Philippe of the July Revolution, through which he had come to power. This plan did not come to fruition and the canvas was hung in the Palace museum for a few months before being taken down for its inflammatory political message. Delacroix was permitted to send the painting to his aunt Felicité for safekeeping. It was exhibited briefly in 1848 and then in the Salon of 1855. In 1874, the painting entered the Louvre.

Legacy

The posture (though not the attire) of the figure in the painting suggests that of the Statue of Liberty, designed by French sculptor Frédéric Bartholdi in the 1880s.
An engraved rendering of this painting, along with an engraving of Delacroix himself, was featured on the 100 franc note in the early 1990s.

References

1. Toussaint, Hélene, (1982). ''La Liberté guidant le peuple de Delacroix''. Paris: Editions de la Réunion des Musées Nationaux

Bibliography

★ Prideaux, Tom, etc. (1972). ''The World of Delacroix''. United States: Time Life.

★ Toussaint, Hélene, (1982). ''La Liberté guidant le peuple de Delacroix''. Paris: Editions de la Réunion des Musées Nationaux.