LEOPOLD MOZART

Leopold Mozart

'Johann Georg Leopold Mozart' (November 14, 1719May 28, 1787) was a composer, music teacher and violinist. He was born in the city of Augsburg (Germany), and was legally a citizen of the Diocese of Salzburg (now in Austria), but spent much of his time in Vienna, Austria, (all within the Holy Roman Empire). He is best known today for being the father and teacher of Wolfgang Amadeus Mozart, as well as writing the well-known book, ''Versuch einer gründlichen Violinschule'', but in his time, Leopold Mozart was well-known for his own musical compositions.

Contents
Biography
Musical works
Relationship with children and others
References
External links

Biography


Memorial plaque dedicated to Leopold Mozart and Wolfgang Amadeus Mozart at Hauenschild's house in Lower square in Olomouc (Czech Republic)

Leopold Mozart was the son of a bookbinder. He studied theology at Salzburg University and did quite well until his expulsion in 1739. He then became more interested in music, becoming a violinist and valet to one of the university's canons, Count Thurn and Taxis, in 1740. In 1747 he married Anna Maria Pertl, who bore him seven children, although only two of them survived: Maria Anna Wallburga Ignatia (called "Nannerl") and Joannes Chrysostomous Wolfgangus Theophilus Mozart (who would later in life change his name to Wolfgang Amadé Mozart). In 1756, the same year as Wolfgang Amadeus' birth, Leopold wrote his ''Versuch einer gründlichen Violinschule'', a comprehensive treatise on violin playing. Today, this is one of the primary sources on performance practice in the 18th century, along with Johann Joachim Quantz's ''Versuch einer Anweisung die Flöte traversière zu spielen'' (on flute playing) and Carl Philipp Emanuel Bach's ''Versuch über die wahre Art das Clavier zu spielen'' (on keyboard playing).
Leopold Mozart devoted much of his later life to developing and supporting the talents of his two surviving children, doing so at the expense of his own work.

Musical works


Leopold Mozart's music is inevitably overshadowed by the work of his son Wolfgang, but his ''Cassation in G for Orchestra and Toys'' (Toy Symphony), once attributed to Joseph Haydn, remains popular, and a number of symphonies, a trumpet concerto, and other works also survive. He was much concerned with a naturalistic feel to his compositions, his ''Jagdsinfonie'' (or ''Sinfonia da Caccia'' for 4 horns and Strings) calls for dogs and shotguns, and his ''Bauernhochzeit'' (Peasant Wedding) includes bagpipes, hurdy-gurdy, a dulcimer, whoops and whistles (ad. lib.), and pistol shots.
Most critics would agree that he reached a high point of his creativity around 1760. After that, the amount of time he put into composing as well as teaching violin gradually decreased until 1771, when he wrote his last composition. He did, however still concentrate on his job as ''Kappellmeister'' as well as many of his and his son's concerts all around the world. He did however mention that he hated those in a letter to his daughter. He wrote, ''"Every day there are concerts; and the whole time is given up to teaching, music, composing and so forth. I feel rather out of it all. If only the concerts were over! It is impossible for me to describe the rush and bustle."''[1][2]
His oeuvre was extensive but it is hard to establish either the scope or the quality of it; much is lost and it is not known how representative the surviving works are of his overall output. Some of his work was erroneously attributed to Wolfgang and some pieces attributed to Leopold were subsequently shown to be the work of Wolfgang. Much of what survives is light music but some more significant work survives including his ''Sacrament Litany in D'' (1762) and three piano sonatas, all published in his lifetime.

Relationship with children and others


Mozart was often characterised as being unpleasant by others working with him, particularly those in the chapel where he was ''Kappellmeister''. His relations with his wife and his two children were also criticized, particularly with his son Wolfgang. It is said that he was exploiting his son as well as profiting from and commercializing his incredible musical talents. In Wolfgang's early years, there was definite influence of his father on his first compositions.
Leopold believed that Wolfgang was a miracle of God and that he was given the duty by God to educate him and show his talents to the whole world. Once he described his son as ''"The miracle which God let be born in Salzburg."'' After numerous arguments, there was a split between father and son. After that, their relations improved but they started to regard themselves as fellow musicians rather than father and son.[3][4][5]

References


1. Boerner, Steve. "The Mozart Project: Leopold Mozart." 10 May 2006. The Mozart Project. 10 May 2006 [1].
2. "The Mozart Experience: Biography: Leopold Mozart." 10 May 2006 [2].
3. Boerner, Steve. "The Mozart Project: Leopold Mozart." 10 May 2006. The Mozart Project. 10 May 2006 [3].
4. "Mozart, (Johann Georg) Leopold. "Micropædia: Encyclopædia Britannica. 15th ed. 1995.
5. "Mozart."Macropædia: Encyclopædia Britannica. 15th ed. 1995.

External links



A French Edition of Leopold Mozart's Violinschule



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