LAURENCE HARVEY

'Laurence Harvey' (October 1, 1928 – November 25, 1973) was an Academy Award-nominated Lithuanian-born actor who achieved fame in British and American films.

Contents

Early Life & Career

International Stardom

Decline

Private Life

Filmography

Books about Laurence Harvey

Footnotes

External links

Early Life & Career

Laurence Harvey maintained throughout his life that his birth name was 'Laruschka Mischa Skikne', but his real name was 'Zvi Mosheh (Hirsh) Skikne' and he was called 'Hirshkeh' by his family. He was the youngest of three boys born to Ber "Boris" and Ella Skikne, a Jewish family in the town of Joniškis, Lithuania. At the age of five he emigrated with his family to South Africa where he took on the English name of 'Harry'.
He grew up in Johannesburg, and was in his teens when he served with the entertainment unit of the South African Army during World War II. After moving to London, England, he enrolled in the Royal Academy of Dramatic Art where he became known as 'Larry'. After learning his craft at RADA, he began to perform on stage and film, where he adopted the stage name "Laurence Harvey", taken either from the shop name Harvey Nichols or from Harvey's Bristol Cream.
He made his cinema debut in the British film ''House of Darkness'' (1948) but didn't really establish himself in British cinema until 1954, when he appared with Rex Harrison and George Sanders in ''King Richard and the Crusaders'' (1954) and as Romeo in Renato Castellani's adaptation of William Shakespeare's ''Romeo and Juliet'', which featured John Gielgud. This enabled him to break out of the "ghetto" of British films and get his first experience of Hollywood. He was cast as the gay writer Christopher Isherwood in ''I Am A Camera'' (1955), opposite Julie Harris as Sally Bowles. He also appeared on American TV and on Broadway, making his Broadway debut in 1955 in the play ''Island of Goats'', a flop which closed after one week, though his performance won Harvey a 1956 Theatre World Award.

Harvey appeared twice more on Broadway, in 1957 with Julie Harris, Pamela Brown, and Colleen Dewhurst in William Wycherley's ''The Country Wife'', and as Shakespeare's ''Henry V'' in 1959, as part of the Old Vic company, which featured a young Judi Dench as Katherine, the Daughter of King of France.

International Stardom

Harvey's breakthrough to international stardom came in 1959 when he was cast by director Jack Clayton as the social climber Joe Lampton in ''Room at the Top'' produced by British film producing brothers Sir John Woolf and James Woolf of Romulus Films and Remus Films. For his performance, Harvey received a nomination for a BAFTA Award and for an Academy Award for Best Actor, the first person of Lithuanian descent to be nominated for an acting Oscar.
Harvey was now a star. He was cast in the role that had made Peter O'Toole famous in the West End in the movie version of ''The Long and the Short and the Tall'' (1961) as O'Toole had yet to establish himself as a cinema star and Harvey was more "bankable". During the 1950s and 1960s, Harvey appeared in several major films, including ''BUtterfield 8'' (1960), John Wayne's epic ''The Alamo'' (1960), ''Walk on the Wild Side'' (1962) with Barbara Stanwyck, Jane Fonda and Capucine, the film adaptation of Tennessee Williams's ''Summer and Smoke'' (1961) with Geraldine Page, and ''Darling'' (1965) with Julie Christie. In this period, he also appeared as Raymond Shaw, the epoymous ''The Manchurian Candidate'' (1962), the role for which he is best known.
Harvey played King Arthur in the London staging of the Alan Jay Lerner and Frederick Loewe musical ''Camelot'', in 1964 at Drury Lane. He became very good friends with Elizabeth Taylor and his ''Manchurian Candidate'' co-star Frank Sinatra, and was a member in good standing of high society, then dubbed "The Jet Set". Like Joe Lampton, he had made it to the top.
In the period of 1959-65, Harvey had the distinction of appearing opposite three actresses who won the Academy Award for their performances: Simone Signoret in ''Room at the Top'', Elizabeth Taylor in ''BUtterfield 8'', and Julie Christie in ''Darling''. In all three roles, he established his star persona of being a first-class heel. (Geraldine Page, his co-star in ''Summer and Smoke'', was also nominated for a Best Actress Oscar but did not win.)

Decline

Harvey reprised his Oscar-nominated role as Joe Lampton in ''Life at the Top'' (1965), but the film was not a success. Audiences in the mid-1960s were changing, in tune with the culture at large. Audiences now embraced the humorous amorality of Michael Caine's ''Alfie'' (1966) and rejected the humorless Joe Lampton, who hearkened back to the "Kitchen Sink Dramas" that has dominated British popular culture since John Osborne's ''Look Back in Anger'' in 1956. Just as ''Look Back in Anger'' signalled a shift in culture, "Darling" and "Alfie" were bellwethers of a new generation who were ready to have it all, on their own terms, with just a modicum of angst demanded by motion picture morality. Harvey belonged to a generation, the youngest members of the generation that had fought the Second World War, that was quickly being supplanted.
In 1968, in settlement of a dispute with Woodfall Films over the rights to ''The Charge of the Light Brigade'' (1968), Woodfall cast him in their version as a Russian prince. He performed as cast, but was never seen as the Prince in the finished film.^[1] The only part of his performance remaining in the final cut is a brief appearance of him in the background of one shot, as an anonymous member of a theater audience.
Harvey's career began to decline after the mid-1960s. The 1964 remake of W. Somerset Maugham's ''Of Human Bondage'' was a failure, as was ''The Outrage'' (1964), director Martin Ritt's remake of Akira Kurosawa's classic ''Rashomon'', despite the presence of cinema superstar Paul Newman. His turn in ''Darling'' essentially was a supporting role. Bereft of a choice of better roles, Harvey returned to Britain to make the comedy ''The Spy with a Cold Nose'' (1966). His last hurrah was his appearance in the spy thriller ''A Dandy in Aspic'' (1968), which he helmed after director Anthony Mann died during shooting. After that, it was mostly exile in foreign productions, TV and an occassional supporting role in a major production. A promising project, Orson Welles' ''The Deep'' (1970) with Jeanne Moreau, was never finished.

Private Life

It is indisputable from numerous accounts that Laurence Harvey was bisexual. In his account of being Frank Sinatra's valet, ''Mr. S: My Life with Frank Sinatra'', George Jacobs writes that Harvey often made passes at him while visiting Sinatra. Sinatra knew that Harvey was gay, but did not mind, joking that he had the handicap of being both gay, a Jew and a "Polak" (sic), so everyone should go easy on him. British actor John Fraser writes in his 2004 memoir ''Close Up'' that Harvey was gay, and his lover was his manager James Woolf.

As a teenager, he started out living with Hermione Baddeley, a blowsy star of intimate revue more than twice his age. Then he married Margaret Leighton, six years Harvey's senior. When this marriage was over, he married Joan Cohn, widow of Harry Cohn, managing director of Columbia Studios. Throughout all these career marriages, he still managed to string Jimmy Woolf along.

Harvey was married three times, to actress Margaret Leighton in 1957, whom he divorced in 1961, and to Joan Perry Cohn in 1968, the very rich widow of movie mogul Harry Cohn of Columbia Pictures, and to Paulene Stone. Harvey had met Stone on the set of "A Dandy in Aspic", and he became a father for the first time while married to Joan Perry Cohn when Stone gave birth to a daughter in 1969. Eventually, Harvey divorced Joan Perry Cohn and married Stone in 1972.

Paulene Stone became Laurence Harvey's widow when he died from stomach cancer at age of 45. Their daughter Domino Harvey (1969-2005) won renkown as a bounty hunter.

Filmography

★ 1948 House of Darkness

★ 1948 The Dancing Years

★ 1949 The Man from Yesterday

★ 1949 Man on the Run

★ 1949 Landfall

★ 1950 The Black Rose

★ 1950 Cairo Road

★ 1951 Scarlet Thread

★ 1951 There is Another Sun

★ 1952 A Killer Walks

★ 1952 I Believe in You

★ 1953 Knights of the Round Table

★ 1953 Women of Twilight

★ 1953 Innocents in Paris

★ 1954 The Good Die Young

★ 1954 King Richard and the Crusaders

★ 1954 Romeo and Juliet

★ 1955 I Am a Camera

★ 1955 Storm Over the Nile

★ 1956 Three Men in a Boat

★ 1957 After the Ball

★ 1957 The Truth About Women

★ 1958 The Silent Enemy

★ 1959 Room at the Top

★ 1960 Expresso Bongo

★ 1960 The Alamo

★ 1960 BUtterfield 8

★ 1961 The Long and the Short and the Tall

★ 1961 Two Loves

★ 1961 Summer and Smoke

★ 1962 Walk on the Wild Side

★ 1962 The Wonderful World of the Brothers Grimm

★ 1962 The Manchurian Candidate

★ 1962 A Girl named Tamiko

★ 1963 The Running Man

★ 1963 The Ceremony

★ 1964 Of Human Bondage

★ 1964 The Outrage

★ 1965 Darling

★ 1965 Life at the Top

★ 1966 The Spy with a Cold Nose

★ 1968 The Winter's Tale

★ 1968 A Dandy in Aspic

★ 1969 The Magic Christian

★ 1970 WUSA

★ 1972 Escape to the Sun

★ 1973 Night Watch

★ 1974 Welcome to Arrow Beach

Books about Laurence Harvey

★ Hickey, Des and Smith, Gus. ''The Prince: The Public and Private Life of Laurence Harvey''. Leslie Frewin. 1975.

★ Stone, Paulene. ''One Tear is Enough: My Life with Laurence Harvey''. 1975.

★ Sinai, Anne. ''Reach for the Top: The Turbulent Life of Laurence Harvey''. Scarecrow Press. 2003.

Footnotes

1. John Osborne, who wrote the screenplay, alleges in his autobiography that Tony Richardson shot those scenes "French", which is movie jargon for a director going through the motions because of some obligation, but with no film in the camera. source: ''Almost a Gentleman'' by John Osborne: Faber & Faber 1991, ISBN 0-571-16635-0; page 146

External links

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★ BFI Screenonline

★ Britmovie