KOBZAR

A 'Kobzar' (, pl. ''kobzari'') was a Ukrainian itinerant Cossack bard. Kobzars were sometimes blind, but kobzardom became the domain of the blind, stereotypically, by the early nineteenth century. ''Kobzar'' literally means ‘kobza player’, a Ukrainian stringed instrument of the lute family, and more broadly—a perfomer of the material associated with the kobzar tradition.
The kobzar tradition was established during the Hetmanate Era around the sixteenth century in Ukraine. Kobzars accompanied their singing with a kobza, bandura or lira. After the abolition of the Hetmanate by Empress Catherine II of Russia the apellation "kobzar" was applied to all itinerant blind singers. Their repertoire included epic poems known as dumas. The stereotypical kobzar of the nineteenth century was usually blind. In Ukraine, kobzars were organized in Guilds, known as Kobzars'kyj Tsekh and had to undergo a rigorous apprenticeship (usually three years in length) before undergoing the first set of open examinations before becoming a kobzar. These guilds were similar to Orthodox Church brotherhoods in which each guild was associated with a specific church. These guilds then would take care of one church icon or purchase new religious ornaments for their affiliated church (Kononeko, p. 568–9). The members of these guilds thought of themselves as orally spreading knowledge about Orthodoxy by reciting the dumy that they knew. However the Orthodox Church was often suspicious of and occasionally even hostile to kobzars who were seen as God's Eyes and possessed greater moral authority among the people.
The institution of the kobzardom essentially ended in the Ukrainian SSR in the mid 1930s, when authentic kobzar performance was replaced with stylized performances of folk and classical music utilising the bandura.
In recent times there has been an interest in reviving of authentic kobzar traditions which is marked by the re-establishing the Kobzar Guild as a school of historical Ukrainian performance practice.
At the turn of the nineteenth century there were three regional kobzar schools: Chernihiv, Poltava, and Slobozhan, each with some differences in repertoire and playing style.
''Kobzar'' is also a seminal book of poetry by Taras Shevchenko, the great national poet of Ukraine.

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References

★ Kononenko, Natalie O. “The Influence of the Orthodox Church on Ukrainian Dumy.” ''[Slavic Review]]'' 50 (1991): 566–75.

See also

Blind musicians

External links

★ ''Kobzar'' at Encyclopedia of Ukraine

★ ''National Union of the Ukrainian Kobzars'' official site (in Ukrainian)