 | Legends of Hockey - Johnny Bower -DayWalk3r John William Bower (The China Wall) (born November 8, 1924) is a Hockey Hall of Fame goalie. Born in Prince Albert, Saskatchewan, Bower served with the Canadian Army during World War II in England from 1940 to 1944 and was discharged due to rheumatoid arthritis. Bower returned to Prince Albert to play junior hockey with the Prince Albert Black Hawks (SJHL - 1944-1945) and in the AHL — largely for the Cleveland Barons — for eleven seasons in the late 1940s and 1950s, and proved himself the star goaltender of the circuit, winning numerous awards and leading his teams to three Calder Cup championships. |
 | Cult of the Suicide Bomber II - Clip 1 For twenty years Robert Baer worked in the Middle East as an agent for the CIA's Directorate of Operations. In this fascinating two-part Channel 4 documentary series Robert Baer returns to investigate the rise of Western and female suicide bombers in a new sequel Cult of the Suicide Bomber II and finds out why the 'virus' of the cult of the suicide bomber has attracted a new generation of ever more deadly adherents, Westerners and women. From the grim back streets of Beeston in Leeds - where the 7/7 bombers came from - to the Syrian capital Damascus, to the misery of the Gaza Strip, to the suffocating confines of the world's only jail for failed female suicide bombers, Baer uncovers the psychology and motivation of individual bombers. Westerners Credits: Produced/Directed -- Kevin Toolis Associate Director - Dominic Ozanne Camera - Lawrence Gardner Film Editor - John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Managers - Michelle Ross-Stanton and Zoe Brooker Research -- Muddassar Ahmed, Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Mario Cacciottolo, Charlotte Cook, Jemma Gander, Sam Goss, Naomi Leach and Miriam Rowe Women Credits: Produced/Directed -- Dominic Ozanne & Kevin Toolis Camera - Lawrence Gardner, David Batty Film Editors - James Calderwood and John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Manager -- Michelle Ross-Stanton Post-Production Supervisor -- Zoe Brooker Research -- Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Jemma Gander and Naomi Leach |
 | Cult of the Suicide Bomber II - Clip 2 For twenty years Robert Baer worked in the Middle East as an agent for the CIA's Directorate of Operations. In this fascinating two-part Channel 4 documentary series Robert Baer returns to investigate the rise of Western and female suicide bombers in a new sequel Cult of the Suicide Bomber II and finds out why the 'virus' of the cult of the suicide bomber has attracted a new generation of ever more deadly adherents, Westerners and women. From the grim back streets of Beeston in Leeds - where the 7/7 bombers came from - to the Syrian capital Damascus, to the misery of the Gaza Strip, to the suffocating confines of the world's only jail for failed female suicide bombers, Baer uncovers the psychology and motivation of individual bombers. Westerners Credits: Produced/Directed -- Kevin Toolis Associate Director - Dominic Ozanne Camera - Lawrence Gardner Film Editor - John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Managers - Michelle Ross-Stanton and Zoe Brooker Research -- Muddassar Ahmed, Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Mario Cacciottolo, Charlotte Cook, Jemma Gander, Sam Goss, Naomi Leach and Miriam Rowe Women Credits: Produced/Directed -- Dominic Ozanne & Kevin Toolis Camera - Lawrence Gardner, David Batty Film Editors - James Calderwood and John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Manager -- Michelle Ross-Stanton Post-Production Supervisor -- Zoe Brooker Research -- Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Jemma Gander and Naomi Leach |
 | Cult of the Suicide Bomber II - Clip 3 For twenty years Robert Baer worked in the Middle East as an agent for the CIA's Directorate of Operations. In this fascinating two-part Channel 4 documentary series Robert Baer returns to investigate the rise of Western and female suicide bombers in a new sequel Cult of the Suicide Bomber II and finds out why the 'virus' of the cult of the suicide bomber has attracted a new generation of ever more deadly adherents, Westerners and women. From the grim back streets of Beeston in Leeds - where the 7/7 bombers came from - to the Syrian capital Damascus, to the misery of the Gaza Strip, to the suffocating confines of the world's only jail for failed female suicide bombers, Baer uncovers the psychology and motivation of individual bombers. Westerners Credits: Produced/Directed -- Kevin Toolis Associate Director - Dominic Ozanne Camera - Lawrence Gardner Film Editor - John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Managers - Michelle Ross-Stanton and Zoe Brooker Research -- Muddassar Ahmed, Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Mario Cacciottolo, Charlotte Cook, Jemma Gander, Sam Goss, Naomi Leach and Miriam Rowe Women Credits: Produced/Directed -- Dominic Ozanne & Kevin Toolis Camera - Lawrence Gardner, David Batty Film Editors - James Calderwood and John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Manager -- Michelle Ross-Stanton Post-Production Supervisor -- Zoe Brooker Research -- Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Jemma Gander and Naomi Leach |
 | Cult of the Suicide Bomber II - Clip 4 For twenty years Robert Baer worked in the Middle East as an agent for the CIA's Directorate of Operations. In this fascinating two-part Channel 4 documentary series Robert Baer returns to investigate the rise of Western and female suicide bombers in a new sequel Cult of the Suicide Bomber II and finds out why the 'virus' of the cult of the suicide bomber has attracted a new generation of ever more deadly adherents, Westerners and women. From the grim back streets of Beeston in Leeds - where the 7/7 bombers came from - to the Syrian capital Damascus, to the misery of the Gaza Strip, to the suffocating confines of the world's only jail for failed female suicide bombers, Baer uncovers the psychology and motivation of individual bombers. Westerners Credits: Produced/Directed -- Kevin Toolis Associate Director - Dominic Ozanne Camera - Lawrence Gardner Film Editor - John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Managers - Michelle Ross-Stanton and Zoe Brooker Research -- Muddassar Ahmed, Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Mario Cacciottolo, Charlotte Cook, Jemma Gander, Sam Goss, Naomi Leach and Miriam Rowe Women Credits: Produced/Directed -- Dominic Ozanne & Kevin Toolis Camera - Lawrence Gardner, David Batty Film Editors - James Calderwood and John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Manager -- Michelle Ross-Stanton Post-Production Supervisor -- Zoe Brooker Research -- Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Jemma Gander and Naomi Leach |
 | David Shuster lies for Barack Obama on Hardball (August 14, 2008) While filling in for regular host Chris Matthews, a dissembling David Shuster interviews Darragh Murphy and William Bower of PUMA/Just Say No Deal. The interview Shuster and MSNBC conducted was a travesty replete with the repeated falsehood that Barack Obama had more people vote for him than did Hillary Clinton during the Democratic primaries. |
 | Cult of the Suicide Bomber II - Clip 5 For twenty years Robert Baer worked in the Middle East as an agent for the CIA's Directorate of Operations. In this fascinating two-part Channel 4 documentary series Robert Baer returns to investigate the rise of Western and female suicide bombers in a new sequel Cult of the Suicide Bomber II and finds out why the 'virus' of the cult of the suicide bomber has attracted a new generation of ever more deadly adherents, Westerners and women. From the grim back streets of Beeston in Leeds - where the 7/7 bombers came from - to the Syrian capital Damascus, to the misery of the Gaza Strip, to the suffocating confines of the world's only jail for failed female suicide bombers, Baer uncovers the psychology and motivation of individual bombers. Westerners Credits: Produced/Directed -- Kevin Toolis Associate Director - Dominic Ozanne Camera - Lawrence Gardner Film Editor - John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Managers - Michelle Ross-Stanton and Zoe Brooker Research -- Muddassar Ahmed, Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Mario Cacciottolo, Charlotte Cook, Jemma Gander, Sam Goss, Naomi Leach and Miriam Rowe Women Credits: Produced/Directed -- Dominic Ozanne & Kevin Toolis Camera - Lawrence Gardner, David Batty Film Editors - James Calderwood and John Moratiel Music -- William Bower, Ben Bower and Ben Muscat Production Manager -- Michelle Ross-Stanton Post-Production Supervisor -- Zoe Brooker Research -- Ashraf El-Amreeti, Ranu Bhullar, Yara Borgal, Jemma Gander and Naomi Leach |
 | Die Hard 2(1990) "DIE HARDER." The Trailer For Die Hard 2 Starring Bruce Willis, Bonnie Bedelia, William Atherton, William Sadler, Reginald VelJohnson, Franco Nero, John Amos, Dennis Franz, Art Evans, Fred Dalton Thompson, Tom Bower, Sheila McCarthy, Don Harvey, Tony Ganios, Peter Nelson, And Tom Everett. Directed By Renny Harlin. A Fairly Underrated Movie In My Opinion. It's Just As Action Packed As The First,And I Actually Enjoy It More Than With A Vengeance..But Just By A Little Bit.. |
 | 11th Hour part 2 John, a rather smug demon hunter, finds himself in the middle of a new battle in the war between Heaven and Hell that threatens to claim not only his life, but the life of his closest friend, a herion addicted priest. This is part 2 of a two part short film. Watch part 1 first or you'll be confused (17 minutes total length) This is my first short film with CPCC's film department (charlotte, nc). It was made for about $150. Someone give me a budget :-) |
 | 11th Hour part 1 John, a rather smug demon hunter, finds himself in the middle of a new battle in the war between Heaven and Hell that threatens to claim not only his life, but the life of his closest friend, a herion addicted priest. This is part 1 of a two part short film. (17 minutes total length) This is my first short film with CPCC's film department (charlotte, nc). It was made for about $150. Someone give me a budget :-) Please check out part 2(http://www.youtube.com/watch?v=ZBfCZVkhP-w). There's a fun fight scene :-) |
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 | Home and Garden - Fix My Horn - live Village Voice: Froth Typing* By William Bowers Yuck, I know—skimming an earnest vouch for a Pere-Ubu-hiatus placeholding project risks briefly unsexying yr best summer ever, but please indulge my froth-typing about an awesome track that should be a dance-night staple in every straw village where the anxious scene kids staff restaurants for the self-possessed college kids' bankcards. Warning, spoiler ahead: the awesome song is called "From The Life Of King John," and it can be found on last summer's re-release of Home and Garden's 1984 album History and Geography, via Exit Stencil Recordings—that's a pun on "existential," and if you didn't get it, that's because WE ARE ALL ALONE AND MEANINGLESS. (Exit Stencil's name is fitting; recall that the playwright David Ives described the metaphysical tenor of the label's home base, Cleveland, as "like death, without the advantages.") Obscure reissues almost always queer my hustle—the vinty-freshness of a text both "new" and "classic" is irresistible bait to aspirant hear-it-alls, and History and Geography stands as my fave weird-white-male resurfacing since Drag City went public in 1994 with Corky's Debt To His Father, by relevant-to-the-remainder-of-this-sentence Mayo Thompson; see, that ubiquitous ambassador of free-form pomp played in one incarnation of Pere Ubu alongside Home & Garden's future rhythm section, and his unkillable Red Krayola co-gigged H&G's reunion shows. (These guys reel mad connection-cred, as evidenced by the Mekons principals on stage at their coming-back-party.) Borrring, tho, because, for all their odd-to-plain-geeked affectations, H&G are ironically most singular for their circumspect soundalikeness; they generate epic echoes of the spazzy pop dropped by their legendary precursors and then-contemporaries. Jeff "my poetry is as sketchy as Jim" Morrison can sound uncannily like David Byrne and Bryan Ferry as he intones his unremarkable-to-silly verse with portentous, dorxcellent gusto. Shamelessly unsubtle solo-Eno swaths obtain throughout the album, whenever the band isn't mixing King Crimson with disco, or organ-damaged art-gospel with Silver Apples, or untrad jazz with, um, Pere Ubu (version X.0 of which H&G guitarist Jim Jones would graduate to in the late eighties). The liner notes admit—and even an uninvolved listen testifies—that this band revels in the ecstasy of influence. Holy shitwhistle, "From The Life Of King John": it's got cheapo-chic drum machine whose retro-enuff moment has come, sweet for the CYHSY apologists. It's got Morrison's most assured vocals and most chorus-esque chorus—even though he's yelling "I am the king of Ireland," you can get your Joe Lieberman on and hear/scream "Iran"! It's got guitars and keyboards that eerily and perfectly bump early Joy Division into those "Ceremony" blokes doomed to become New Order. It's got a wtf funk breakdown worthy of Liquid Liquid that bursts into rawk again as if tracing a timeline from soul music's bullseye to post-punk's catchall spittoon; like, you'll picture Fab 5 Freddy playing the dozens with, I don't know, Dee Dee Ramone's dealer in a deleted scene from Downtown 81. "From The Life Of King John" holds its own indie-genitals with any of this semester's bandwidth sensations. It simply must be heard. I'm not even telling you about the rest of the album, really, about the biomechanical hydraulics of "Birthday," or the synthesized bagpipes of "Prairie Sailors." What I will do is warn quaint ol' militant feminists and postcolonial theorists—bless your hearts—about Morrison's irksome-in-megadoses lyrical fixation with masculinity, patriarchy, royalty, etc. But seriously, you might not even care, on account of how these jams jam. For example, I am totally against animal cruelty, and I think graffiti tagging is a sad mimicry of corporate branding, but the grimly propulsive "From The Life Of King John" makes me want to carve my name into my neighbor's dog. |
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