HYPATIA OF ALEXANDRIA
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(Redirected from Hypatia)
'Hypatia of Alexandria' (Greek: ''Υπατία''; born between 350 and 370 AD – 415 AD) was a Greek[1][2]
Neoplatonist philosopher, the first notable woman in mathematics, and also taught in the fields of astronomy and astrology. She lived in Alexandria in Roman Egypt at the turn of the 5th century, at a time when paganism was actively suppressed. Her fame stems principally from her murder in 415 AD at the hands of a Christian mob.
Letters written to Hypatia by her pupil Synesius give an idea of her intellectual milieu. She was of the Platonic school, although her adherence was to the writings of Plotinus, the 3rd century follower of Plato and principal of the neo-Platonic school.[3]
Later sources attribute several works to Hypatia, including commentaries on Diophantus's ''Arithmetica'', on Apollonius's ''Conics'', and on Ptolemy's works, but none have survived. Her contributions to science are reputed (on scant evidence) to include the invention, working with her father Theon, of the astrolabe and the hydrometer.
Hypatia was the daughter of Theon, who was her teacher and the last fellow of the Musaeum of Alexandria. Hypatia did not teach in the Musaeum, but received her pupils in her own home. Hypatia became head of the Platonist school at Alexandria in about 400. There she taught on mathematics and philosophy, and counted many prominent Christians among her students. No images of her exist, but nineteenth-century writers and artists envisioned her as an Athene-like beauty.
In 391, Theophilus, the patriarch of Alexandria, ordered the destruction of some of the native Roman pagan temples in the city, which may have included the Musaeum and certainly included the Serapeum (a temple for the worship of Serapis and "daughter library" to the Great Library). In the same year Emperor Theodosius I had published an edict prohibiting various aspects of pagan worship, whereupon (although this was part of a wider phenomenon) Christians throughout the Roman Empire embarked upon a thorough campaign to destroy or christianize pagan places of worship.
Hypatia lived during a conflict between pagans and Christians, who were demanding the final destruction of paganism as an imperial institution. Hypatia, herself a pagan, was respected by many Christians, and was even exalted by a few later Christian authors as a symbol of virtue, often being portrayed by them as a virgin until her death. The Suda is one such source, which also tells the story of her rebuffing a suitor by throwing sanitary napkins at him, to show him that sexual love was carnal rather than spiritual.[4] These later portrayals are not entirely reliable, as they often contradict one another. It is generally agreed that she never officially married, but lifelong virginity is hard to prove.
Her contemporary, the Christian historiographer Socrates Scholasticus in his ''Ecclesiastical History'' portrays her as follows:
Some insight into the intellectual conflict of early 5th century Alexandria is given by the letters written by Synesius of Cyrene, Bishop of Ptolomais, to Hypatia, whom he loved and respected as his previous teacher. In one of them, he complains about people who begin to undertake philosophy after failing at some other career: "''Their philosophy consists in a very simple formula, that of calling God to witness, as Plato did, whenever they deny anything or whenever they assert anything. A shadow would surpass these men in uttering anything to the point; but their pretensions are extraordinary.''" In this letter, he also tells Hypatia that "the same men" had accused him of storing "unrevised copies" of books in his library. [5] This suggests that books were rewritten to suit the prevailing Christian dogma, which may also relate to the difficulty of finding accurate contemporary information about Hypatia's life and death.
Theories about the origins of the mob violence that ended Hypatia's life range from a local, spontaneous Christian uprising tolerated by the Christian Patriarch Cyril of Alexandria over a conflict between Cyril and the city prefect Orestes; to a conspiracy by the Emperor himself; to a lawless, civilian "peasant stock" mob (soldiers are never mentioned) made up of Christians and non-Christians alike, led by a man named "Peter". Another point of view holds that Hypatia was part of a rebellion and her murder inevitable.
Socrates Scholasticus described her death thus in his ''Ecclesiastical History'':
John, Bishop of Nikiû, a 7th century author, described her death as follows, obviously drawing on Socrates but coming to rather different conclusions and portraying Hypatia as a witch:[6]
Edward Gibbon in ''The History of the Decline and Fall of the Roman Empire'' states (using words that are repeated almost verbatim in Smith's ''Dictionary of Greek and Roman Biography and Mythology''):[7]
The ''Catholic Encyclopedia'' states:[8]
Soldan and Heppe[9] argue that Hypatia may have been the first famous "witch" punished under Christian authority, as was noted by many church-critical authors who argued that Hypatia's death seems to match the punishment for witchcraft prescribed by the Emperor Constantius II, to be "torn off their bones with iron hooks."
However, while some of the Christian invective used to justify or excuse her murder betrays a vulgar reliance on fear of black magic, the essence of Christian objections to her influence will have lain in the turbulent confluence of Christian and Platonic assertions about the nature of God and the afterlife, which achieved its most famous expression fifteen years later in Augustine's ''The City of God''. The Patriarch, Cyril, a theologian who was posthumously canonised by the church, has been accused of complicity in the murder,[10] although conclusive evidence of this is lacking.
Some authors have used Hypatia's death as a symbol of the "repression of reasoned paganism by irrational religion". Included among these was the astronomer and science popularizer Carl Sagan, who provided a vivid account of her death and the burning of the Library of Alexandria in his popular science book ''Cosmos''. Earlier writers sharing that view include Voltaire and historian Edward Gibbon. A serious study by the Polish historian Maria Dzielska, ''Hypatia of Alexandria'' (1995), explains Hypatia's death as the result of a struggle between two Christian factions, the moderate Orestes—supported by Hypatia—and the more rigid Cyril. This point is alluded to by Smith, who states "''She was accused of too much familiarity with Orestes, prefect of Alexandria, and the charge spread among the clergy, who took up the notion that she interrupted the friendship of Orestes with their archbishop, Cyril.''"
All the above works use ancient writers as their primary sources. Dzielska, alone, makes use of surviving personal letters written by students of the philosopher.
Bertrand Russell - History of Western Philosophy - Page 342 (The quote within the quote is of Gibbon):
''Conversion of Hypatia'', by Charles William Mitchell (1885), depicts Hypatia a moment before her death, in an alleged conversion to Christianity - although without historical basis. Her nudity is surprising, considering the nature of Christianity. Even in pagan Greek culture, men were often nude; women were not.
Hypatia could have been born anytime between AD 350 and 370. Traditionally a late date of birth has been ascribed to Hypatia, perhaps influenced by after-the-fact romanticized images of her, which depict her dying as a young and beautiful woman. Many authors presumed she died in her forties, and thus had been born around 370. However, Maria Dzielska has most recently argued that she was more likely born around 350 and thus would have been in her sixties when she was killed. And yet, Dzielska also makes a case for Hypatia's father, Theon, having been born in 335. This can be found on page 68 of her book ''Hypatia of Alexandria''. If this is so, and if Hypatia was born, as claimed, in 350, Theon could have been no more than fifteen years of age at her birth. As this is unlikely, a later date for Hypatia's birth seems obvious. A date as late as 370 would make Theon thirty five, a much more likely age for fatherhood. (Theon's birthdate seems to be an accepted fact, as evidenced by "Theon of Alexandria" by G. J. Toomer in the Dictionary of Scientific Biography 13:321-325.)
Hypatia is believed to be the sole woman represented in Raphael's 1506/1510 work ''The School of Athens''. She is standing at the lower left, dressed in white and looking directly at the viewer.
In 1853, the novelist Charles Kingsley wrote the serialized novel ''Hypatia'', based loosely on the historical Hypatia.
In 1868 Julia Margaret Cameron created a photograph entitled ''Hypatia.'' It is held in a private collection, but can be viewed in Marsh, Jan, and Pamela Gerrish Nunn. Pre-Raphaelite Women Artists. London: Thames & Hudson, 1998. (33, cat#38)
In 1885, the artist Charles William Mitchell painted his only famous work, a stylized interpretation of Hypatia standing at a church altar, moments before her death.
In the late 1970s, Hypatia was depicted by Judy Chicago in her work The Dinner Party. Hypatia sits at the end of the First Wing.
Hypatia figures prominently in the first episode of the 1980 PBS television series
'' by Carl Sagan in the scenes with the Library of Alexandria. He reprises the story in the last episode. For many people who are not classical scholars, this is the first time they heard of Hypatia
In the ''Heirs of Alexandria series,'' by Mercedes Lackey, Eric Flint and Dave Freer, Hypatia's conversion to Christianity and subsequent correspondence with John Chrysostom and St. Augustine altered history dramatically. Though she does not actually appear in the novels, set in the 1530s, her actions are directly responsible for the alternate fantasy premise of the series.
Hypatia Cade, a precocious child and main character in the sci-fi book ''The Ship Who Searched'' is named after Hypatia of Alexandria. The book is a collaboration between authors Mercedes Lackey and Anne McCaffery. Hypatia Cade's parents are archeologists.
In Umberto Eco's novel ''Baudolino'' (Milan: Bompiani, 2000. English translation by William Weaver, New York: Harcourt 2002, ISBN 0-15-100690-3), the main character (after which the novel takes its name) meets a member of a secluded society of satyr-like creatures who all take their name and philosophy from Hypatia.
Rinne Groff's 2000 play 'The Five Hysterical Girls Theorem' features the genius daughter of a prize-winning mathematician named Hypatia, who lives silently, in fear that she will one day suffer the fate of her namesake.
''Remembering Hypatia'' is a fictional treatment of her life and death by author Brian Trent.
In Mark London Williams' ''Danger Boy'' time travel series for young readers, Hypatia is a recurring character.
Hypatia is the name of a 'shipmind' (ship computer), modeled after the historical Hypatia, in Frederick Pohl's The Boy Who Would Live Forever, part of the Gateway Heechee series.
HYPATIA, an explicit, assiduously researched historical science-fiction novel about her, by Khan Amore.
Charlotte Kramer's ''Holy Murder: The Death of Hypatia of Alexandria" is a novel published in 2007l.
Hypatia Sans Pro is an Adobe typeface named after her. Debuting in limited release as a partially complete set (a retail edition with italics is projected) on April 16, 2007, the font is a geometric sans serif with humanist tendencies and capitals based on classical Roman proportions, according to its designer, Thomas Phinney.
Of the three hundred or so craters on the moon named for mathematicians, one is called Hypatia.
1. The Hutchinson dictionary of scientific biography, Research Machines plc., , , Helicon Publishing, 2004,
2. Mueller, I., 'Hypatia (370?-415)', in Women of Mathematics: A Biobibliographic Sourcebook , eds. L.S. Grinstein & P.J. Campbell, New York: Greenwood Press, pp. 74-79, 1987.
Osen, L.M., Women in Mathematics , Cambridge, Mass. and London, England: M.I.T. Press, 1990.
Perl, T., Biographies of Women Mathematicians and Related Activities, Menlo Park, California: Addison-Wesley Publishing Company, 1978.
Greek Science after Aristotle, G. E. R. Lloyd, Norton, N.Y., 1973.
A Source Book in Greek Science, M. R. Cohen and I. E. Drabkin, Harvard, 1966.
Hypatia's Heritage: A History of Women in Science, Margaret Alic, The Women's Press, London 1986.
A History of Science, W. C. Dampier, Cambridge, 1929.
M Dzielska, Hypatia of Alexandria (Harvard, 1995).
T L Heath, A History of Greek Mathematics (2 Vols.) (Oxford, 1921).
B L van der Waerden, Science Awakening (New York, 1954).
Khan Amore, Hypatia, AuthorHouse, 2001.
3. Christian historiographer Socrates Scholasticus in his Ecclesiastical History portrays her as follows:
There was a woman at Alexandria named Hypatia, daughter of the philosopher Theon, who made such attainments in literature and science, as to far surpass all the philosophers of her own time. Having succeeded to the school of Plato and Plotinus, she explained the principles of philosophy to her auditors, many of whom came from a distance to receive her instructions. On account of the self-possession and ease of manner, which she had acquired in consequence of the cultivation of her mind, she not unfrequently appeared in public in presence of the magistrates. Neither did she feel abashed in going to an assembly of men. For all men on account of her extraordinary dignity and virtue admired her the more.
4. Suda online, Upsilon 166, 6[1] Accessed 22 June 2006. "She was so very beautiful and attractive that one of those who attended her lectures fell in love with her. He was not able to contain his desire, but he informed her of his condition. Ignorant reports say that Hypatia relieved him of his disease by music; but truth proclaims that music failed to have any effect. She brought some of her female rags and threw them before him, showing him the signs of her unclean origin, and said, "You love this, O youth, and there is nothing beautiful about it." His soul was turned away by shame and surprise at the unpleasant sight, and he was brought to his right mind."
5. Letter 154 of Synesius of Cyrene to Hypatia (online version).
6. John, Bishop of Nikiu: The Life of Hypatia. Chronicle 84.87–103 (online version).
7.
8. ''Catholic Encyclopedia'', "St. Cyril of Alexandria"
9. Soldan, W.G. und Heppe, H., ''Geschichte der Hexenprozesse,'' Essen 1990. p.82.
10. Suda, Upsilon 166 6–8. Of note, this is a 10th century source.
★ Charles, R. H. ''The Chronicle of John, Bishop of Nikiu: Translated from Zotenberg's Ethiopic Text'', 1916. Reprinted 2007. Evolution Publishing, ISBN 978-1-889758-87-9. [2]
★ Resources on Hypatia: booklist, classroom activities
★ Hypatia of Alexandria: Mathematician and Martyr The first biography of Hypatia to integrate all aspects of her life. Includes serious discussion of her mathematics. By Michael Deakin, honorary research fellow and former senior lecturer in the School of Mathematical Sciences at Monash University, Australia
★ Hypatia on ABC Radio Transcript of an interview with Dr Michael Deakin about his research on Hypatia, broadcast on Australia's ABC Radio National. Sunday, 3 August, 1997
★ Extensive biography on Hypatia This website takes the position that Hypatia was an astrologer
★ James Grout: ''Hypatia'', part of the Encyclopædia Romana
★ "Hipatia" – an organization promoting "the adoption of public policies combined with human and social behaviour that favour the free availability and sustainability of, and social access to, technology and knowledge"
★ Her history and contributions to science
★ English translations of some of the works referred to above
★ Hypatia World: website dedicated to the continuation of the work of Hypatia
★ A counter-point to some of the assertions appearing in Maria Dzielska's ''Hypatia of Alexandria''
★ The Important Life & Tragic Death of Hypatia
★
★ A collection of free high-resolution Hypatia-related images, including portraits of Hypatia, rare old illustrations from the German translation of Charles Kingsley's novel about this great woman, and old maps of ancient Alexandria, Egypt, and the Hellenistic World.
An imagined portrait of Hypatia of Alexandria
'Hypatia of Alexandria' (Greek: ''Υπατία''; born between 350 and 370 AD – 415 AD) was a Greek[1][2]
Neoplatonist philosopher, the first notable woman in mathematics, and also taught in the fields of astronomy and astrology. She lived in Alexandria in Roman Egypt at the turn of the 5th century, at a time when paganism was actively suppressed. Her fame stems principally from her murder in 415 AD at the hands of a Christian mob.
Letters written to Hypatia by her pupil Synesius give an idea of her intellectual milieu. She was of the Platonic school, although her adherence was to the writings of Plotinus, the 3rd century follower of Plato and principal of the neo-Platonic school.[3]
Later sources attribute several works to Hypatia, including commentaries on Diophantus's ''Arithmetica'', on Apollonius's ''Conics'', and on Ptolemy's works, but none have survived. Her contributions to science are reputed (on scant evidence) to include the invention, working with her father Theon, of the astrolabe and the hydrometer.
| Contents |
| Life and career |
| Death |
| Year of birth |
| Modern references |
| References |
| Primary Sources |
| External links |
Life and career
Hypatia was the daughter of Theon, who was her teacher and the last fellow of the Musaeum of Alexandria. Hypatia did not teach in the Musaeum, but received her pupils in her own home. Hypatia became head of the Platonist school at Alexandria in about 400. There she taught on mathematics and philosophy, and counted many prominent Christians among her students. No images of her exist, but nineteenth-century writers and artists envisioned her as an Athene-like beauty.
In 391, Theophilus, the patriarch of Alexandria, ordered the destruction of some of the native Roman pagan temples in the city, which may have included the Musaeum and certainly included the Serapeum (a temple for the worship of Serapis and "daughter library" to the Great Library). In the same year Emperor Theodosius I had published an edict prohibiting various aspects of pagan worship, whereupon (although this was part of a wider phenomenon) Christians throughout the Roman Empire embarked upon a thorough campaign to destroy or christianize pagan places of worship.
Hypatia lived during a conflict between pagans and Christians, who were demanding the final destruction of paganism as an imperial institution. Hypatia, herself a pagan, was respected by many Christians, and was even exalted by a few later Christian authors as a symbol of virtue, often being portrayed by them as a virgin until her death. The Suda is one such source, which also tells the story of her rebuffing a suitor by throwing sanitary napkins at him, to show him that sexual love was carnal rather than spiritual.[4] These later portrayals are not entirely reliable, as they often contradict one another. It is generally agreed that she never officially married, but lifelong virginity is hard to prove.
Her contemporary, the Christian historiographer Socrates Scholasticus in his ''Ecclesiastical History'' portrays her as follows:
There was a woman at Alexandria named Hypatia, daughter of the philosopher Theon, who made such attainments in literature and science, as to far surpass all the philosophers of her own time. Having succeeded to the school of Plato and Plotinus, she explained the principles of philosophy to her auditors, many of whom came from a distance to receive her instructions. On account of the self-possession and ease of manner, which she had acquired in consequence of the cultivation of her mind, she not unfrequently appeared in public in presence of the magistrates. Neither did she feel abashed in going to an assembly of men. For all men on account of her extraordinary dignity and virtue admired her the more.
Some insight into the intellectual conflict of early 5th century Alexandria is given by the letters written by Synesius of Cyrene, Bishop of Ptolomais, to Hypatia, whom he loved and respected as his previous teacher. In one of them, he complains about people who begin to undertake philosophy after failing at some other career: "''Their philosophy consists in a very simple formula, that of calling God to witness, as Plato did, whenever they deny anything or whenever they assert anything. A shadow would surpass these men in uttering anything to the point; but their pretensions are extraordinary.''" In this letter, he also tells Hypatia that "the same men" had accused him of storing "unrevised copies" of books in his library. [5] This suggests that books were rewritten to suit the prevailing Christian dogma, which may also relate to the difficulty of finding accurate contemporary information about Hypatia's life and death.
Death
Theories about the origins of the mob violence that ended Hypatia's life range from a local, spontaneous Christian uprising tolerated by the Christian Patriarch Cyril of Alexandria over a conflict between Cyril and the city prefect Orestes; to a conspiracy by the Emperor himself; to a lawless, civilian "peasant stock" mob (soldiers are never mentioned) made up of Christians and non-Christians alike, led by a man named "Peter". Another point of view holds that Hypatia was part of a rebellion and her murder inevitable.
Socrates Scholasticus described her death thus in his ''Ecclesiastical History'':
John, Bishop of Nikiû, a 7th century author, described her death as follows, obviously drawing on Socrates but coming to rather different conclusions and portraying Hypatia as a witch:[6]
Edward Gibbon in ''The History of the Decline and Fall of the Roman Empire'' states (using words that are repeated almost verbatim in Smith's ''Dictionary of Greek and Roman Biography and Mythology''):[7]
The ''Catholic Encyclopedia'' states:[8]
Soldan and Heppe[9] argue that Hypatia may have been the first famous "witch" punished under Christian authority, as was noted by many church-critical authors who argued that Hypatia's death seems to match the punishment for witchcraft prescribed by the Emperor Constantius II, to be "torn off their bones with iron hooks."
However, while some of the Christian invective used to justify or excuse her murder betrays a vulgar reliance on fear of black magic, the essence of Christian objections to her influence will have lain in the turbulent confluence of Christian and Platonic assertions about the nature of God and the afterlife, which achieved its most famous expression fifteen years later in Augustine's ''The City of God''. The Patriarch, Cyril, a theologian who was posthumously canonised by the church, has been accused of complicity in the murder,[10] although conclusive evidence of this is lacking.
Some authors have used Hypatia's death as a symbol of the "repression of reasoned paganism by irrational religion". Included among these was the astronomer and science popularizer Carl Sagan, who provided a vivid account of her death and the burning of the Library of Alexandria in his popular science book ''Cosmos''. Earlier writers sharing that view include Voltaire and historian Edward Gibbon. A serious study by the Polish historian Maria Dzielska, ''Hypatia of Alexandria'' (1995), explains Hypatia's death as the result of a struggle between two Christian factions, the moderate Orestes—supported by Hypatia—and the more rigid Cyril. This point is alluded to by Smith, who states "''She was accused of too much familiarity with Orestes, prefect of Alexandria, and the charge spread among the clergy, who took up the notion that she interrupted the friendship of Orestes with their archbishop, Cyril.''"
All the above works use ancient writers as their primary sources. Dzielska, alone, makes use of surviving personal letters written by students of the philosopher.
Bertrand Russell - History of Western Philosophy - Page 342 (The quote within the quote is of Gibbon):
Year of birth
''Conversion of Hypatia'', by Charles William Mitchell (1885), depicts Hypatia a moment before her death, in an alleged conversion to Christianity - although without historical basis. Her nudity is surprising, considering the nature of Christianity. Even in pagan Greek culture, men were often nude; women were not.
Hypatia could have been born anytime between AD 350 and 370. Traditionally a late date of birth has been ascribed to Hypatia, perhaps influenced by after-the-fact romanticized images of her, which depict her dying as a young and beautiful woman. Many authors presumed she died in her forties, and thus had been born around 370. However, Maria Dzielska has most recently argued that she was more likely born around 350 and thus would have been in her sixties when she was killed. And yet, Dzielska also makes a case for Hypatia's father, Theon, having been born in 335. This can be found on page 68 of her book ''Hypatia of Alexandria''. If this is so, and if Hypatia was born, as claimed, in 350, Theon could have been no more than fifteen years of age at her birth. As this is unlikely, a later date for Hypatia's birth seems obvious. A date as late as 370 would make Theon thirty five, a much more likely age for fatherhood. (Theon's birthdate seems to be an accepted fact, as evidenced by "Theon of Alexandria" by G. J. Toomer in the Dictionary of Scientific Biography 13:321-325.)
Modern references
Hypatia is believed to be the sole woman represented in Raphael's 1506/1510 work ''The School of Athens''. She is standing at the lower left, dressed in white and looking directly at the viewer.
In 1853, the novelist Charles Kingsley wrote the serialized novel ''Hypatia'', based loosely on the historical Hypatia.
In 1868 Julia Margaret Cameron created a photograph entitled ''Hypatia.'' It is held in a private collection, but can be viewed in Marsh, Jan, and Pamela Gerrish Nunn. Pre-Raphaelite Women Artists. London: Thames & Hudson, 1998. (33, cat#38)
In 1885, the artist Charles William Mitchell painted his only famous work, a stylized interpretation of Hypatia standing at a church altar, moments before her death.
In the late 1970s, Hypatia was depicted by Judy Chicago in her work The Dinner Party. Hypatia sits at the end of the First Wing.
Hypatia figures prominently in the first episode of the 1980 PBS television series
'' by Carl Sagan in the scenes with the Library of Alexandria. He reprises the story in the last episode. For many people who are not classical scholars, this is the first time they heard of Hypatia
In the ''Heirs of Alexandria series,'' by Mercedes Lackey, Eric Flint and Dave Freer, Hypatia's conversion to Christianity and subsequent correspondence with John Chrysostom and St. Augustine altered history dramatically. Though she does not actually appear in the novels, set in the 1530s, her actions are directly responsible for the alternate fantasy premise of the series.
Hypatia Cade, a precocious child and main character in the sci-fi book ''The Ship Who Searched'' is named after Hypatia of Alexandria. The book is a collaboration between authors Mercedes Lackey and Anne McCaffery. Hypatia Cade's parents are archeologists.
In Umberto Eco's novel ''Baudolino'' (Milan: Bompiani, 2000. English translation by William Weaver, New York: Harcourt 2002, ISBN 0-15-100690-3), the main character (after which the novel takes its name) meets a member of a secluded society of satyr-like creatures who all take their name and philosophy from Hypatia.
Rinne Groff's 2000 play 'The Five Hysterical Girls Theorem' features the genius daughter of a prize-winning mathematician named Hypatia, who lives silently, in fear that she will one day suffer the fate of her namesake.
''Remembering Hypatia'' is a fictional treatment of her life and death by author Brian Trent.
In Mark London Williams' ''Danger Boy'' time travel series for young readers, Hypatia is a recurring character.
Hypatia is the name of a 'shipmind' (ship computer), modeled after the historical Hypatia, in Frederick Pohl's The Boy Who Would Live Forever, part of the Gateway Heechee series.
HYPATIA, an explicit, assiduously researched historical science-fiction novel about her, by Khan Amore.
Charlotte Kramer's ''Holy Murder: The Death of Hypatia of Alexandria" is a novel published in 2007l.
Hypatia Sans Pro is an Adobe typeface named after her. Debuting in limited release as a partially complete set (a retail edition with italics is projected) on April 16, 2007, the font is a geometric sans serif with humanist tendencies and capitals based on classical Roman proportions, according to its designer, Thomas Phinney.
Of the three hundred or so craters on the moon named for mathematicians, one is called Hypatia.
References
1. The Hutchinson dictionary of scientific biography, Research Machines plc., , , Helicon Publishing, 2004,
2. Mueller, I., 'Hypatia (370?-415)', in Women of Mathematics: A Biobibliographic Sourcebook , eds. L.S. Grinstein & P.J. Campbell, New York: Greenwood Press, pp. 74-79, 1987.
Osen, L.M., Women in Mathematics , Cambridge, Mass. and London, England: M.I.T. Press, 1990.
Perl, T., Biographies of Women Mathematicians and Related Activities, Menlo Park, California: Addison-Wesley Publishing Company, 1978.
Greek Science after Aristotle, G. E. R. Lloyd, Norton, N.Y., 1973.
A Source Book in Greek Science, M. R. Cohen and I. E. Drabkin, Harvard, 1966.
Hypatia's Heritage: A History of Women in Science, Margaret Alic, The Women's Press, London 1986.
A History of Science, W. C. Dampier, Cambridge, 1929.
M Dzielska, Hypatia of Alexandria (Harvard, 1995).
T L Heath, A History of Greek Mathematics (2 Vols.) (Oxford, 1921).
B L van der Waerden, Science Awakening (New York, 1954).
Khan Amore, Hypatia, AuthorHouse, 2001.
3. Christian historiographer Socrates Scholasticus in his Ecclesiastical History portrays her as follows:
There was a woman at Alexandria named Hypatia, daughter of the philosopher Theon, who made such attainments in literature and science, as to far surpass all the philosophers of her own time. Having succeeded to the school of Plato and Plotinus, she explained the principles of philosophy to her auditors, many of whom came from a distance to receive her instructions. On account of the self-possession and ease of manner, which she had acquired in consequence of the cultivation of her mind, she not unfrequently appeared in public in presence of the magistrates. Neither did she feel abashed in going to an assembly of men. For all men on account of her extraordinary dignity and virtue admired her the more.
4. Suda online, Upsilon 166, 6[1] Accessed 22 June 2006. "She was so very beautiful and attractive that one of those who attended her lectures fell in love with her. He was not able to contain his desire, but he informed her of his condition. Ignorant reports say that Hypatia relieved him of his disease by music; but truth proclaims that music failed to have any effect. She brought some of her female rags and threw them before him, showing him the signs of her unclean origin, and said, "You love this, O youth, and there is nothing beautiful about it." His soul was turned away by shame and surprise at the unpleasant sight, and he was brought to his right mind."
5. Letter 154 of Synesius of Cyrene to Hypatia (online version).
6. John, Bishop of Nikiu: The Life of Hypatia. Chronicle 84.87–103 (online version).
7.
8. ''Catholic Encyclopedia'', "St. Cyril of Alexandria"
9. Soldan, W.G. und Heppe, H., ''Geschichte der Hexenprozesse,'' Essen 1990. p.82.
10. Suda, Upsilon 166 6–8. Of note, this is a 10th century source.
Primary Sources
★ Charles, R. H. ''The Chronicle of John, Bishop of Nikiu: Translated from Zotenberg's Ethiopic Text'', 1916. Reprinted 2007. Evolution Publishing, ISBN 978-1-889758-87-9. [2]
External links
★ Resources on Hypatia: booklist, classroom activities
★ Hypatia of Alexandria: Mathematician and Martyr The first biography of Hypatia to integrate all aspects of her life. Includes serious discussion of her mathematics. By Michael Deakin, honorary research fellow and former senior lecturer in the School of Mathematical Sciences at Monash University, Australia
★ Hypatia on ABC Radio Transcript of an interview with Dr Michael Deakin about his research on Hypatia, broadcast on Australia's ABC Radio National. Sunday, 3 August, 1997
★ Extensive biography on Hypatia This website takes the position that Hypatia was an astrologer
★ James Grout: ''Hypatia'', part of the Encyclopædia Romana
★ "Hipatia" – an organization promoting "the adoption of public policies combined with human and social behaviour that favour the free availability and sustainability of, and social access to, technology and knowledge"
★ Her history and contributions to science
★ English translations of some of the works referred to above
★ Hypatia World: website dedicated to the continuation of the work of Hypatia
★ A counter-point to some of the assertions appearing in Maria Dzielska's ''Hypatia of Alexandria''
★ The Important Life & Tragic Death of Hypatia
★
★ A collection of free high-resolution Hypatia-related images, including portraits of Hypatia, rare old illustrations from the German translation of Charles Kingsley's novel about this great woman, and old maps of ancient Alexandria, Egypt, and the Hellenistic World.
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