HENRY RAEBURN



'Sir Henry Raeburn' (4 March, 1756 - 8 July, 1823) was a Scottish portrait painter.

Contents
Biography
Bibliography
People painted by Raeburn include the following
External links
Notes

Biography


He was born at Stockbridge, a suburb of Edinburgh, the son of a manufacturer. Orphaned, he was supported by his older brother and placed in Heriot's Hospital, where he received an education. At the age of fifteen he was apprenticed to a goldsmith, and various pieces of jewellery, mourning rings and the like, adorned with minute drawings on ivory by his hand, still exist. Soon he took to the production of carefully finished portrait miniatures; meeting with success and patronage, he extended his practice to oil painting, at which he was self-taught. The goldsmith watched the progress of his pupil with interest, and introduced him to David Martin, who bad been the favourite assistant of Allan Ramsay the Latter, and was now the leading portrait painter in Edinburgh. Raeburn was especially aided by the loan of portraits to copy. Soon he had gained sufficient skill to make him decide to devote himself exclusively to painting.
In his early twenties, he was asked to paint the portrait of a young lady whom he had previously observed and admired when he was sketching from nature in the fields. She was the daughter of Peter Edgar of Bridgelands, and widow of Count Leslie. Fascinated by the handsome and intellectual young artist, she became his wife within a month, bringing him an ample fortune. The acquisition of wealth did not affect his enthusiasm or his industry, but spurred him on to acquire a thorough knowledge of his craft. It was usual for artists to visit Italy, and Raeburn set off with his wife. In London he was kindly received by Sir Joshua Reynolds, who advised him on what to study in Rome, especially recommending the works of Michelangelo. Raeburn carried with him to Italy many valuable introductions from the president of the Royal Academy. In Rome he met Gavin Hamilton, Pompeo Girolamo Batoni and Byers—whose advice proved particularly useful, especially the recommendation that "he should never copy an object from memory, but, from the principal figure to the minutest accessory, have it placed before him." After two years of study in Italy he returned to Edinburgh in 1787, and began a successful career as a portrait painter. In that year he executed a seated portrait of the second Lord President Dundas.
Raeburn's portrait of Sir Walter Scott in 1822.

Examples of his earlier portraiture include a bust of Mrs Johnstone of Baldovie and a three-quarter-length of Dr James Hutton, works which, if somewhat timid and tentative in handling and not as confident as his later work, nevertheless have delicacy and character. The portraits of John Clerk, Lord Eldin, and of Principal Hill of St Andrews belong to a later period. Raeburn was fortunate in the time in which he practised portraiture. Sir Walter Scott, Hugh Blair, Henry Mackenzie, Woodhouselee, Robertson, John Home, Robert Fergusson, and Dugald Stewart were resident in Edinburgh, and they were all painted by Raeburn. Mature works include his own portrait and that of the Rev. Sir Henry Moncrieff Wellwood, the bust of Dr Wardrop of Torbane Hill, the two full-lengths of Adam Rolland of Gask, the remarkable paintings of Lord Newton and Dr Alexander Adam in the National Gallery of Scotland, and that of William Macdonald of St Martin's.
It was commonly believed that Raeburn was less successful in painting female portraits, but the exquisite full-length of his wife, the smaller likeness of Mrs R. Scott Moncrieff in the Scottish National Gallery, and that of Mrs Robert Bell, and others, argue against this. Raeburn spent his life in Edinburgh, rarely visiting London, and then only for brief periods, thus preserving his individuality. Although he, personally, may have lost advantages resulting from closer association with the leaders of English art, and from contact with a wider public, Scottish art gained much from his disinclination to leave his native land. He became the acknowledged chief of the school which was growing up in Scotland during the earlier years of the 19th century, and his example and influence at a critical period were of major importance. So varied were his other interests that sitters used to say of him, "You would never take him for a painter till he seizes the brush and palette."
In 1812 he was elected president of the Society of Artists in Edinburgh, in 1814 associate, and in the following year full member of the Royal Scottish Academy. In 1822 he was knighted by George IV and appointed His Majesty's limner for Scotland. He died at Edinburgh.

Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting effects, and swift and broad handling of the most resolute sort. David Wilkie recorded that, while travelling in Spain and studying the works of Diego Velázquez, the brushwork reminded him constantly of the "square touch" of Raeburn.
Raeburn was unusual amongst many of his contemporaries such as Reynolds in the extent of his philosophy of painting everything directly from life.
This attitude partly explains the often coarse modelling and clashing colour combinations he employed, in contrast to the more refined style of Gainsborough and Reynolds. However these qualities and those mentioned above anticipate many of the later developments in painting of the nineteenth century from romanticism to Impressionism.
Sir Henry Raeburn died in St Bernard's House, Stockbridge, Edinburgh.

Bibliography



★ ''Life of Sir Henry Raeburn, R.A.'', by his great-grandson William Raeburn Andrew, M.A. Oxon. (2nd ed., 1894).

★ Sir W. Armstrong, ''Sir Henry Raeburn'' (London, 1901)

★ ''Masters in Art'', volume vi (Boston, 1905), containing an exhaustive bibliography

★ R. S. Clouston, ''Sir Henry Raeburn'' (New York, 1907)

★ James Greig, ''Sir Henry Raeburn: His Life and Works'' (London, 1911)

People painted by Raeburn include the following



Sir George Abercromby, 4th Baronet
★ Dr Alexander Adam
★ Robert Adam
★ Mrs Robert Adam
Archibald Alison
Alexander Allan
★ David Anderson
Sir David Baird
★ Mrs Henry Balfour (Jane Elliot) [1]
Lady Belhaven
★ Mrs George Bell
Mrs E Bethune [2]
★ The Binning children
Hugh Blair
★ Mrs Irvine J Boswell [3]
Helen Boyle
Andrew Buchanon
John Crichton-Stuart, 2nd Marquess of Bute[4]
Sir Duncan Campbell, Scots Guards
★ Master John Campbell of Saddell
★ Rev Alexander Carlyle
★ Alexander Carre of Cavers
★ Master Cathcat (sic, probably Cathcart)
Charles Christie
★ Miss Jean Christie
John Clerk, Lord Eldin
Jacobina Copland
James Cruikshank
★ Mrs James Cruikshank
★ Mrs Alexander Dirom, (Anne Fotheringham) [5]
Lady Harriet Don with her son
★ Elizabeth Douglas of Brigton (nee Graham)
★ The Drummond children [6]
George Duff [7]
James Duff, 4th Earl of Fife
Norwich Duff [8]
Henry Dundas, 1st Viscount Melville
★ Lady Elibank

William Fairlie
Archibald Farquharson of Finzean
Robert Fergusson (poet) and his brother Lieutenant-General Sir Ronald Ferguson - "The Archers" (Royal Company of Archers)
★ William Forbes of Callendar, 1756 - 1823. Coppersmith and landowner
Mrs Gevine
Eleanor Margaret Gibson-Carmichael
William Glendonwyn [9]
★ Mrs Glengowyn (sic) and her daughter Mary
Niel Gow
John Gray of Carntyne
★ Mrs Elizabeth Hamilton 1757-1816 Writer and educationalist
★ Major James Lee Harvey, Gordon Highlanders [10] [11]
Thomas Robert Hay, 11th Earl of Kinnoull
★ Captain Hay of Spot
★ Mrs Andrew Hay (Elizabeth Robinson)
★ Mrs Alexander Henderson
★ Principal Hill of St Andrews
★ Mrs George Hill
John Home
★ The Rt Hon Charles Hope
Hugh Hope
Francis Horner, political economist
★ Dr James Hutton, geologist
Sir Patrick Inglis, Baronet of Sunnyside
Francis Jeffrey, Lord Jeffrey
★ John Johnstone, Betty Johnstone and Miss Wedderburn
★ Mrs Johnston of Straiton
★ Mrs Johnstone of Baldovie
★ Dr Colin Lauder, FRCS, & Burgess of Edinburgh (1750-1831)
★ Zepherina Loughnan, Mrs Henry Veitch of Eliock
William Macdonald of St Martin's
Alasdair Ranaldson MacDonell of Glengarry
★ General Hay MacDowell
★ Mrs George Mackay of Bighouse (Louisa Campbell)
Henry Mackenzie
Robert Macqueen, Lord Braxfield, 1722 - 1799. Lord Justice-Clerk 1798
★ George Malcolm
★ Mrs Malcolm

Viscount Melville
★ Captain Patrick Miller
Alexander Monro
Sir James Montgomery, 2nd Baronet of Stanhope [3]
Thomas Mure of Warriston
Sir William Napier, Bt
Lord Newton
★ Rev Principal Nicoll, DD
★ Mrs George Paterson of Huntly Castle
★ The Patterson children
John Playfair
★ Henry Raeburn
★ Lady Raeburn
★ Colonel Alasdair Ranaldson MacDonell of Glengarry (1771 - 1828)
★ Miss Davidson Reid
John Rennie, engineer
★ Professor William Richardson
★ Robertson
Adam Rolland of Gask
Daniel Rutherford
★ Colonel Francis James Scott
Sir Walter Scott, 1st Bt
Alexander Shaw
★ Mrs Simpson
Sir John Sinclair, 1st Baronet
Andrew Spottiswoode [13]
Dugald Stewart
★ Mrs Anne Stewart
★ John Tait and his grandson
★ John Tait of Harvieston
Eliza Tod of Drygrange, nee Pringle
Lady Anne Torphicen
★ Captain Willian Tytler
★ Miss Eleanor Urquhart
★ Rev Robert Walker (1755 - 1808) Skating on Duddingston Loch
★ Dr Wardrop of Torbane Hill
★ Rev. Sir Henry Moncrieff Wellwood
Hugh William Williams
★ Woodhouselee
★ John Cuninghame of Craigends

External links



Gallery of Paintings by Henry Raeburn
Notes

1. ''The Balfours of Pilrig''
2. Hermitage Museum
3. Detroit Institute of Arts
4. Portrait at Mount Stuart
5. http://www.kittybrewster.com/ancestry/dirom.htm
6. Metropolitan Museum of Art
7. Naval Museum, Portsmouth
8. http://www.kittybrewster.com/ancestry/duff.htm
9. Fitzwilliam Museum
10. Leicester Galleries
11. The Louvre
12. Detroit Institute of Arts
13. Art Gallery of NSW


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