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'Guillaume Apollinaire' (French IPA: ) (August 26, 1880 – November 9, 1918) was a French poet, writer, and art critic born in Italy to a Polish mother. Among the foremost poets of the early 20th century, he is credited with coining the word surrealism and writing one of the earliest works described as surrealist, the play ''Les Mamelles de Tirésias'' (1917, later used as the basis for an opera in 1947). Two years after being wounded in World War I, he died at 38 of the Spanish flu during a pandemic.

Contents

Life

Works

Bibliography

References

Additional references

External links

Life

Born 'Wilhelm Albert Vladimir Apollinaris Kostrowitzky / Wąż-Kostrowicki' in Rome, Italy, and raised speaking French, among other languages, he emigrated to France and adopted the name 'Guillaume Apollinaire'. His mother, born Angelica Kostrowicka, was a Polish noblewoman born near Nowogródek (now in Belarus). His father is unknown but may have been Francesco Flugi d'Aspermont, a Swiss-Italian aristocrat who disappeared early from Apollinaire's life.
Apollinaire was one of the most popular members of the artistic community of Montparnasse in Paris. His friends and collaborators during that period included Pablo Picasso, Max Jacob, André Salmon, Marie Laurencin, André Breton, André Derain, Faik Konica, Blaise Cendrars, Pierre Reverdy, Jean Cocteau, Erik Satie, Ossip Zadkine, Marc Chagall and Marcel Duchamp. In 1911, he joined the Puteaux Group, a branch of the cubist movement.
On September 7 of the same year, police arrested and jailed him on suspicion of stealing the ''Mona Lisa'', but released him a week later. Apollonaire then implicated his friend Pablo Picasso, who was also brought in for questioning in the art theft, but both were later exonerated.^[1]

He fought in World War I and, in 1916, received a serious shrapnel wound to the temple (see photo). He wrote ''Les Mamelles de Tirésias'' while recovering from this wound. During this period he coined the word surrealism in the program notes for Jean Cocteau and Erik Satie's ballet ''Parade'', first performed on 18 May 1917. He also published an artistic manifesto, ''L'Esprit nouveau et les poètes''. Apollinaire's status as a literary critic is most famous and influential in his recognition of the Marquis de Sade, whose works were for a long time obscure, yet arising in popularity as an influence upon the Dada and Surrealist art movements going on in Montparnasse at the beginning of the twentieth century as, "The freest spirit that ever existed."
The war-weakened Apollinaire died of influenza during the Spanish Flu pandemic of 1918. He was interred in the Le Père Lachaise Cemetery, Paris.

Works

Apollinaire's first collection of poetry was ''L'enchanteur pourrissant'' (1909), but ''Alcools'' (1913) established his reputation. The poems, influenced in part by the Symbolists, juxtapose the old and the new, combining traditional poetic forms with modern imagery. In 1913, Apollinaire published the essay ''Les Peintres cubistes'' on the cubist painters, a movement which he helped to define. He also coined the term ''orphism'' to describe a tendency towards absolute abstraction in the paintings of Robert Delaunay and others.
In 1907, Apollinaire wrote the well-known erotic novel, ''The Eleven Thousand Rods (Les Onze Mille Verges)''. Officially banned in France until 1970, various printings of it circulated widely for many years. Apollinaire never publicly acknowledged authorship of the novel. Another erotic novel attributed to him was ''The Exploits of a Young Don Juan (Les exploits d'un jeune Don Juan)'', in which the 15-year-old hero fathers three children with various members of his entourage, including his aunt. The book was made into a movie in 1987.
Shortly after his death, ''Calligrammes'', a collection of his concrete poetry (poetry in which typography and layout adds to the overall effect), was published.

Bibliography

★ ''La Gráce et le Maintien Français'', 1902 (with Molina da Silva)

★ ''Les exploits d’un jeune Don Juan'', 1907

★ ''Les onze mille verges'', 1907

★ ''L'enchanteur pourrissant'', 1909

★ ''L'Hérèsiarque et Cie, 1910

★ ''Le Théâtre Italien'', 1910

★ ''Le bestiaire ou le cortège d’Orphée'', 1911

★ ''Alcools'', 1913

★ ''Les peintres cubistes'', 1913

★ ''La Fin de Babylone'', 1914

★ ''Case d'Armons'', 1915

★ ''Le poète assassiné'', 1916

★ ''Les Mamelles de Tirésias'', 1917

★ ''L'esprit nouveau et les poètes'', 1918

★ ''Calligrammes'', 1918

★ ''Le Flâneur des Deux Rives, 1918

★ ''La femme assise'', 1920

★ ''Le guetteur mélancolique''

References

1. ''Time Magazine'', ''STEALING THE MONA LISA, 1911''. Consulted on August 15, 2007.

Additional references

★ ''Apollinaire'', Marcel Adéma, 1954

★ ''Apollinaire, Poet among the Painters'', Francis Steegmuller, 1963, 1971, 1973

★ ''Apollinaire'', M. Davies, 1964

★ ''Guillaume Apollinaire'', S. Bates, 1967

★ ''Guillaume Apollinaire'', P. Adéma, 1968

★ ''The Banquet Years'', Roger Shattuck, 1968

★ ''Apollinaire'', R. Couffignal, 1975

★ ''Guillaume Apollinaire'', L.C. Breuning, 1980

★ ''Reading Apollinaire'', T. Mathews, 1987

★ ''Guillaume Apollinaire'', J. Grimm, 1993

External links

★ Official site

★

★ Poemas de Apollinaire en español:
http://amediavoz.com/apollinaire.htm

★ Audio recording of Apollinaire reading his poem "Le Pont Mirabeau"

★ Apollinaire at ubuweb (includes examples of his work)

★ ''The Exploits of a Young Don Juan'' an e-book (in French)

★

★ ''Les onze mille verges'' an e-book (in French)