'Gerald Anthony Scarfe' (born
1 June 1936 in
London) is an
English cartoonist and
illustrator. He is best known for his work with
Pink Floyd, particularly
The Wall, and as an
editorial cartoonist for
The Sunday Times and an
illustrator for
The New Yorker.
He is married to
Jane Asher, whom he met in
1971 and married in
1981. They had a daughter in
1974 and two sons in
1981 and
1984.
Childhood
Scarfe was born in
St John's Wood,
London and was severely asthmatic as a child. He spent many of his early years bedridden, and drawing became a means of entertainment as well as a creative outlet. It has been speculated that the grotesque and diseased images that often characterise his work are a result of these experiences. He has himself stated that the irreverence apparent in much of his work can be traced back to “dodgy treatments” and a reliance on incompetent doctors.
[1]
Early work
After briefly working in advertising, a profession he grew to dislike intensely, Scarfe's early
caricatures of public figures were published in satirical magazine ''
Private Eye'' throughout the
1960s and
1970s. In the mid 1960s he took a job at the
Daily Mail following a Dutch auction for his services with the
Daily Express. His decision to work for the
Daily Mail led to his estrangement from fellow cartoonist
Ralph Steadman, alongside whom he had studied art at East Ham Technical College. Soon after, Steadman was commissioned to illustrate Scarfe and produced an image that was half saint and half Superman, but with a disconnected heart.
[2] Scarfe spent just a year working for the
Daily Mail, during which time he was sent to provide illustrations from the
Vietnam War.
Pink Floyd and Roger Waters

Scarfe's images projected on The Wall, during a concert performance
Scarfe was approached to work with
Pink Floyd after
Roger Waters and
Nick Mason both saw his animated
BBC film ''A Long Drawn Out Trip''. Scarfe's first work for the band was a set of animated short clips used on the
Wish You Were Here tour, including a full-length music video for the song "
Welcome to the Machine."
[3] He also drew the cover illustration for their
1979 album ''
The Wall'', and in
1982 worked on the
film version of The Wall, although he and Waters fell out with director
Alan Parker during the latter stages of editing. As well as the artwork, Scarfe contributed 15 minutes worth of elaborate animation to the film, including a sequence depicting the German bombing campaign over England during World War II, set to the song "
Goodbye Blue Sky". He was also involved in the theatrical adaptation, including
The Wall Concert in Berlin, where his animations were projected on a vast scale.
He continued to work with
Roger Waters when the latter left
Pink Floyd, creating the graphics and animation for Waters' solo album ''
The Pros And Cons Of Hitch Hiking'' (
1984) and its supporting tour.
Yes Minister

Gerald Scarfe's caricature of Paul Eddington from the opening titles of Yes Minister
He provided caricatures of
Paul Eddington,
Nigel Hawthorne and
Derek Fowlds (as their respective characters) for the opening and closing sequences of ''
Yes Minister'' and ''
Yes, Prime Minister''. Derek Fowlds reportedly attempted to purchase Scarfe's original sketches, but they were too expensive.
Hercules
Scarfe was approached to work on the
1997 Disney film ''
Hercules'' by
Ron Clements and
John Musker, long time fans of his who had risen to prominence within
Disney following the success of ''
The Little Mermaid''. Scarfe worked as a conceptual character artist, designing almost all of the characters and then supervising the 900
Disney artists charged with adapting his designs for the film. His work was widely acclaimed.
Millennium Dome Sculpture
He was invited to create a sculpture for the
Millennium Dome, which was entitled "Self Portrait". The Dome's chief executive PY Gerbeau said "it mirrors what we like - and what we don't - about our nation".
[4]
Theatre
Scarfe has designed sets for a number of operatic productions, including an adaptation of
Roald Dahl's
Fantastic Mr Fox. Following a chance meeting at a
BBC prom he worked with
Peter Hall on his version of
Mozart's
The Magic Flute, which drew critical acclaim. He is lined up to provide animation for ''
Jim Steinman's
Bat out of Hell'', a stage show featuring Steinman's music.
[5]
Awards and Accolades
On
November 22,
2005 the United Kingdom's Press Gazette named its 40 most influential journalists, and included Scarfe alongside just two other cartoonists,
Carl Giles, and
Matt Pritchett [6]
Scarfe was awarded Cartoonist of the Year at the
British Press Awards 2006.
References
1. Gerald Scarfe interview at The Beaver Online
2. Ralph Steadman biography at the British Cartoon Archive, University of Kent
3. "A Long Drawn-Out Trip: An Interview with Gerald Scarfe" by Michael Simone Reprinted from REG Magazine, Issue #22
4. BBC News Tour the Dome
5. http://jimsteinman.blogspot.com/ entry incorrectly dated July 20, 06: 603PM. It was actually posted 20 Oct 2006.
6. Media Bulletin
External links
★
Official website
★