Discover

(Redirected from Filipino Martial Arts)


'Filipino martial arts' (FMA) integrates a “system-of-systems” approach to combat readiness. Filipinos have made significant sacrifices to develop their arts. Throughout the ages multi-cultural, multi-national invaders of the Philippines imposed new dynamics for human conflict and combat. FMA, the “system-of-systems” transformed itself as a direct result of an appreciation of their ever changing environment and circumstance. The Filipinos' intrinsic need for self-preservation was the evolutionary genesis of these analogous systems. They learned often out of necessity how to prioritize, allocate and utilize common resources in combative situations. Filipinos have been heavily influenced by the phenomenon of cultural and language mixture. The multitude of languages spoken in the 7,107 islands have not only diverged into dialects, but they have been constantly mixing with one another on all levels: vocabulary, grammar, syntax, and usage (see Languages of the Philippines). As a result, Filipino martial arts and its homogeneous systems comprise a vocabulary of heterogeneous terms. Change is the norm. Some of the specific mechanisms responsible for cultural and martial change extend from phenomena such as war, political systems, social systems, technology and trade. For over three hundred years the Spanish had control over much of the Philippines. The Spanish regime often enforced royal laws and decrees limiting and prohibiting weapons use by the indigenous people. These restrictions of use were partly responsible for secretive and underground nature of FMA. Spaniards often employed Filipino warriors known as eskrimadors for various battles and wars. The Filipinos' battle-tested tactics proved strategically effective from angle of old world weaponry and hand to hand conflict. Highly skilled Filipino martial artists are often characterized by a state of "flow" that is decisively responsive, deployable, agile, versatile, lethal, survivable, and sustainable. In 1972, the Philippine government included Filipino martial arts into the "Palarong Pambansa" or National Sports arena. The Ministry of Education, Culture and Sports also included it as part of the physical education curriculum for high school and college students. Knowledge of the Filipino martial arts is mandatory in the Philippine military and police. Today, the traditional Filipino martial systems continue to grow, new ones emerge, and new transitional FMA stylists continue to arrive on the martial arts scene.

Contents

Types

Filipino martial arts - Traditional Filipino weapons

Filipino martial arts - Basic training and tactical methods

Signs and symbols

Basic tactical ranges

Basic training and tactical methods

Spiritual or internal practice

Filipino martial art systems

Sources

Types

Filipino martial arts is a broad term more detail is covered in specific aricles. The three major branches of Filipino martial arts are ''Arnis'' typically from the northern Luzon regions, ''Eskrima'' from the central Visayas regions, and ''Kali'' from the southern Mindanao regions. Within these branches dwell a long line of masters, families, systems and history. Most Filipino systems will associate with one of these terms and their respective Regions of the Philippines.
Ranking systems, proficiency levels and terminology can differ greatly from system to system, organization to organization. FMA instructors employ a wide range of training methods to demonstrate the knowledge, skill and best practices necessary to address a situation and to assess their students understanding and proficiency. Mastery is not identical. Thus, higher or lower levels of proficiency can be applied to each assessment/training method depending upon the maturity of a particular student. These individual exchanges/assessments can then be used to identify gaps in proficiency for individuals within specific areas.

Martial arts ranking systems are a modern adaptation that developed during the commercialization eras of karate. For example: Shotokan Karate master Gichin Funakoshi's original ranking system consisted of: white belt: five kyūs; brown belt: three kyus; black belt: five dans.
FMA has not become a highly commercialized art, therefore it has retained its traditional forms hierarchy: master/instructor/student; or grandfather/father/son. Some FMA systems have adopted or created their own ranking systems.

Filipino martial arts - Traditional Filipino weapons

Practitioners of these arts are noted for their ability to fight with weapons or empty hands interchangeably. Filipino martial arts include tactics for a wide variety of weaponry and combative situations. The weapons vary in design, size, weight, materials and methodology.
'Impact Weapons'
:
★ Mano Mano, hands, open-handed, fingers, fists, elbows, knees, sipa or kicks, locks, blocks, and disarming
:
★ Baston or olisi, eskrima sticks, traditionally crafted from rattan and kamagong
:
★ Sibat, Tongat, staff
:
★ Tameng, shield
'Edged Weapons'
:
★ Daga, dagger or knife - balisong, gunong, punyal
:
★ Espada, swords - kampilan, kris, kalis, ginunting, barong, pinuti, talibong, golok
:
★ Bangkaw, spear
'Flexible Weapons'
:
★ Latigo, whip
:
★ Lubid, rope
:
★ Kadena, tanikala, chain
:
★ Tabak-Toyok and flails two sticks attached together by rope or chain, aka. nunchaku
'Projectile Weapons'
:
★ Bow and arrow
:
★ Lipad-lipad, bagakays, Blowgun and darts
:
★ Slingshot

Filipino martial arts - Basic training and tactical methods

Signs and symbols

The triangle also represents many underlying philosophical, theoretical and metaphysical principles in the FMA. Many schools incorporate the triangle into their school's logo. The triangle is one of the strongest geometrical structures and stands for strength. Application of these theories are found in defensive and offensive tactical stratagem, including footwork, stances, blocking and disarms
:
★ Salutations and signing, non-verbal, gesture communication and recognition is used in teaching and identification. Eskrimador's sign language, utilizing hand, body, and weapons signals, these various gestures are used to convey ideas, desires, information, or commands.

Basic tactical ranges

:
★ Corto, Close Range Tactics
:
★ Medio, Medium Range Tactics
:
★ Largo, Long Range Tactics
:
★ Hakbang, general term for footwork
:
★ Corto Mano, close range, short movements, minimal extension of arms, legs and weapons, cutting distance
:
★ Serrada "split step", short range footwork, quick, split action, front and back, low stance
::
★ Serrada footwork is the base of a triangular framework methodology
:
★ Largo Mano, long range, extended movements, full extension of arms, legs and weapons, creating distance
:
★ Fraile, short range footwork, hopping action, balanced position, short hop, pushing off from the lead foot
:
★ Ritriada short range footwork, shuffling action, pushing backward by pushing off the lead foot, giving six to eight inches of range per action.
:
★ Banda y Banda, side to side action

Basic training and tactical methods

:
★ Solo Baston, single stick methods
:
★ Doble Baston, double stick methods
:
★ Bati-Bati, butt of stick methods
:
★ Dulo-Dulo, palm stick methods
:
★ Bantay-Kamay, Tapi-Tapi "guardian hand" or "alive hand", auxiliary weapons tactics used for deflecting, checking, blocking, monitoring, trapping, locking, disarming, striking, cutting, etc. Bantay-Kamay is the auxiliary weapon in the FMA. Examples: Solo Baston (single stick) tactics, it becomes the empty hand, Espada y Daga it becomes the Daga; which used in conjunction with the primary weapon.
:
★ Mano Mano, hand to hand combat methods
:
★ Baraw, knife and dagger methods
:
★ Mano y Daga, hand and dagger methods
:
★ Daga y Daga, dagger and dagger methods
:
★ Espada y Daga, sword and dagger methods
:
★ Latigo y Daga, whip and dagger methods
:
★ Tapon-Tapon, hand thrown knives and weapons tactics
:
★ Numerado, striking and blocking by the numbers, refers to the most basic strikes and angles in Eskrima
:
★ Cinco Teros, five strikes, refers to the five most basic strikes, and counters in Eskrima
:
★ Doblete, two-weapon blocking and countering method of doubles
:
★ Sinawali, weaving - rhythmic, flowing, striking patterns and tactics, utilizing two impact or edged weapons.
:
★ Redonda, repeating pattern, double strikes and tactics
:
★ Ocho ocho, repeating pattern, strikes and tactics, example figure 8
:
★ Palis Palis, force with force, force to force method
:
★ Abaniko, to fan, fanning strikes and tactics
:
★ Witik, whipping, snapping back or picking movements and tactics
:
★ Lobtik, follow through strikes and tactics, horizontal, vertical, diagonal methods
:
★ Crossada, cross blocking methods, hands and weapons
:
★ Gunting, scissors - armed and unarmed scissoring techniques aimed at disabling an opponent's arm or hand
:
★ Lock and block, dynamic countering, attacks based on the striking and blocking methods of the system
:
★ Free Flow, live interaction and play, flowing practice, rapid, rhythmic, weapons tactics
:
★ Mano Mano, hand to hand combat methodologies
:
★ Kadena De Mano chain of hands, close quarters, continuous, hand to hand combat tactics
:
★ Hubud Lubud, to tie and untie, continuous trapping methods
:
★ Trankada, joint locking and breaking techniques
:
★ Pangamut, mano mano, Pamuok, empty-hand techniques
:
★ Kino mutai, a sub-section of Pangamut that specializes in biting and eye-gouges
:
★ Panganaw, disarming techniques
:
★ Panantukan or Panuntukan, Filipino kickboxing
:
★ Pananjakman and Sipat, low-line kicking components
:
★ Suntukan, Filipino Boxing, empty-hand striking techniques
:
★ Dumog, Filipino grappling methods with an emphasis on disabling or control of the opponent by manipulation of the head and neck

Spiritual or internal practice

:
★ Anting-anting, an Eskrimadors Talisman
:
★ Orascion, an Escrimadors special verse or prayer
:
★ Hilot, Filipino Healing Arts
:
★ Arbularyo, Filipino healers and herbalists
:
★ Kulam, Filipino witchcraft

Filipino martial art systems

'List of eskrima systems'

Sources

★ The FMA-Eskrima-Kali FAQ