'Epic Comics' was a creator-owned imprint of
Marvel Comics started in 1982, lasting through the mid-1990s, and being briefly revived on a small scale in the mid-2000s.

''Dreadstar'' #1 (Nov. 1982), debut publication of Marvel Comics' Epic imprint. Cover art by
Jim Starlin
Launched by editor-in-chief
Jim Shooter as a spin-off of the successful ''
Epic Illustrated'' magazine, the Epic imprint allowed creators to retain control and ownership of their properties. Co-edited by
Al Milgrom and
Archie Goodwin, the imprint also allowed Marvel to publish a more mature line of comics oriented toward an older audience.
The first project was ''
Dreadstar'', a
space opera by
writer-
artist Jim Starlin, published November 1982. Subsequent titles included ''
Coyote'' by
Steve Englehart, ''
Alien Legion'' (a war series set in outer space, created by
Carl Potts but written by others), ''
Six from Sirius'', a
sci-fi title by writer
Doug Moench and artist
Paul Gulacy, ''
Sisterhood of Steel'', a saga of elite women-warriors by
Christy Marx and
Mike Vosburg and ''
Void Indigo'', a controversial title written by
Steve Gerber.
The line branched out later with
historical fiction (''Black Dragon''),
social commentary (''
The One'', ''
Marshal Law''),
humor (''
Groo'') and
fantasy (''
Moonshadow'', ''
Elfquest''). However, initial sales were disappointing, so in order to give the line a boost, popular Marvel writer-artist
Frank Miller and artist
Bill Sienkiewicz were commissioned to develop ''
Elektra: Assassin'', featuring the ninja assassin from the ''
Daredevil'' comic book.
Although Epic was meant to be mainly a creator-owned line, ''Elektra: Assassin'' became only the first title featuring Marvel characters published by the imprint. Others included ''
Meltdown'', a painted mini-series featuring
Havok and
Wolverine from the ''
X-Men''; a resurrected ''
Tomb of Dracula''; and the miniseries ''
Silver Surfer: Parable'', dealing with messianic themes, written by
Stan Lee with art by
French comics storyteller
Mœbius). Marvel then commissioned writer and Marvel editor
Archie Goodwin to create original characters for a Mature Readers superhero line for Epic Comics. This took the form of The
Shadowline Saga, a storyline spanning four different titles in 1987.
Epic was also notable as one of the first American comic publishers to release material originally produced in other countries, such as the Moebius graphic novels ''
Airtight Garage'', ''
The Incal'' and ''
Blueberry'', published here in English translations by
Jean-Marc Lofficier &
Randy Lofficier. Epic also published
Katsuhiro Otomo's
manga classic ''
Akira'', with translations by Marvel staffer
Mary Jo Duffy and colors by
Steve Oliffe.
As well, Epic, now edited by Potts,
licensed a variety of literary material, the best known of which were the
Clive Barker novels and stories, including ''
Hellraiser'', ''
Nightbreed'' and ''
Weaveworld''. Other adapted works included ''
William Shatner's Tekworld'', the ''
Wild Cards'' anthologies, and William Gibson's ''
Neuromancer''.
Epic's cachet dimmed somewhat in the late 1980s and early '90s, partly as a consequence of the new breed of "grim and gritty" stories Epic had helped to pioneer but which had now become a staple of mainstream comics. Yet during a sales boom in comics around that time, Epic published the four-part
graphic novel miniseries ''
Atomic Age'', a 1950s-style
science fiction story reimagined from a contemporary perspective by writer
Frank Lovece and artists
Mike Okamoto and
Al Williamson, and brought out the action-oriented
Heavy Hitters line with material from
Peter David (''
Sachs and Violens''),
Howard Chaykin (''
Midnight Men''),
Gerard Jones (''
The Trouble with Girls''),
Joe Kubert ''(Abraham Stone'') and
Steve Purcell (''
Sam & Max''). The subsequent comic-book sales bust, however, prompted Marvel to end Epic in 1994. In late 1995, the line was temporarily brought back to complete the reprinting of the Akira manga. Epic was ended again when the series completed in early 1996.
Epic returns
In 2001, after recovering from
bankruptcy, Marvel returned to publishing material suited for mature audiences, inaugurating with a new imprint called
MAX. Yet in 2003, Epic was brought back, with editors originally scouting for new creator-owned projects before deciding to adapt lesser-known Marvel properties. Marvel Editors quietly contacted new and budding writers in the industry, such as Plain Dealer newspaper and Newsarama Comic Critic Michael San Giacomo,
Ryan Scott Ottney, Eric J. Moreels, Jason Henderson, and many others, to ask for new comic pitches using existing Marvel properties. San Giacomo created his own character, Phantom Jack.
The new Epic received considerable attention with ''
Trouble'', a miniseries by
Mark Millar that supposedly would
retcon the
Spider-Man mythos by revealing that
May Parker was actually Peter's mother, but although all the main characters sported names any Spider-fan would recognize, there was no explicit revelation that they were in any way connected to their Marvel Universe namesakes. Other comics in the line, including a
Crimson Dynamo title, were produced by lesser-known talents, and the line was aborted before it could develop traction. A number of solicitations were cancelled. Titles that were in progress when Marvel's new management dumped the line were hastily thrown together under one cover with the title
Epic Anthology Presents, which was promptly cancelled after the first issue was published. San Giacomo pulled Phantom Jack from the anthology before it was published. The character was published instead by Image Comics and returned in 2007 and 2008 through Atomic Pop Art Enterprises.
Titles
★ ''
Airtight Garage'' - French comic, created by
Moebius
★ ''
Akira'' - Manga -
Katsuhiro Otomo
★ ''
Alien Legion'' - created by
Carl Potts
★ ''
Atomic Age''
★ ''
Black Dragon'' - written by
Chris Claremont, art by
John Bolton
★ '' - created by
J.M. DeMatteis
★ ''
The Bozz Chronicles'' - written by by
David Michelinie, art by
Bret Blevins
★ ''
Coyote''
★ ''
Crash Ryan''
★ ''
Crimson Dynamo''
★ ''
Dreadstar'' - created by
Jim Starlin
★ ''
★ ''Epic Anthology'' - collected the complete first issues of three different titles that were developed as individual mini-series (Sleepwalker, Young Ancient One and Strange Magic); only one issue published
★ ''
Epic Illustrated'' - magazine anthology similar to ''
Heavy Metal''
★ ''
Feud''
★ ''
Groo the Wanderer'' - by
Sergio Aragones,
Mark Evanier and
Stan Sakai
★ ''Gun Theory'' - by
Daniel Way and
Jon Proctor, cancelled mid-series after two issues
★ ''
Hellraiser'' - based on concepts by
Clive Barker, includes a separate outing for ''
Pinhead''
★ ''
The Last American''
★ ''
Moonshadow'' - created by
J.M. DeMatteis
★ ''
Nightbreed'' - based on Clive Barker's novel and movie by the same name. It follows the original story and continues, with two special issues crossing-over into the Hellraiser line.
★ ''
The Olympians'' -
Stephen Jewell and
Gary Chaloner
★ ''
The One''
★ ''
The Shadowline Saga''
★
★ ''
Dr. Zero''
★
★ ''
Powerline''
★
★ ''
St. George''
★
★ ''
Critical Mass''
★ ''
Silver Surfer: Parable''
★ ''
Sisterhood of Steel''
★ ''
Six from Sirius''
★ ''
The Sleeze Brothers''
★ ''
Starstruck'' - written by
Elaine Lee, art by
Michael William Kaluta
★ ''
Steelgrip Starkey'' - miniseries -
Alan Weiss
★ ''
Stray Toasters''
Bill Sienkiewicz
★ ''
Swords of the Swashbucklers'' - written by
Bill Mantlo, art by
Jackson "Butch" Guice
★ William Shatner's ''
Tek World''
★ ''
Timespirits
★ ''
Tomb of Dracula'' - controversial revival by
Marv Wolfman and
Gene Colan
★ ''
Trouble''
★ ''
Void Indigo''
★ ''
War Man'' - written by
Chuck Dixon, art by
Juan Zanotto (2 parts;
1993)
Sources
★
"Marvel to tell 'Epic' stories once again", ''Comic Book Resources''
★
"Epic Comics", ''International Catalogue of Superheroes''
★
"The Trouble with Marvel", ''The Comics Journal''
★
"Epic publishing timeline", ''Maelmill.com''