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The 'Culture of the Soviet Union' passed through several stages during the 70 year existence of the Soviet Union.

Contents

History

The Lenin years

Stalin era

Late Soviet Union

Control over information

See also

References and further reading

History

The Lenin years

The main feature of communist attitudes towards the arts and artists in the years 1918-1929 was relative freedom and significant experimentation with several different styles in an effort to find a distinctive Soviet style of art. Lenin wanted art to be accessible to the Russian people.
At first artists and writers were given a fair amount of freedom but many fled Russia because of their opposition to the Bolshevik government. Lenin was a traditional man in art. He hated the new 'isms' (Futurism, Expressionism) and wanted art to be kept to traditional ways. Lenin showed his support to the art scene and wanted art to be accessible to the masses. He nationalised many private art collections and created the Museum of New Western Art in Moscow. Lenin wanted at the beginning to have full control of the art system and he appointed Izo-Narkompros to take control. The proletkult movement soon sprung up after the February Revolution. Its members wanted to make art more sympathetic to the masses and to encourage more participation in the arts. Many new art studios were set up in many cities. Its movement was progressive and its members pro-revolutionary.
In many respects, the NEP period was a time of relative freedom and experimentation for the social and cultural life of the Soviet Union. The government tolerated a variety of trends in these fields, provided they were not overtly hostile to the regime. In art and literature, numerous schools, some traditional and others radically experimental, proliferated. Communist writers Maksim Gorky and Vladimir Mayakovsky were active during this time, but other authors, many of whose works were later repressed, published work lacking socialist political content. Film, as a means of influencing a largely illiterate society, received encouragement from the state; much of cinematographer Sergei Eisenstein's best work dates from this period.
Education, under Commissar Anatolii Lunacharskii, entered a phase of experimentation based on progressive theories of learning. At the same time, the state expanded the primary and secondary school system and introduced night schools for working adults. The quality of higher education suffered, however, because admissions policies preferred entrants from the proletarian class over those of bourgeois backgrounds, regardless of the applicants' qualifications.
Under NEP the state eased its active persecution of religion begun during war communism but continued to agitate on behalf of atheism. The party supported the Living Church reform movement within the Russian Orthodox Church in hopes that it would undermine faith in the church, but the movement died out in the late 1920s.
In family life, attitudes generally became more permissive. The state legalized abortion, and it made divorce progressively easier to obtain. In general, traditional attitudes toward such institutions as marriage were slowly changed by the party's promotion of revolutionary ideals.

Stalin era

Arts during the rule of Joseph Stalin were characterised by the rise and domination of the government-imposed style of Socialist realism, with all other trends being severely repressed, with rare exceptions (e.g., many notable Mikhail Bulgakov's works - however the full text of his The Master and Margarita was published only in 1966). Many writers were imprisoned and killed or died of starvation, examples being, Osip Mandelstam, Isaac Babel and Boris Pilnyak. Andrei Platonov worked as a caretaker and wasn't allowed to publish. After a short period of the reneissance of the Ukrainian literature more than 250 Soviet Ukrainian writers died during the Great Purge (e.g. Valeran Pidmohyl'nyi (1901-1937)) (so called The Executed Renaissance). Texts of imprisoned authors were confiscated by the NKVD and some of them were published later. Books were removed from libraries and destroyed.

Late Soviet Union

In the 1960s, 1970s, and 1980s, the Brezhnev era, a distinctive period of Soviet culture developed characterized by conformist public life and intense focus on personal life. In the late Soviet Union Soviet popular culture was characterized by fascination with American popular culture as exemplified by the blue jeans craze.
In arts, the liberalisation of all aspects of life starting from the Khrushchev Thaw created a possibility for the evolution of various forms of non-formal, underground and dissident art; still repressed, but no longer under the immediate threat of Gulag labor camps.
Greater experimentation in art forms became permissible in the 1970s, with the result that more sophisticated and subtly critical work began to be produced. The regime loosened the strictures of socialist realism; thus, for instance, many protagonists of the novels of author Iurii Trifonov concerned themselves with problems of daily life rather than with building socialism. In music, although the state continued to frown on such Western phenomena as jazz and rock, it began to permit Western musical ensembles specializing in these genres to make limited appearances. But the native balladeer Vladimir Vysotskii, widely popular in the Soviet Union, was denied official recognition because of his iconoclastic lyrics.

Control over information

''Main articles: Printed media in the Soviet Union, Television in the Soviet Union, Radio in the Soviet Union.''
All media in the Soviet Union were controlled by the state including television and radio broadcasting, newspaper, magazine and book publishing. This was achieved by state ownership of all production facilities, thus making all those employed in media state employees. This extended to the fine arts including the theater, opera and ballet. Art and music was controlled by ownership of distribution and performance venues.
Censorship was backed in cases where performances did not meet with the favor of the Soviet leadership with newspaper campaigns against offending material and sanctions applied though party controlled professional organizations.
In the case of book publishing a manuscript had to pass censorship and the decision of a state owned publishing house to publish and distribute the book. Books which met with official favor, for example, the collected speeches of Leonid Brezhnev were printed in vast quantities while less favored literary material might be published in limited numbers and not distributed widely. Popular escapist literature such as the popular best-sellers, mysteries and romances which form the bulk of Western publishing was nearly non-existent.
Possession and use of copying machines was tightly controlled in order to hinder production and distribution of samizdat, illegal self-published books and magazines. Possession of even a single samizdat manuscript such as a book by Andrei Sinyavsky was a serious crime which might involve a visit from the KGB. Another outlet for works which did not find favor with the authorities was publishing abroad.
It was the practice of libraries in the Soviet Union to restrict access to back issues of journals and newspapers more than 3 years old.

See also

★ Demographics of the Soviet Union

★ Religion in the Soviet Union

★ Culture of Belarus

★ Culture of Russia

★ Culture of Ukraine

★ Soviet people

★ Soviet cuisine

★ Family in the Soviet Union

References and further reading

★ Tatyana Zaslavskaya, ''The Second Socialist Revolution: An Alternative Soviet Strategy'', Indiana University Press, 1990, trade paperback, 241 pages, ISBN 0-253-36860-X

★ Original article is taken from the Wikinfo article, "Culture of the Soviet Union", http://www.wikinfo.org/wiki.php?title=Culture_of_the_Soviet_Union

★ ''This article incorporates public domain text from the Library of Congress Country Studies''. - Soviet Union