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COMEDY


The word 'comedy' has a classical meaning (comical theatre) and a popular one (the use of humor with an intent to provoke laughter in general).
In the theater, its Western origins are in ancient Greek tragedy, a genre characterised by a grave fall from grace by a protagonist having high social standing. Comedy, by contrast, portrays a conflict or agon (Classical Greek '') between a young hero and an older authority, a confrontation described by Northrop Frye as a struggle between a "society of youth" and a "society of the old". A more recent development is to regard this struggle as a mere pretext for disguise, a comical device centered on uncertainties regarding the meaning of social identity. The basis of comedy would then be a plot mechanism conceived to engender misunderstandings either about a hero's identity or about social being in general.
In common, present day usage the word comedy almost always refers to the creation or presentation of humor with the intention of provoking laughter. Most comedy contains variations on the elements of surprise, incongruity, conflict, repetitiveness, and the effect of opposite expectations, but there are many recognized genres of comedy. Satire and political satire use ironic comedy to portray persons or social institutions as ridiculous or corrupt, thus alienating their audience from the object of humor. Parody borrows the form of some popular genre, artwork, or text but uses certain ironic changes to critique that form from within (though not necessarily in a condemning way). Screwball comedy derives its humor largely from bizarre, surprising (and improbable) situations or characters. Black comedy is defined by dark humor that makes light of so called dark or evil elements in human nature. Similarly scatological humor, sexual humor, and race humor create comedy by violating social conventions or taboos in comedic ways. A comedy of manners typically takes as its subject a particular part of society (usually upper class society) and uses humor to parody or satirize the behavior and mannerisms of its members. Romantic comedy is a popular genre that depicts burgeoning romance in humorous terms and focuses on the foibles of those falling in love.

Contents
Derivation
See also
Forms
Styles
Historical or theatre
Definitions
Comedy events and awards
Lists of comedy performers
By nationality
Lists of comedy programs
Other lists
Related articles
Notes
References
External links

Derivation


The word "comedy" is derived from the Classical Greek ''κωμῳδία'', which is a compound either of ''κῶμος'' (revel) or ''κώμη'' (village) and ''ᾠδή'' (singing): it is possible that ''κῶμος'' itself is derived from ''κώμη'', and originally meant a village revel.
In ancient Greece, comedy seems to have originated in bawdy and ribald songs or recitations apropos of fertility festivals or gatherings, or also in poking fun at other people or stereotypes.[1]
Aristotle, in his Poetics, states that comedy originated in Phallic songs and the light treatment of the otherwise base and ugly. He also adds that the origins of comedy are obscure because it was not treated seriously from its inception.[2]
The word came into modern usage through the Latin ''comoedia ''and Italian ''commedia'' and has, over time, passed through various shades of meaning. In the middle ages it simply defined a story with a happy ending; thus some of Chaucer's tales are called comedies, and in this sense Dante used the term in the title of his poem, La Commedia.
The adjective "comic" (Greek κωμικός), which strictly means that which relates to comedy is, in modern usage, generally confined to the sense of "laughter-provoking". The phenomena connected with laughter and that which provokes it has been carefully investigated by psychologists and agreed upon the predominating characteristics are incongruity or contrast in the object, and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential, if not the essential, factor: thus Hobbes speaks of laughter as a "sudden glory." Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play instinct" and its emotional expression.

See also


Forms


Bouffon comedy

Comedy film


Anarchic comedy film


Gross-out film


Parody film


Romantic comedy film


Screwball comedy film


Slapstick film

Comic novel

Dramedy

Improvisational comedy

List of musical comedians

Stand-up comedy


Alternative comedy


Impressionist (entertainment)


One-liner joke


Comedy genres

Sketch comedy

Television comedy and Radio comedy


Situation comedy

Tragicomedy
Styles

Main articles: Comedy genres


Adage

Alternative Comedy

Black comedy

Ethnic Comedy

Fantasy

Irony

Observational

Parody

Political satire

Satire

Situation comedy

Slapstick
Historical or theatre


Ancient Greek comedy, as practiced by Aristophanes and Menander

Ancient Roman comedy, as practiced by Plautus and Terence

Burlesque, from Music hall and Vaudeville to Performance art

Citizen comedy, as practiced by Thomas Dekker, Thomas Middleton and Ben Jonson

Clowns such as Richard Tarlton, William Kempe and Robert Armin

Comedy of humours, as practiced by Ben Jonson and George Chapman

Comedy of intrigue, as practiced by Niccolò Machiavelli and Lope de Vega

Comedy of manners, as practiced by Molière, William Wycherley and William Congreve

★ ''comédie larmoyante'' or 'tearful comedy', as practiced by Pierre-Claude Nivelle de La Chaussée and Louis-Sébastien Mercier

★ ''Commedia dell'arte'', as practiced in the twentieth-century by Dario Fo, Vsevolod Meyerhold and Jacques Copeau

Farce, from Georges Feydeau to Joe Orton and Alan Ayckbourn

Jester

Laughing comedy, as practiced by Oliver Goldsmith and Richard Brinsley Sheridan

Restoration comedy, as practiced by George Etherege, Aphra Behn and John Vanbrugh

Sentimental comedy, as practiced by Colley Cibber and Richard Steele

Shakespearean comedy, as practiced by you know who

Dadaist and Surrealist performance, usually in cabaret form

Theatre of the absurd, used by some critics to describe Samuel Beckett, Harold Pinter, Jean Genet and Eugène Ionesco
[3]
Definitions


Comedian

Comedy club
Comedy events and awards


British Comedy Awards

Canadian Comedy Awards

Cat Laughs Comedy Festival

Edinburgh Fringe Festival

Halifax Comedy Festival

HBO Comedy Arts Festival

Just for laughs festival

Melbourne International Comedy Festival

New York Underground Comedy Festival

Vancouver Comedy Festival
Lists of comedy performers


List of comedians
By nationality


List of British Comedians

List of Canadian comedians

List of Finnish comedians

List of German language comedians

List of Italian comedians

List of Mexican comedians

List of Puerto Rican comedians
Lists of comedy programs


British sitcom

British comedy

Comedy Central - A television channel devoted strictly to comedy.

German television comedy

List of British TV shows remade for the American market

Paramount Comedy (Spain)y.

Paramount Comedy 1 and 2.

TBS (TV network)

The Comedy Channel (Australia)

The Comedy Channel (UK)

The Comedy Channel (USA) not to be confused with HA! - channels that have merged into Comedy Central.

The Comedy Network, a Canadian TV channel.
Other lists


List of comedies

List of New York Improv comedians
Related articles


Humour

Joke

Laughter

Rule of three (writing)

Notes



1. Francis MacDonald Cornford, The Origin of Attic Comedy, 1934.
2. Aristotle, Poetics, lines beginning at 1449a. [1]
3. This list was compiled with reference to ''The Cambridge Guide to Theatre'' (1998).


References



★ Aristotle, Poetics.

★ Buckham, Philip Wentworth, ''Theatre of the Greeks'', 1827.

Marteinson, Peter, On the Problem of the Comic: A Philosophical Study on the Origins of Laughter, Legas Press, Ottawa, 2006.

★ Pickard-Cambridge, Sir Arthur Wallace


★ ''Dithyramb, Tragedy, and Comedy '', 1927.


★ ''The Theatre of Dionysus in Athens'', 1946.


★ ''The Dramatic Festivals of Athens'', 1953.

★ Raskin, Victor, The Semantic Mechanisms of Humor, 1985.

★ Riu, Xavier, ''Dionysism and Comedy'', 1999. [2]

★ Sourvinou-Inwood, Christiane, ''Tragedy and Athenian Religion'', Oxford University Press, 2003.

★ Wiles, David, ''The Masked Menander: Sign and Meaning in Greek and Roman Performance'', 1991.

External links



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