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'Colin McPhee' (February 15, 1900, in Montreal or Toronto – January 7, 1964, in Los Angeles) was a Canadian composer and musicologist. He is primarily known for being the first Western composer to make an ethnomusicological study of Bali, and for the quality of that groundbreaking work. He also composed music influenced by that of Bali and Java decades before such world music–based compositions became widespread.

Contents

Chronology

Published works

Further reading

References

External links

Listening

Chronology

McPhee studied with the avant-garde composer Edgard Varèse before marrying Jane Belo, a disciple of Margaret Mead, in 1931. He was involved in the circle of experimental composers known as the "ultra-modernists" and was among those—along with the group's leader, Henry Cowell, John Becker, and Cowell protégé Lou Harrison—particularly interested in what would later become known as "world music." McPhee is said to have first encountered Balinese music while listening to a record in New York City.> He and his wife moved to Bali together for Belo's anthropological work. Once there McPhee became so interested in the local music that he studied, built, and wrote extensively about the gamelans. McPhee, who was gay, divorced Belo in 1939. In the early 1940s he lived in a large brownstone in Brooklyn, which he shared with Leonard Bernstein and Benjamin Britten, among others. McPhee was responsible for introducing Britten to the Balinese music that influenced such works by the British composer as ''The Prince of the Pagodas'', ''Curlew River'', and ''Death in Venice''.^[1] Later in the decade, McPhee fell into an alcohol-fueled depression, but began to write music again during the 1950s. He became professor of ethnomusicology at UCLA in 1958 and was also a respected jazz critic.

Published works

McPhee's ''A House in Bali'', the chronicle of his life there, remains an invaluable introduction to Balinese culture. His posthumoustly published ''Music in Bali'' was the first comprehensive analysis of Balinese music published in English.
His best-known musical work is ''Tabuh-Tabuhan: Toccata for Orchestra,'' composed and premiered in Mexico in 1936. Its title translates as "collection of percussion instruments," and it combines Balinese and traditional Western musical elements. It is scored for Western orchestra, but, in McPhee's description, the core of the ensemble is a "'nuclear gamelan' composed of two pianos, celesta, xylophone, marimba, and glockenspiel," giving it a highly percussive balance of sound. The orchestra is augmented by two Balinese gongs and cymbals. The work is in three movements: "Ostinatos," a flute-inspired "Nocturne," and a syncopated "Finale." Some of the themes in it derive from Balinese folk sources.

Further reading

A House in Bali, , Colin, McPhee, Victor Gollancz Ltd, ,

References

1. Philip Brett, "Eros and Orientalism in Britten's Operas," in ''Queering the Pitch: The New Gay and Lesbian Musicology'', ed. Philip Brett, Elizabeth Wood, and Gary C. Thomas (London: Routledge, 1994), pp. 235–256.

External links

★ UCLA Ethnomusicology Archive including a slideshow and movies about Colin McPhee

★ Colin McPhee's entry in the Canadian Encyclopedia

★ Colin McPhee: Composer in Two Worlds by Carol Oja

Listening

★ Portrait of Composer Colin McPhee by Charles Amirkhanian (November 5, 1980)