:''For the architect and furniture designer, see
Charles Eastlake''

''Christ Lamenting over Jerusalem'', one of Eastlake's most popular biblical paintings
'Sir Charles Lock Eastlake',
RA, (
17 November 1793 –
24 December 1865) was an
English painter, gallery director, collector and writer of the early
19th century.
Early life
Born in
Plymouth,
Devon, the fourth son of an
Admiralty lawyer, Eastlake was educated at local grammar schools in Plymouth and, briefly, at
Charterhouse,
Surrey.
Career
Set on becoming a painter, in
1809 he became the first pupil of
Benjamin Haydon and a student at the
Royal Academy schools in
London - where he later exhibited.
However his first exhibited work was shown at the British Institution in
1815, a year in which he also visited
Paris and studied works in the
Louvre (then known as the
Musée Napoléon). His first notable success was a painting ''
Napoleon on Board the
Bellerophon in Plymouth Sound'' (1815; now in the
National Maritime Museum, London).
In 1816, he travelled to
Rome where he painted members of the British elite staying in
Italy including fellow artists Sir
Thomas Lawrence and
J. M. W. Turner. He also travelled to
Naples and
Athens.
Despite being based predominantly in mainland Europe, Eastlake regularly sent works back to London for exhibition and in
1827 he was elected a member of the Royal Academy. Three years later, he returned to England permanently where he continued to paint historic and biblical paintings set in
Mediterranean landscapes.
As an art scholar, he translated
Goethe's ''Zur Farbenlehre'' (Theory of Colours,
1810) and the ''Handbuch der Geschichte der Malerei'' (Handbook of the History of Painting) by
Franz Kugler. These publications and his reputation as an artist led to his nomination in 1841 to become secretary of the
Fine Arts Commission, the body in charge of government art patronage.
Having already advised the
National Gallery, London on acquisitions, he was appointed the Gallery's first Keeper in 1843, a post he later resigned to resume writing and painting.
In
1849 he married
Elizabeth Rigby, an art historian and translator of German art histories, forming a formidable art history writing partnership.
Elected President of the Royal Academy and knighted in 1850, he became a notable figure in the British art establishment, being appointed the first President of the
Photographic Society in
1853 and, in
1855, the first Director of the National Gallery. His directorship was marred by the signal failure of the National Gallery to fulfil the terms of the bequest of J.M.W.Turner, his erstwhile friend.

Funerary monument, Kensal Green Cemetery, London
Legacy
After Eastlake died in
Pisa, Italy on Christmas Eve, 1865, and is buried at
Kensal Green Cemetery, London. His will provided for the Gallery to purchase his own collection of paintings. Lady Eastlake also sold her husband's art history book collection to the Gallery's library.
Publications
''Materials for a History of Oil Painting'' (1847)
''Contributions to the Literature of the Fine Arts'' (1848)