'Audio signal processing', sometimes referred to as 'audio processing', is the processing of a representation of
auditory signals, or
sound. The representation can be
digital or
analog.
The focus in audio signal processing is most typically a mathematical analysis of which parts of the signal are audible. For example, a signal can be modified for different purposes such that the modification is controlled in the auditory domain.
The parts of the signal are heard and which are not, is not decided merely by
physiology of the
human hearing system, but very much by
psychological properties. These properties are analysed within the field of
psychoacoustics.
History of audio processing
Audio processing was necessary for early radio broadcasting -- as there were many problems with studio to transmitter links.
Analog signals
An analog representation is usually electrical; a
voltage level represents the
air pressure waveform of the sound.
Digital signals
A digital representation expresses the pressure wave-form as a sequence of symbols, usually
binary numbers, which permits
digital signal processing. It must be noted that all real world audio signals are continuous-time analog signals. Therefore,
sampling and
quantization must be applied to convert the continuous-time analog signal to a discrete-time digital representation. While such a conversion is lossy, most modern audio systems use this approach as the techniques of
digital signal processing are much more powerful and efficient than analog domain signal processing.
Application areas
Processing methods and application areas include
storage,
level compression,
data compression,
transmission, enhancement (e.g.,
equalization,
filtering,
noise cancellation,
echo or
reverb removal or addition, etc.)
Audio Broadcasting
Audio broadcasting (be it for
television or audio broadcasting) is perhaps the biggest market segment (and user area) for audio processing products -- globally.
Traditionally the most important audio processing (in audio broadcasting) takes place just before the transmitter. Studio audio processing is limited in the modern era due to digital audio systems (mixers, routers) being pervasive in the studio.
In audio broadcasting, the audio processor must
★ prevent
overmodulation, and minimize it when it occurs
★ maximize overall loudness
★ compensate for non-linear transmitters, more common with
medium wave and
shortwave broadcasting