ATARGATIS

:''For the metal band, see Atargatis (band).''
'Atargatis', in Aramaic '‘Atar‘atah', was a Syrian deity, "the great mistress of the North Syrian lands" Rostovtseff called her,^[1] commonly known to the Greeks by a shortened form of the name, 'Derceto' or 'Derketo' (Strabo 16.785; Pliny, ''Nat. Hist.'' 5.81), and as ''Dea Syria'' ("Goddess of Syria", rendered in one word ''Deasura''). She is often now popularly described as the mermaid-goddess, from her fish-bodied appearance at Ascalon and in Diodorus Siculus — a widely accessible source — but which is by no means her universal appearance.^[2]
As 'Ataratha' she may be recognized by the self-mutilation of her votaries, recorded in a perhaps sensationalist Christian passage from the ''Book of the Laws of the Countries'', one of the oldest works of Syriac prose, an early-third-century product of the school of Bar Daisan (Bardesanes):
:"In Syria and in Urhâi [Edessa] the men used to castrate themselves in honor of Taratha. But when King Abgar became a believer, he commanded that anyone who emasculated himself should have a hand cut off. And from that day to the present no one in Urhâi emasculates himself anymore." —Chapter 45.

Contents

Her name

Cult centers and images

Atargatis mythology

Notes

References

External links

Her name

At Ugarit, cuneiform tablets attest a fecund "Lady Goddess of the Sea" (''rabbatu at̪iratu yammi''), and three Canaanite goddesses — Anat, Asherah and Ashtart — shared many traits and might be worshipped in conjunction or separately during 1500 years of cultural history.^[3]
The name appears in the ''Talmud'' ("Ab. Zarah" 11b, line 28) as ''tr‘th''. The full name ''‘tr‘th'' appears on a bilingual inscription found in Palmyra and on coins.
This name ''‘Atar‘atah'' is a compound of two divine names: the first part (''Atar'') is a form of the Ugaritic ''‘Athtart'', Himyaritic ''‘Athtar'', the equivalent of the Old Testament ''‘Ashtoreth'', the Phoenician ''‘Ashtart'' rendered in Greek as ''Astarte''. The feminine ending ''-t'' has been omitted. Compare the cognate Akkadian form ''Ishtar''. The second half (''atis'') may be a Palmyrene divine name ''Athe'' (i.e. ''tempus opportunum''), which occurs as part of many compounds.
Alternatively, the second half (''gatis'') may relate to the Greek ''gados'' "fish". (For example, the Greek name for "sea monster" or "whale" is the cognate term ''ketos''). So ''Atar-Gatis'' may simply mean "the fish-goddess Atar".

Cult centers and images

As a consequence of the first half of the name, Atargatis has frequently, though wrongly, been identified as ‘Ashtart. The two deities were probably of common origin and have many features in common, but their cults are historically distinct. We find reference in 1 Maccabees 5.43 to an Atargateion or Atergateion, a temple of Atargatis, at Carnion in Gilead, but the home of the goddess was unquestionably not Israel or Canaan, but Syria itself: at Hierapolis she had a great temple. At Palmyra she appears on the coinage with a lion, or her presence is sgnalled with a lion and the crescent moon: an inscription mentions her. In the temples of Atargatis at Palmyra and at Dura-Europos^[4] she appeared repeatedly with her consort, Hadad, and in the richly syncretic religious culture at Dura-Europos, was worshipped as ''Artemis Azzanathkona''.^[5]In the 1930s numerous Nabatean bas-relief busts of Atargatis were identified by Nelson Glueck at Khirbet et-Tannûr, Jordan, in temple ruins of the early first century CE;^[6] there the lightly veiled goddess's lips and eyes had once been painted red, and a pair of fish confronted one another above her head. Her wavy hair, suggesting water to Glueck, was parted in the middle. At Petra the goddess from the north was syncretised with a North Arabian goodess from the south al-Uzzah, worshipped in the one temple. At Dura-Europus among the attributes of Atargatis are the spindle and the sceptre or fish-spear.^[7]
At her temples at Ascalon, Hierapolis Bambyce, and Edessa, there were fish ponds, whose fish only her priests might touch.^[8] Glueck noted in 1936 that "to this day there is a sacred fish-pond swarming with untouchable fish at Qubbet el-Baeddwī, a dervish monastery three kilometres east of Tripolis, Lebanon."^[9]

From Syria her worship extended to Greece and to the furthest West. Lucian^[10] and Apuleius give descriptions of the beggar-priests who went round the great cities with an image of the goddess on an ass and collected money. The wide extension of the cult is attributable largely to Syrian merchants; thus we find traces of it in the great seaport towns; at Delos especially numerous inscriptions have been found bearing witness to her importance. Again we find the cult in Sicily, introduced, no doubt, by slaves and mercenary troops, who carried it even to the farthest northern limits of the Roman Empire. The leader of the rebel slaves in the First Servile War, a Syrian named Eunus, claimed to receive visions of Atargatis, whom he identified with the Demeter of Enna. In many cases Atargatis, ‘Ashtart, and other goddesses who once had independent cults and mythologies became fused to such an extent as to be indistinguishable.
This fusion is exemplified by the Carnion temple, which is probably identical with the famous temple of ‘Ashtart at Ashtaroth-Karnaim. Atargatis generally appears as the wife of Hadad. They are the protecting deities of the community. Atargatis, wearing a mural crown, is the ancestor the royal house, the founder of social and religious life, the goddess of generation and fertility (hence the prevalence of phallic emblems), and the inventor of useful appliances. Not unnaturally she is identified with the Greek Aphrodite. By the conjunction of these many functions, despite originating as a sea deity analogous to Amphitrite, she becomes ultimately a great nature-goddess, analogous to Cybele and Rhea: In one aspect she typifies the protection of water in producing life; in another, the universal of other-earth;^[11] in a third (influenced, no doubt, by Chaldean astrology), the power of Destiny.

Atargatis mythology

The legends are numerous and of an astrological character. A rationale for the Syrian dove-worship and abstinence from fish is seen in the story in Athenaeus 8.37, where ''Atargatis'' is naively explained to mean "without Gatis", the name of a queen who is said to have forbidden the eating of fish. Thus Diodorus Siculus (2.4.2), quoting Ctesias, tells how Derceto fell in love with a youth and became by him the mother of a child and how in shame Derceto flung herself into a lake near Ascalon and her body was changed into the form of a fish though her head remained human. Derceto's child grew up to become Semiramis, the Assyrian queen. In another story, told by Hyginus, an egg fell from the sky into the Euphrates, was rolled onto land by fish, doves settled on it and hatched it, and Venus, known as the Syrian goddess, came forth.
The author of ''Catasterismi'' explained the constellation of Piscis Austrinus as the parent of the two fish making up the constellation of Pisces; according to that account, it was placed in the heavens in memory of Derceto's fall into the lake at Hierapolis Bambyce near the Euphrates in Syria, from which she was saved by a large fish — which again explains the Syrian abstinence from fish.
Ovid in his ''Metamorphoses'' (5.331) relates that Venus took the form of a fish to hide from Typhon. In his ''Fasti'' (2.459-.474) Ovid instead relates how Dione, by whom Ovid intends Venus/Aphrodite, fleeing from Typhon with her child Cupid/Eros came to the river Euphrates in Syria. Hearing the wind suddenly rise and fearing that it was Typhon, the goddess begged aid from the river nymphs and leapt into the river with her son. Two fish bore them up and were rewarded by being transformed into the constellation Pisces — and for that reason the Syrians will eat no fish.
A recent analysis of the cult of Atargatis is the essay by Per Bilde, in ''Religion and Religious Practice in the Seleucid Kingdom'' (in series "Studies in Hellenistic Civilization") Aarhus University Press (1990), in which Atargatis appears in the context of other Hellenized Great Goddesses of the East.

Notes

1. M. Rostovtseff, "Hadad and Atargatis at Palmyra", ''American Journal of Archeology'' '37' (January 1933) , pp 58-63, examining Palmyrene stamped tesserae.
2. The modern repertory of literary allusions to her is Paul Louis van Berg, ''Corpus Cultus Deae Syriae (C.C.D.S.): les sources littéraires'', Part I: ''Répertoire des sources grecques et latines''; Part II: ''Études critiques des sources mythologiques grecques et latines'' (Leiden:Brill) 1973.
3. Robert A. Oden, Jr, "The Persistence of Canaanite Religion" ''The Biblical Archaeologist'' '39'.1 (March 1976, pp. 31-36) p. 34.
4. She is intended at Dura-Europos in the guise of the Tyche of Palmyra, accompanied by the lion, in a fresco from the sanctuary of the Palmyrene gods, removed to the Yale Art Gallery.
5. Rostovtseff 1933:58-63; ''Dura-Europos'' III.
6. Nelson Glueck, "A Newly Discovered Nabataean Temple of Atargatis and Hadad at Khirbet Et-Tannur, Transjordania" ''American Journal of Archaeology'' '41'.3 (July 1937), pp. 361-376.
7. Baur, ''Dura-Europos'' III, p. 115. For Pindar (''Sixth Olympian Ode''), the Greek sea-goddess Amphitrite is "goddess of the gold spindle".
8. Lucian, ''De Dea Syria''; Diodorus Siculus II.4.2.
9. Glueck 1936: p. 374, note 4
10. Lucian, ''De Dea Syria''.
11. Macrobius. ''Saturn'', 1.23.

References

★

★ Moshe Weinfeld, "Semiramis: her name and her origin." In: Mordechai Cogan/Israel Eph’al (ed.), ''Ah, Assyria...:Studies in Assyrian history and ancient Near Eastern historiography presented to Hayim Tadmor'' (series Scripta Hierosolymitana 33), (Jerusalem 1991), 99-103.

External links

★ Jewish Encyclopedia: Derceto

★ Lucian of Samosata, ''Concerning the Syrian Goddess'' (English translation and commentary.)