
Grave of Ashikaga Yoshimasa, Kyoto
was the '8th
shogun' of the
Ashikaga shogunate who reigned from
1449 to
1473 during the
Muromachi period of
Japan. Yoshimasa was the son of the sixth shogun
Ashikaga Yoshinori.
The teenage Yoshimasa became ''
Seii Taishogun'' six years after the death in
1443 of his older brother, the seventh shogun
Ashikaga Yoshikatsu.
During Yoshimasa's reign Japan saw the growth of
Higashiyama Culture, famous for
Japanese tea ceremony (''Sado''), Japanese flower arranging (''Kado'' or
''Ikebana''), ''
Noh''
Japanese drama, and
Indian ink painting. Higashiyama culture was greatly influenced by
Zen Buddhism and saw the rise of Japanese aesthetics like ''
Wabi-sabi'' and the harmonization of imperial court (''Kuge'') and
samurai (''Bushi'') culture.
By
1464, Yoshimasa still had no heir so he adopted his younger brother
Ashikaga Yoshimi in order to succeed him. However, in the next year, Yoshimasa was borne a son and a struggle for succession started between the two brothers. By
1467 their conflict expanded into the 11 year
ÅŒnin War, beginning the
Sengoku period of
Japanese history that would last over a century. In the middle of hostilities, Yoshimasa retired in 1473, relinquishing the position of ''Seii Taishogun'' to his son who became the ninth shogun
Ashikaga Yoshihisa.
Like most shoguns, he practiced the
shudo tradition, taking Akamatsu Norinao as his wakashu. A number of Ashikaga shoguns chose their beloveds from the Akamatsu family. Norinao, granted lands at the time in possession of Yamana Sozen, was attacked by the latter and took his own life. This is said to have been another factor leading to the ÅŒnin War. ("The Love of the Samurai: A Thousand Years of Japanese Homosexuality by Tsuneo Watanabe and Jun'ichi Iwata)
In
1489, the retired Yoshimasa built Jishoji Temple (Also known as
Ginkaku-ji Temple and Silver Pavilion) in
Kyoto, one of the current most famous tourist attractions in the ancient capital.
Eras of Yoshimasa's ''bakufu''
The years in which Yoshimasa was shogan are more specifically identified by more than one
era name or ''
nengÅ''.
★ ''
HÅtoku'' (1449-1452)
★ ''
KyÅtoku'' (1452-1455)
★ ''
KÅshÅ'' (1455-1457)
★ ''
ChÅroku'' (1457-1460)
★ ''
KanshÅ'' (1460-1466)
★ ''
BunshÅ'' (1466-1467)
★ ''
ÅŒnin'' (1467-1469)
★ ''
Bunmei'' (1469-1487)
References
Notes
Further reading
★
Keene, Donald. (2003). ''Yoshimasa and the Silver Pavilion: The Creation of the Soul of Japan''. New York:
Columbia University Press. ISBN 0-231-13056-2.
★
Titsingh, Isaac, ed. (1834), [Siyun-sai Rin-siyo/
Hayashi GahÅ, 1652], ''
Nipon o daï itsi ran; ou, Annales des empereurs du Japon.'' Paris:
Oriental Translation Fund of Great Britain and Ireland.
--''Two copies of this rare book have now been made available online: (1) from the library of the University of Michigan, digitized January 30, 2007; and (2) from the library of Stanford University, digitized June 23, 2006.'' Click here to read the original text in French.