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'''A Portrait of the Artist as a Young Man''' is a semi-autobiographical novel by James Joyce, first serialized in ''The Egoist'' from 1914 to 1915 and published in book form in 1916. It depicts the formative years in the life of Stephen Dedalus, a fictional alter ego of Joyce and a pointed allusion to the consummate craftsman of Greek mythology, Dædalus.
''A Portrait'' is a key example of the Künstlerroman (an artist's bildungsroman) in English literature. Joyce's novel traces the intellectual and religio-philosophical awakening of young Stephen Dedalus as he begins to question and rebel against the Catholic and Irish conventions he has been brought up in. He finally leaves for Paris to pursue his calling as an artist. The work pioneers some of Joyce's modernist techniques that would later come to fruition in ''Ulysses'' and ''Finnegans Wake.'' The Modern Library ranked ''Portrait'' as the third greatest English language novel of the twentieth century.

Contents

Previous Version

Literary Style

Allusions/references in the novel

Allusions to history and geography

Allusions to other works

Allusions/references to the novel in other works

Allusions to the title

In Film

Trivia

Further reading

External links

Previous Version

''Portrait'' is a complete rewrite of his earlier attempt at the story, ''Stephen Hero'', with which he grew frustrated in 1905. Large portions of ''Stephen Hero'' found their way, sometimes nearly unchanged, into ''Portrait'', but the tone was changed considerably in order to focus more exclusively on the perspective of Stephen Dedalus. For instance, several of his siblings made prominent appearances in the earlier novel, but are almost completely absent in ''Portrait''. The incomplete first draft of ''Stephen Hero'' was published posthumously in 1944.

Literary Style

Stylistically, the novel is written as a third-person narrative with minimal dialogue, though towards the very end of the book dialogue-intensive scenes and finally journal entries by Stephen are introduced to mirror his alienation from society. Since the work covers Stephen's life from the time he was a child to his growing independence and ultimate abandoning of Ireland as a young man, the style of the work progresses through each of its five chapters, with the complexity of language gradually increasing. However, throughout the work, language and prose are used to portray indirectly the state of mind of the protagonist, and the subjective impact of the events of his life. Hence the fungible length of some scenes and chapters, where Joyce's intent was to capture the subjective experience through language, rather than to present the actual experience through prose narrative.
Because of the first page of the novel, which is sui generis to the rest of the ''Portrait'' but very similar in style to Joyce's later novel ''Finnegans Wake'', a reader may erroneously conclude that the ''Portrait'' as a whole is a stream of consciousness narrative along the lines of Beckett, Gertrude Stein, or Joyce's own ''Ulysses''. This is not the case.

Allusions/references in the novel

Allusions to history and geography

The book is set in Joyce's native Ireland, especially in Dublin. It deals with many Irish issues such as the quest for autonomy and the role of the Catholic church. A particular figure, who is also mentioned in ''Dubliners'' and ''Ulysses'', is the Irish leader Charles Stewart Parnell.

Allusions to other works

The myth of Daedalus and Icarus figures largely in the novel. In Greek myth, Daedalus was an architect and inventor who almost becomes trapped in a labyrinth of his own construction. He later escapes and fashions wings of feathers and wax for his son and himself to escape the island they are on. As they fly away Icarus grows bolder and flies higher, until finally he flies too close to the sun, which causes the wax to melt, and he plummets into the sea. This myth echoes the central themes of the novel - refusal to follow the path of the father, individual rebellion and discovery, producing a work of art that entraps the artificer, or allows him to escape his past.
Stephen's name is an allusion to Saint Stephen, the first Christian martyr. Stephen Daedalus, like Saint Stephen, has conflicts with the established religion.
The Divine Comedy is also echoed in the name Stephen gives his aunt - Dante. Dante is so-called because of the way 'Auntie' sounds in her Cork accent.

Allusions/references to the novel in other works

Allusions to the title

The title has been plagiarised and parodied by many writers including Charles Perry in "Portrait of a Young Man Drowning", Dylan Thomas in his ''Portrait of the Artist as a Young Dog'', Joseph Heller in ''Portrait of an Artist, as an Old Man'', Andrew Barlow and Kent Roberts' ''A Portrait of Yo Mama as a Young Man'', Grayson Perry's biography ''Portrait of the Artist as a Young Girl'' and William Eastlake's ''Portrait of an Artist with 26 Horses''. In Patrick White's novel ''The Solid Mandala'', Waldo Brown plans but fails to write a novel called ''Tiresias a Youngish Man'', thereby parodying both Joyce's novel and T. S. Eliot's ''The Waste Land''.
The Northern Irish poet Nick Laird has published a poem in his collection ''To a Fault'' entitled "A Portrait Of The Artist As A Joke" which deals with the narrator's own identity and considers perpetuated Irish stereotypes through a mixture of stark anecdote and fragmented images.
The band Antimatter have included a song on ''Planetary Confinement'', their third studio album, titled 'A Portrait of the Young Man as an Artist'. This song is a "reflection on the Liverpool music scene[1]".
In the ''King of the Hill'' episode "A Portrait of the Artist as a Young Clown", Bobby Hill is enrolled in clown college.
The Title of "A Portrait of the Artist as a Young Man" was also referred to by Hip-Hop artist Talib Kweli in the song "Memories Live" from his album Reflection Eternal :
"Though it kinda' make me think of way back when, I was the portrait of the artist as a young man"

In Film

A low-key 1977 Joseph Strick production of the book starred Bosco Hogan as Stephen Daedalus, TP McKenna as Simon Daedalus and included a famous cameo appearance by Sir John Gielgud as a priest-on-a-pulpit.[2]

Trivia

★ The book was rejected when it was first submitted to a publisher. Edward Garnett, a highly distinguished critic of the time, wrote in a report to the publisher after reading the book:

Further reading

★ Ellmann, Richard. ''James Joyce''. Oxford University Press, 1959, revised edition 1983.

★ Burgess, Anthony. ''Here Comes Everybody: An Introduction to James Joyce for the Ordinary Reader'' (1965); also published as ''Re Joyce''.

★ Burgess, Anthony. ''Joysprick: An Introduction to the Language of James Joyce'' (1973)

External links

★

★ Searchable, self-referential edition of ''Portrait'', with concordance

★ SparkNotes study guide

★ The Literature Network

★ Bibliomania

★ Google Earth Placeset for ''A Portrait of the Artist as a Young Man''